A solo exhibition titled Stories the Soil Remembers by Delhi-based artist Jyoti Tyagi will be held from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by Prayag Shukla, the exhibition brings together works that engage with themes of nature, memory, and ecological sensitivity.

Exhibition Overview

The exhibition presents a series of works created using charcoal, acrylic, and mixed media on paper and canvas. Through these materials, Jyoti Tyagi explores layered narratives that reflect both personal and collective experiences. The works invite viewers to consider the relationship between the natural environment and human intervention.

Themes of Nature and Ecology

Recurring visual elements such as trees, birds, and landscapes appear throughout the exhibition. These motifs are used to reflect on the interdependence between humans and nature. The works also raise questions about ecological responsibility and the impact of urban expansion on natural spaces.

Artistic Practice and Technique

Tyagi’s practice combines charcoal and soft pastels for spontaneous mark-making with acrylic layers that add depth and texture. She often scratches into the painted surface, creating marks that resemble etching. This process introduces a sense of time and transformation within her compositions, suggesting both construction and erosion.

Concept Behind the Exhibition

The body of work stems from a central question: what does the ground retain as cities continue to expand? Rather than offering direct answers, the exhibition encourages reflection on what remains unseen beneath urban development. Birds and fragmented landscapes in her works act as subtle indicators of displacement and resilience.

Artist Background

Jyoti Tyagi, originally from western Uttar Pradesh and now based in Ghaziabad, has developed her artistic practice over several years. She began painting regularly around 2008 and later pursued a Diploma in Fine Arts after a long pause in her creative journey. Her work has been shown at institutions including Lalit Kala Akademi, New Delhi, and in exhibitions across Varanasi, Amritsar, and Lucknow.

Curatorial Context

The exhibition is curated by Prayag Shukla, a poet and art critic known for his engagement with contemporary Indian art. His curatorial approach situates Tyagi’s work within broader discussions on environmental awareness and the role of memory in shaping visual narratives.

Highlights of the Exhibition

• Works created using charcoal, acrylic, and mixed media
• Exploration of ecological concerns and urban transformation
• Recurring motifs such as birds, trees, and layered landscapes
• Textural surfaces with etched and scratched details

Visitor Information

Stories the Soil Remembers will be open to the public from 8 May to 14 May 2026 at Shridharani Gallery, located within Triveni Kala Sangam on Tansen Marg, New Delhi. Visitors can view the exhibition during gallery hours.

Takeaway

 

View this post on Instagram

 

A post shared by Stories The Soil Remembers (@unheard_roots)

Stories the Soil Remembers presents a contemplative body of work that reflects on the changing relationship between people and their environment. Through subtle imagery and layered techniques, Jyoti Tyagi invites viewers to engage with questions of memory, ecology, and coexistence. The exhibition contributes to ongoing conversations about urbanisation and the need for environmental awareness within contemporary society.

The Serendipity Arts Festival has announced its 11th edition, scheduled to take place from December 13 to 20, 2026, in Panjim, Goa. Known as South Asia’s largest interdisciplinary arts platform, the Festival will continue its curator-led model, bringing together practitioners across disciplines to shape a research-driven and collaborative programme. 

A Curator-Led Framework

At the centre of the Festival is its curatorial structure, which treats artistic disciplines as interconnected rather than separate. Each curator is invited to develop ideas, initiate dialogue, and create intersections across forms such as visual arts, music, craft, dance, theatre, and culinary practices. This approach reflects the Festival’s emphasis on evolving artistic conversations and critical engagement. 

Vision for the 11th Edition

Founder-Patron Sunil Kant Munjal noted that the Festival’s next phase aims to deepen how art is experienced and understood. The 2026 edition seeks to move beyond presentation toward inquiry-led programming shaped by curators who bring both expertise and experimentation. 

Visual Arts and Craft Curators

The Visual Arts programme will be led by Latika Gupta and Sheba Chhachhi, whose work spans art history, pedagogy, and lens-based practice.

In Craft, Kshitij Jalori and Sudheer Rajbhar will explore intersections between traditional craftsmanship and contemporary design innovation. 

Culinary Arts and Music Direction

The Culinary Arts section will be curated by Anisha Rachel Oommen, who examines food as a cultural and storytelling medium.

Music programming will be shaped by Aruna Sairam and Ankur Tiwari, bringing together classical traditions and contemporary sound practices. 

Highlights of Programme Areas

• Visual arts rooted in historical and political inquiry
• Craft practices bridging tradition and design innovation
• Culinary narratives focusing on regional food cultures
• Music spanning classical and contemporary forms

Dance and Theatre Programming

Dance will be curated by Ashley Lobo and Surjit Nongmeikapam, exploring the body as a site of both discipline and experimentation.

The Theatre programme will be led by Mahesh Dattani and Anuradha Kapur, focusing on performance as a space for critical and social engagement. 

Accessibility and Special Projects

Accessibility remains a central focus, curated by Salil Chatturvedi, ensuring inclusive participation across the Festival.

Special Projects, curated by Sreyansi Singh and Padmini Chettur, will connect disciplines through experimental formats and cross-disciplinary work. 

About the Festival and Organiser

Organised by Serendipity Arts Foundation, the Festival is held annually in Panjim with free public access. It spans over 300,000 square feet of venues, presenting exhibitions, performances, workshops, and interactive experiences across disciplines. 

The Foundation supports artistic practice through grants, residencies, and research initiatives, with a focus on building long-term cultural ecosystems in South Asia. 

Key Festival Features

• Free public access across venues
• Interdisciplinary programming
• Workshops, performances, and exhibitions
• Focus on accessibility and inclusivity

Event at a Glance

Takeaway

As it enters its second decade, the Serendipity Arts Festival continues to position itself as a platform for critical engagement and interdisciplinary exchange. The 2026 edition emphasises curatorial depth and collaboration, offering audiences an opportunity to experience art as an evolving conversation that connects disciplines, communities, and cultural narratives.

A Summer Showcase of Art and Design

From 15th to 17th May, the Alliance Française de Delhi will host a curated lifestyle showcase celebrating Indian art. Curated by Srila Chatterjee, the event brings together art, design, and community in a setting designed as a cultural retreat. Open daily from 11 am to 7 pm, the showcase invites visitors to experience art in an accessible and engaging format.

A Cultural Fusion at a French Institution

The Alliance Française, known for promoting French language and culture in India, has increasingly positioned itself as a platform for cross-cultural exchange. By hosting this exhibition, the institution reinforces its engagement with Indian artistic traditions, presenting them within an international cultural framework.

Curatorial Vision by Srila Chatterjee

Srila Chatterjee, founder of Baro Market, curates the showcase with an emphasis on accessibility. Her approach focuses on breaking barriers around art consumption, encouraging both seasoned collectors and first-time buyers to engage with artworks in a relaxed and welcoming environment.

Diverse Artistic Traditions on Display

The exhibition spans multiple regions and traditions, bringing together works from across India. Visitors can encounter a wide range of artistic practices, including:

• Thangka paintings from Himalayan regions
• Pichwai art from Rajasthan
• Pattachitra from Bengal and Odisha
• Gond art from Central India
• Ajrakh textile traditions from Gujarat
• Sohrai mural-inspired works

These are presented alongside contemporary canvases, watercolours, and limited-edition prints.

Featured Artists and Contemporary Voices

The showcase includes works by established artists such as Venkat Raman Singh Shyam and Jogen Chowdhury, alongside emerging contemporary practitioners. This blend of folk masters and modern voices reflects the evolving landscape of Indian art.

Making Art Accessible

A central theme of the exhibition is affordability and inclusivity. The works are original and certified, yet priced to encourage wider participation. The curatorial approach aims to make art approachable for individuals looking to begin their collecting journey or enhance their living spaces.

About Baro Art Initiative

Baro Art, an extension of Baro Market, continues its mission to democratise art. Originating from the Baro store in Mumbai, the initiative collaborates with artists, craftsmen, and designers across India. It prioritises equitable engagement with creators while making art accessible to a broader audience.

Visitor Information

Highlights of the Exhibition

• Multi-regional representation of Indian art traditions
• Affordable and original artworks
• Blend of folk and contemporary practices
• Curated lifestyle and design elements
• Opportunity to meet and discover diverse artists

Takeaway

This showcase at Alliance Française de Delhi presents a thoughtful intersection of tradition, contemporary practice, and accessibility. By bringing together diverse artistic voices under one roof, it reflects a broader shift towards inclusive art engagement. The event offers visitors not just an exhibition, but a space to experience how art can meaningfully integrate into everyday life.

An exhibition titled Through the Artist’s Eye: A Century of Sight and Service at Dr. Shroff’s Charity Eye Hospital opened in New Delhi on April 28, 2026. The show presents the work of British artist Stuart Robertson, developed during an 18-month residency at Dr. Shroff’s Charity Eye Hospital. It is on view at Bikaner House Centre for Contemporary Art until May 3, 2026. 

A Residency Rooted in Care

The exhibition emerges from Robertson’s extended engagement within the hospital environment, where he worked alongside medical staff, patients, and the surrounding communities of Daryaganj and Old Delhi. What began as a donation evolved into an immersive residency, allowing the artist to observe and participate in the daily rhythms of a functioning charitable institution. 

Curatorial Framework and Concept

Curated by Ashish Sahoo and Zaarya Chaudhari, the exhibition explores the relationship between art and healthcare. The curatorial approach situates the hospital not as an isolated medical site but as part of a broader social and urban ecosystem. It also raises questions about perception, observation, and the ethics of representation. 

Artistic Approach and Mediums

The exhibition brings together multiple forms of artistic practice, reflecting Robertson’s interdisciplinary approach:

• Monochromatic photography documenting clinical and human interactions
• Drawings created within surgical and recovery spaces
• Bronze sculptures focusing on human presence
• Cyanotypes developed using sunlight, connecting light and vision

These works collectively present a layered narrative of care, labour, and human connection within the hospital. 

Extending Beyond the Hospital

Robertson’s work extends into the surrounding neighbourhoods of Old Delhi and Chandni Chowk, highlighting the interconnection between the hospital and its urban context. The exhibition also includes references to his ongoing blog, Art of Sevā, which features reflections from medical practitioners and contributors, expanding the project beyond the gallery space. 

Institutional Background and Support

Dr. Shroff’s Charity Eye Hospital has served communities in Delhi for over a century, focusing on accessible eye care through a model rooted in service and innovation. The exhibition is supported by the Eicher Group Foundation, which has worked with the hospital since 1996 as part of its corporate social responsibility initiatives. 

Exhibition Highlights

Key aspects of the exhibition include:

• A rare artist residency within a working hospital setting
• Focus on the human and social dimensions of healthcare
• Integration of art with medical and community narratives
• Exploration of vision as both a physical and conceptual experience

Visitor Information

The exhibition is open to the public at Bikaner House Centre for Contemporary Art from April 28 to May 3, 2026. Entry details have not been specified, and visitors are encouraged to check venue guidelines before attending. 

Takeaway

Through the Artist’s Eye presents an intersection of art, medicine, and social engagement, offering insights into how creative practices can engage with institutional spaces. By focusing on perception and shared responsibility, the exhibition highlights how art can contribute to broader conversations about care, dignity, and community in contemporary society.

New Delhi, April 2026: Gallery Silver Scapes will present Silent Stories, a solo exhibition by Sri Lankan artist Shanaka Kulathunga, opening from May 21st to 28th, 2026 at the CCA Building, Bikaner House, New Delhi. The exhibition marks the artist’s first solo presentation in India and introduces a body of work shaped by memory, everyday life, and cultural landscapes, within a broader India–Sri Lanka context.

A First Solo Exhibition in India

Silent Stories marks an important moment in Shanaka Kulathunga’s career as it brings his work to Indian audiences for the first time in a solo format. Presented by Gallery Silver Scapes, the exhibition also reflects ongoing cultural exchanges between India and Sri Lanka, offering viewers insight into shared and distinct visual narratives.

Exploring Memory and Everyday Life

The exhibition features paintings in acrylic and oil, where figuration and landscape intersect. Kulathunga’s works draw from lived experiences and rural life in Sri Lanka, creating compositions that reflect relationships between people and their surroundings. His visual language combines observation and imagination, resulting in layered and introspective narratives.

Highlights of the Exhibition

• Paintings inspired by rural Sri Lankan life
• Exploration of identity, memory, and social relationships
• Use of figuration blended with landscape elements
• Works capturing movement, emotion, and everyday scenes

The Artist’s Practice

Born in 1981 in Sri Lanka, Shanaka Kulathunga has developed a practice rooted in observation and introspection. His subjects include teachers, labourers, elders, children, and dancers, often depicted with immediacy and emotional depth. His work reflects themes of identity, affection, and social dynamics through symbolic and narrative elements.

Kulathunga notes that his works are shaped by personal experiences and environment, aiming to create connections between individual memory and shared human experiences.

Curatorial Approach

Curated by Archana Khare-Ghose, the exhibition frames Kulathunga’s work within a broader cultural dialogue. The curatorial approach highlights the artist’s ability to transform everyday moments into contemplative visual experiences, encouraging viewers to engage with both personal and collective histories.

Gallery and Cultural Context

Founded in 2009, Gallery Silver Scapes has contributed to the discourse of modern and contemporary Indian art by presenting both established and emerging artists. With Silent Stories, the gallery continues its effort to introduce diverse artistic voices and foster cross-cultural engagement.

Publication Launch and Programming

Alongside the exhibition, a publication on Shanaka Kulathunga’s artistic practice will be launched. The showcase also provides opportunities for audiences to engage more deeply with the artist’s work and process.

Visitor Information

The exhibition will take place at Bikaner House, a prominent cultural venue in New Delhi known for hosting art exhibitions and cultural events.

Takeaway

Silent Stories offers a reflective exploration of memory, identity, and lived experience through Shanaka Kulathunga’s paintings. By situating personal narratives within a broader cultural framework, the exhibition contributes to ongoing artistic dialogue between India and Sri Lanka, inviting viewers to engage with both intimate and shared histories.

‘He Who Permeates’, a joint exhibition curated by Mihir Thakkar, is currently on view at Tao Art Gallery, Mumbai. Featuring contemporary artists Jayesh Sachdev and NFN Kalyan, the exhibition examines how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show is open daily from 11 am to 6:30 pm until May 28, 2026. 

Concept and Curatorial Framework

 

View this post on Instagram

 

A post shared by The Ideal Home And Garden (@theidealhomeandgarden)

Drawing its title from an epithet of Vishnu, the exhibition frames meaning as something that permeates across traditions and visual systems. It proposes that perception is not fixed but continuously shaped by cultural shifts and layered references. Through this framework, the exhibition encourages viewers to reconsider familiar symbols beyond their conventional interpretations. 

Artists in Dialogue

The exhibition brings together two distinct artistic practices. Sachdev’s work spans painting, sculpture, and immersive formats, while Kalyan’s practice draws on narrative traditions and global pop-cultural imagery. Together, their works create a visual dialogue that repositions iconography within contemporary contexts, prompting reflective engagement with visual culture. 

NFN Kalyan’s India Debut

This exhibition marks NFN Kalyan’s first presentation in India. Based in the United States, the artist is known for multidisciplinary conceptual works that explore identity, politics, and the human condition. His practice reflects a cross-cultural perspective shaped by an India–US background and a strong digital presence, resulting in layered visual narratives that combine diverse references. 

Jayesh Sachdev’s Expanding Practice

Mumbai-based Jayesh Sachdev is recognised for his multidisciplinary approach that includes painting, sculpture, and design. As the founder of Quirk Box, he has developed a practice that blends mythology with contemporary and technological elements. His works often engage with symbols that oscillate between reverence and critique in a visually saturated environment. 

Exhibition Highlights

Key aspects of the exhibition include:

• Intersections of mythology, iconography, and pop culture
• Use of painting, sculpture, and experiential formats
• Exploration of identity and shifting visual meanings
• A dialogue between Indian and global cultural references

Venue and Visitor Information

‘He Who Permeates’ will be on view until May 28, 2026 (11 am to 6:30 pm daily) at Tao Art Gallery, Mumbai and is open to all.

Curatorial and Institutional Context

Tao Art Gallery has been an active space in Mumbai’s contemporary art scene, supporting emerging and established artists through curated exhibitions. With ‘He Who Permeates’, the gallery continues its engagement with practices that respond to evolving visual cultures and global narratives.

Takeaway

‘He Who Permeates’ presents a layered exploration of how meaning is constructed and reinterpreted in contemporary visual culture. By bringing together two distinct artistic voices, the exhibition offers viewers an opportunity to reflect on identity, symbolism, and perception. In doing so, it contributes to broader conversations on how art mediates cultural understanding in an increasingly interconnected world.