KYNKYNY Opens Mumbai Gallery with The Urban Biome, Exploring Contemporary Urban Ecologies

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August 4, 2026

KYNKYNY Opens Mumbai Gallery with The Urban Biome-01 — Krisha Bhuva – Spun Around the Hand

Contemporary Indian art gallery KYNKYNY will open its first Mumbai gallery on 7 August 2026 with The Urban Biome, a group exhibition that brings together six contemporary artists exploring the relationship between people and the environments they inhabit. Running until 4 September 2026, the exhibition marks a new chapter for the gallery, which was founded in Bengaluru in 2004 by Namu Kini and Vivek Radhakrishnan. The new gallery is located at Horniman Circle, one of Mumbai’s historic cultural districts, further expanding KYNKYNY’s presence in India’s contemporary art landscape. The gallery has built its reputation over two decades through exhibitions featuring both emerging and established artists while participating in major Indian art fairs.

Examining the Urban Environment

Hemanth-Kumar-Confusion-Edition — Hemanth Kumar – Confusion Edition

Curated around the idea of the “urban biome“, the exhibition considers cities as living ecosystems rather than collections of buildings and infrastructure. According to the exhibition concept, everyday objects, architecture, neighbourhoods and routines shape human experience while simultaneously being transformed by those who inhabit them.

Rather than presenting urban life as purely architectural, The Urban Biome examines how spaces accumulate memories, behaviours and relationships over time. The exhibition suggests that cupboards, streets, homes and cities all evolve through repeated acts of organisation, neglect, movement and adaptation. It also highlights the coexistence of humans with plants, animals and other living organisms, positioning cities as interconnected ecological systems.

Six Contemporary Artists

The inaugural exhibition features works by:

Krisha Bhuva
Hemanth Kumar
N. Divya
Nivedita Shinde
Simran Yogyik
Suni K.

Working across different artistic practices, the participating artists investigate themes including domestic environments, ecological coexistence, memory, everyday objects and urban landscapes. Together, their works encourage visitors to consider how built environments quietly influence behaviour, identity and social interaction.

One featured work by Krisha Bhuva depicts the interaction between a cat, household objects and interior space, illustrating the exhibition’s broader interest in the subtle relationships between living beings and their surroundings. The painting reflects the exhibition’s emphasis on observing ordinary moments as part of larger urban ecologies.

A New Chapter for KYNKYNY

Sunil-K-Attack-II — Sunil K – Attack 100% Damage 0% II

Founded in 2004, KYNKYNY has become known for presenting contemporary Indian artists working across painting, sculpture and mixed media. Its curatorial programme regularly explores subjects such as ecology, abstraction, identity, memory and the changing nature of urban life. Over the years, the gallery has presented numerous solo and group exhibitions while developing long-term relationships with artists, collectors, architects and institutions across India.

The Mumbai gallery represents the organisation’s first permanent space in the city, extending its activities beyond Bengaluru. The expansion also places KYNKYNY within Mumbai’s active gallery ecosystem, where contemporary art spaces continue to contribute to public engagement with visual culture.

Visitors can learn more through KYNKYNY’s official website and browse current and upcoming programmes on the gallery’s Exhibitions page.

Exhibition Highlights

Inaugural exhibition of KYNKYNY’s Mumbai gallery
Six contemporary Indian artists
Focus on urban ecology and everyday environments
Paintings exploring domestic, architectural and ecological relationships
Exhibition on view from 7 August to 4 September 2026

Visitor Information

Event	Details
Event Name	The Urban Biome
Exhibition Type	Contemporary Group Exhibition
Artists	Krisha Bhuva, Hemanth Kumar, N. Divya, Nivedita Shinde, Simran Yogyik and Suni K.
Venue	KYNKYNY
Address	4th Floor, No. 20, Gool Mansion, 6 Homji Street, Horniman Circle, Mumbai, Maharashtra – 400001
Opening Date	07 August 2026
Exhibition Dates	07 August – 04 September 2026
Organiser	KYNKYNY Contemporary Art Gallery
Website	https://kynkyny.com/

Final Thoughts

With The Urban Biome, KYNKYNY introduces its Mumbai gallery through an exhibition that considers cities as evolving ecosystems shaped by people, objects and nature. By bringing together six contemporary artists with distinct perspectives, the exhibition offers audiences an opportunity to reflect on the relationships that define everyday urban life. As the gallery expands its presence beyond Bengaluru, the new space contributes to Mumbai’s growing network of contemporary art venues and ongoing conversations around culture, ecology and the changing experience of modern cities.

Emami Art Announces Three New Exhibitions Exploring Ecology, Everyday Life and Urban Memory

By

Nagaraj

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August 3, 2026

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Beginning 8 August, Emami Art will present three solo exhibitions by Ruma Choudhury, Soma Das and Kushal Ray. Together, the exhibitions bring diverse artistic practices to the gallery, ranging from handmade paper and painting to photography, while exploring themes of ecology, lived experience and Kolkata’s changing urban landscape.

Three Exhibitions Open this August

Emami Art has announced a new exhibition programme featuring three solo exhibitions across its gallery spaces at the Kolkata Centre for Creativity. Opening on 8 August 2026, the exhibitions showcase recent works by Ruma Choudhury, Soma Das and Kushal Ray, each engaging with different aspects of contemporary artistic practice. Spread across Galleries 1, 2 and 3, the programme includes handmade paper installations, paintings, mixed-media works and photography. The exhibitions will remain on view through mid-September, according to the gallery’s announcement.

Ruma Choudhury Examines Ecology Through Handmade Paper

Opening in Gallery 1, Elemental Encounters: Practice as Ecological Archive marks Ruma Choudhury’s debut solo exhibition at Emami Art. The exhibition explores handmade paper as a material shaped by natural processes rather than simply a surface for artistic expression. Using locally sourced plant fibres, Choudhury exposes handmade paper to sunlight, rain, humidity and wind, allowing environmental conditions to leave visible traces on the material. The resulting works examine the relationship between ecology, time and memory, while reflecting the artist’s long-term research into paper-making and environmental awareness.

Soma Das Celebrates the Poetry of Everyday Life

Gallery 2 presents নিত্য – নূতন: The New in the Everyday, featuring Soma Das’s recent paintings and mixed-media works inspired by everyday experiences. Drawing from childhood memories and observations of ordinary people, Das portrays women and men navigating work, family life and moments of leisure. Alongside her signature gouache paintings, the exhibition includes works in wood, terracotta, metal, embroidery and appliqué, highlighting the artist’s continued experimentation with materials while remaining rooted in familiar social experiences.

Kushal Ray Revisits Calcutta Through Photography

In Gallery 3, শহরনামা | Calcutta 1990–1993 presents photographs selected from thousands of negatives created by Kushal Ray during the early 1990s. The exhibition documents everyday life across Calcutta’s streets, neighbourhoods and public spaces, offering a visual record of a city undergoing change. Several photographs are being exhibited as prints for the first time, bringing renewed attention to an important archive of the city’s social and cultural history.

About the Exhibition Programme

Together, the three exhibitions highlight the diversity of contemporary artistic practices represented by Emami Art, spanning environmental art, figurative painting and documentary photography. While each exhibition explores a distinct subject, the programme reflects the gallery’s continued focus on supporting artists whose practices engage with material experimentation, social observation and cultural memory.

Visitor Information

Event	Emami Art Exhibition Programme 2026
Exhibitions	Three Exhibitions At Emami Art – Elemental Encounters: Practice as Ecological Archive, নিত্য – নূতন: The New in the Everyday & শহরনামা \|Calcutta 1990-1993
Venue	Galleries 1, 2 & 3, Ground Floor, Emami Art, Kolkata Centre for Creativity, 777 E.M. Bypass, Kolkata – 700107
City	Kolkata, West Bengal
Opening Date	8 August 2026
Preview	5:00 PM onwards
Exhibition Period	8 August – 18 September 2026* *The Ruma Choudhury press release lists 19 September 2026 for that exhibition.
Featured Artists	Ruma Choudhury, Soma Das and Kushal Ray
Mediums	Handmade paper, painting, mixed media, textile, sculpture and photography
Organiser	Emami Art
Entry	Visitor information has not been specified in the press materials.
Website	www.emamiart.com
Press Contact	Sreyashi Sircar Phone: +91 98306 85017 Email: sreyashi.pr@emamiart.com

Final Thoughts

With three distinct exhibitions opening simultaneously, Emami Art’s latest programme offers visitors an opportunity to engage with diverse contemporary artistic practices through the works of Ruma Choudhury, Soma Das and Kushal Ray. Together, the exhibitions reflect the gallery’s continued focus on presenting artists whose practices explore material innovation, lived experiences and cultural memory. Opening on 8 August 2026, the programme adds another significant chapter to Kolkata’s cultural calendar, inviting audiences to experience three unique perspectives within a single exhibition season.

5 Metabolic and Behavioural Signs Requiring Urgent Intervention in Elder Care

By

Cscope Staff

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August 3, 2026

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As people age, the body doesn’t always signal problems loudly. Some of the most serious health issues in elderly patients show up as small, easy-to-miss changes, not dramatic symptoms. Recognising these early can make a real difference to how quickly proper care and treatment begin.

This is especially relevant in a city like Mumbai, where high humidity, seasonal heat, and busy household routines can sometimes mask early warning signs as everyday fatigue or mood shifts. Here are five signs that genuinely warrant prompt medical attention.

1. Sudden Confusion or Disorientation

A sudden change in mental clarity, especially in someone who was previously alert and oriented, is one of the clearest signals that something needs immediate medical review. This is different from gradual memory changes associated with ageing.

Watch for:

Sudden difficulty recognising familiar people or places
Confusion that appears within hours or a single day
Difficulty following simple conversations that were previously easy

Sudden confusion can point to infections, dehydration, or metabolic imbalances, several of which are treatable quickly when caught early.

2. Unexplained Weight Loss or Appetite Changes

Gradual, unexplained weight loss, or a sudden drop in appetite, often reflects an underlying metabolic or health issue rather than simple ageing. According to World Health Organisation guidance on healthy ageing, monitoring functional and nutritional status consistently is a core part of proactive elderly care, rather than addressing weight changes only after they become severe.

Signs worth tracking:

Noticeable weight loss over a few weeks, without a clear cause
Loss of interest in food or skipped meals becoming frequent
Changes in taste or difficulty swallowing

3. Sudden Decline in Mobility or Balance

A sudden increase in unsteadiness, frequent stumbling, or difficulty standing up, especially if it appears quickly rather than gradually, needs urgent attention. Falls remain one of the leading causes of serious injury among elderly patients, and a sudden mobility decline often precedes one.

Families searching “caretaker near me” online during this kind of transition often do so because they’ve noticed exactly this pattern, a sudden shift that feels different from the person’s usual pace of ageing.

A Quick Note Before Moving Ahead: This article is meant to help families recognise general warning signs and isn’t a substitute for professional medical evaluation. If any of these signs appear suddenly or severely, please contact a doctor or emergency services promptly rather than waiting to see if symptoms improve.

4. Significant Behavioural or Mood Changes

Sudden withdrawal, unusual agitation, irritability, or a noticeable shift in personality can all indicate an underlying issue, ranging from infections to metabolic imbalances to early neurological changes. These shifts are sometimes dismissed as “just a bad day,” but a sudden and lasting change is worth taking seriously.

Look out for:

Uncharacteristic aggression or agitation
Sudden social withdrawal or loss of interest in usual activities
Noticeable changes in sleep patterns alongside mood shifts

5. Signs of Dehydration or Blood Sugar Irregularities

Elderly patients are particularly vulnerable to dehydration and blood sugar fluctuations, both of which can escalate quickly if not addressed. In Mumbai’s humid climate, dehydration risk increases further, especially for patients who reduce fluid intake due to reduced thirst sensation, a common change with age.

Watch for:

Dry mouth, reduced urination, or dizziness
Excessive thirst or unusually frequent urination
Sudden fatigue, sweating, or shakiness, which can indicate blood sugar swings

Why Early Recognition Matters So Much

Many of these signs are treatable quickly when caught early, but they can escalate into serious complications if dismissed as normal ageing. This is exactly why consistent, close observation matters so much in daily elderly care, whether provided by family or a trained caregiver.

Why This is Easier to Catch at Home

Subtle changes like these are often noticed faster in a familiar home environment, where a consistent caregiver sees the person’s normal baseline every day. This is one of the main reasons families turn to elder care in Mumbai that’s based at home rather than in a shared facility, since that kind of continuous observation is harder to replicate through occasional visits or staff managing multiple patients at once.

Acting on These Signs Promptly

If any of these signs appear, especially suddenly, the right response is prompt medical evaluation, not a wait-and-watch approach. A quick call to the treating doctor or nearest hospital is always the safer choice. Elderly care isn’t just about daily routines and comfort. It’s also about recognising when something has genuinely changed, and paying close attention to these five signs can make a real difference to health outcomes.

A Voyage to Permanence Explores Experimental Cinema and Visual Poetry at Museum of Goa

By

Nagaraj

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August 1, 2026

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The Museum of Goa (MOG), Pilerne, will present A Voyage to Permanence, a three-day exhibition celebrating the visual language of independent filmmaker Purandar Chaudhuri from 12 to 14 August 2026. Conceived by Jooby Yohannan and curated by art critic Johny ML, the exhibition combines experimental cinema, photography, sound and visual essays, inviting audiences to experience moving images as contemplative works rather than conventional narratives. The exhibition will be held in Gallery 2 on the museum’s second floor, with a special film screening in the museum auditorium on the closing day.

Three Films Examine Migration, Labour and Memory

At the centre of the exhibition are Chaudhuri’s three experimental films Impressions of Mingling, Tremors, and Dhushor. Together, these works explore migration, labour, impermanence and the human condition through monochromatic imagery, sparse dialogue and an interplay between still and moving images. Rather than presenting documentary narratives, the films invite viewers into reflective spaces where abstraction and lived experience intersect. According to the exhibition note, the project encourages audiences to slow down and discover “the poetic possibilities that emerge between stillness and motion.”

Exhibition Programme and Special Events

The exhibition unfolds over three days with a different focus each day.

Highlights include:

12 August: Continuous screening of Impressions of Mingling alongside photographic works and alternative prints.
13 August: Continuous screening of Tremors within the exhibition space.
14 August: Special screening of Dhushor followed by an audience interaction with members of the creative team.
Launch of the Goa Cyanotype Notebook, celebrating alternative photographic processes.
A conversation on the accompanying photobook featuring Jayanth Kodkani and Nemiraj Shetty.

Purandar Chaudhuri’s Cinematic Language

Purandar Chaudhuri describes filmmaking as a medium that demands continuous experimentation. His visual style blends still photography with moving images, producing distinctive monochrome compositions that emphasise mood, silence and contemplation. Rather than relying on dialogue, his films use natural sound and carefully composed imagery to create immersive experiences that allow viewers space for reflection.

Although his films have been produced in recent years, Chaudhuri traces his cinematic journey back to his childhood in Kolkata, where he encountered the works of filmmakers including Satyajit Ray, Ritwik Ghatak, Mrinal Sen and Charlie Chaplin. His practice has also gained recognition through earlier projects such as Life in a Bowl, which screened at several international film festivals.

Collaborative Curatorial Approach

The exhibition is the result of an interdisciplinary collaboration involving filmmaker Purandar Chaudhuri, curator Johny ML, exhibition designer Prakash Braggs, Jooby Yohannan, Jayanth Kodkani and Nemiraj Shetty. Their combined contributions bring together filmmaking, photography, design, publishing and curatorial practice into a unified exhibition format. The organisers describe the project as an attempt to expand cinema beyond the conventional screen and into the gallery space, where viewers can engage with moving images as visual poetry.

Museum of Goa as a Contemporary Cultural Space

Founded in 2015 by artist Dr. Subodh Kerkar, the Museum of Goa has established itself as one of the state’s leading contemporary art institutions. Located at Pilerne Industrial Estate, the museum promotes public engagement with contemporary art through exhibitions, education programmes and community initiatives, with a mission of making art accessible to wider audiences.

Visitors can attend A Voyage to Permanence from 12–14 August 2026 at the Museum of Goa, Pilerne. Further information about the exhibition is available through A Voyage to Permanence, while museum details can be found on the Museum of Goa website. Ticket and visitor information is available via the museum’s official visitor page.

Event at a Glance

Event	Details
Event Name	A Voyage to Permanence
Artist	Purandar Chaudhuri
Venue	Museum of Goa (MOG), Gallery 2, 2nd Floor, Pilerne, Goa, India
Opening Date	12 August 2026
Exhibition Dates	12–14 August 2026
Curator	Johny ML
Project Conceived By	Jooby Yohannan
Exhibition Visuals	Prakash Braggs
Programme	12 Aug – Impressions of Mingling 13 Aug – Tremors 14 Aug – Dhushor + Audience Interaction
Additional Highlights	Launch of the Goa Cyanotype Notebook Photobook conversation with Jayanth Kodkani & Nemiraj Shetty
Entry	Open to the public
Website	https://www.avoyagetopermanence.com

Conclusion

A Voyage to Permanence offers visitors an opportunity to encounter experimental cinema within a gallery environment where film, photography and sound converge. By examining migration, memory and the passage of time through a contemplative visual language, the exhibition contributes to ongoing conversations about contemporary artistic practice. It also reflects the growing role of interdisciplinary exhibitions in expanding public engagement with cinema and visual culture.

Fulcrum Announces Dipali Gupta’s of pillow poems and delayed dawns in Mumbai

By

Cscope Staff

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July 31, 2026

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Fulcrum will present of pillow poems and delayed dawns, a solo exhibition by visual artist Dipali Gupta, opening on 13 August 2026 as part of Art Night Thursday and continuing until 26 September 2026. The exhibition at Fulcrum’s Kala Ghoda space examines the social, economic and historical systems that shape ideas of human desire, pleasure and female sexuality through a multidisciplinary body of work.

Examining Desire Through Feminist Perspectives

Working across painting, collage, moving image and object-oriented assemblage, Gupta uses the electromechanical pleasure device as a conceptual starting point to explore changing perceptions of sexuality and desire. According to the exhibition, this object becomes a way to question established narratives surrounding female pleasure while challenging conventional representations of the female body.

The exhibition investigates how desire is influenced by broader systems of power, labour and technology. Drawing on abstraction and abstract expressionism, Gupta proposes alternative visual narratives that shift attention from the male gaze towards female subjectivity.

Exhibition Highlights

Solo exhibition by Dipali Gupta
Paintings, collages, moving image and assemblage
Exploration of female sexuality, pleasure and desire
Feminist perspectives informed by theories of pleasure
Opening on Art Night Thursday, 13 August 2026

Artist’s Ongoing Research

Dipali Gupta is a multidisciplinary visual artist whose practice explores abstraction, eroticism and feminist theory. Her research draws on philosophical writings by Michel Foucault and Gilles Deleuze while examining how sexuality, identity and systems of power intersect in contemporary society. She works between Mumbai and Kuala Lumpur and has exhibited internationally across Singapore, Malaysia and other locations.

Her previous exhibitions include Desire Lines at The Backroom in Kuala Lumpur, The ILHAM Art Show in Malaysia, Uncertain Relaxation at Mutual Aids Project and Apotheca at Suma Orientalis. Gupta received the Marian Treger Fellowship for Enduring Creativity in 2025 and has also been recognised through the Chan Davies Art Prize and as a finalist for The Sovereign Asian Art Prize.

Fulcrum’s Interdisciplinary Programme

Founded in 2025, Fulcrum is an interdisciplinary cultural space in Mumbai that brings together exhibitions, screenings, research initiatives and public programmes addressing contemporary social, political and environmental questions. Located in the historic Great Western Buildings in Kala Ghoda, the venue supports artists, filmmakers, writers and researchers while encouraging dialogue across disciplines.

Visitor Information

The exhibition opens on 13 August 2026 and remains on view until 26 September 2026 at Fulcrum, 116/23 Great Western Buildings, Chamber of Commerce Street, Kala Ghoda, Mumbai.

Visitors can attend free of charge on a walk-in basis during gallery hours from Tuesday to Saturday, 11 am to 7 pm. Additional information is available through Fulcrum’s official website and social media channels.

Event	Details
Event Name	of pillow poems and delayed dawns
Artist	Dipali Gupta
Venue	Fulcrum, 116/23 Great Western Buildings, Chamber of Commerce Street, Kala Ghoda, Mumbai
Opening Date	13 August 2026
Exhibition Dates	13 August – 26 September 2026
Organiser	Fulcrum
Gallery Hours	Tuesday to Saturday, 11 am – 7 pm
Website	https://www.fulcrum.art

Conclusion

of pillow poems and delayed dawns continues Dipali Gupta’s ongoing engagement with feminist inquiry and the politics of representation. By combining multiple artistic mediums with research-driven practice, the exhibition offers audiences an opportunity to reflect on how ideas of desire and pleasure are shaped by history, technology and social structures. As part of Fulcrum’s interdisciplinary programme, the exhibition contributes to wider conversations around contemporary art and critical cultural discourse.

MOOL at Bikaner House Brings Together 20 South Asian Artists to Explore Home and Memory

By

Nagaraj

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July 31, 2026

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Exhibit320 will present MOOL, a major group exhibition curated by Shaleen Wadhwana, at Bikaner House, New Delhi, from 6 August to 13 August 2026, with a preview on 5 August 2026. Bringing together twenty artists from across South Asia, the exhibition examines how family histories, personal archives and shared cultural traditions shape ideas of home and belonging. Working across painting, photography, sculpture, textiles, ceramics, printmaking, embroidery, installation and archival material, the participating artists collectively explore cultural memory through diverse artistic practices.

An Exhibition Rooted in Shared Histories

The exhibition traces its origins to a conversation between artists Mahwish Chishty and Gunjan Chawla Kumar in 2016 about ancestry, migration and life before modern national borders. Their travels to archaeological sites including Taxila, Harappa, Mohenjodaro, Dholavira, Lothal and Rakhigarhi led to The Sindhu Project, an artistic collaboration inspired by the Indus Valley Civilisation and the Sindhu River. Works from that project, previously exhibited separately in India and Pakistan, are reunited in MOOL, where they become part of a broader dialogue involving eighteen additional South Asian artists.

Four Themes Explore the Meaning of Home

Rather than presenting a single narrative, MOOL is organised around four thematic sections that examine belonging from multiple perspectives:

Family Inherited & Chosen explores family archives, photographs and memories.
Emotional Cartography considers landscapes, rivers and borders as carriers of history.
The Body and its Object Biographies investigates memory through everyday objects and material culture.
Home in Script reflects on language, writing and the many meanings of the word “Mool” across South Asian languages.

Together, these themes encourage visitors to reflect on how personal histories intersect with wider regional narratives.

Personal Archives Take Centre Stage

One of the exhibition’s defining features is the inclusion of personal artefacts from each participating artist’s family. Many of these objects are being displayed publicly for the first time, extending the exhibition beyond contemporary artworks into intimate records of migration, inheritance, community and identity.

According to curator Shaleen Wadhwana, these family objects form the “heartbeat” of the exhibition by inviting viewers to ask what truly creates a sense of home. The exhibition therefore positions personal archives alongside artistic practice as equally significant cultural records of South Asia.

A Regional Dialogue Across Generations

MOOL brings together artists from India, Pakistan, Bangladesh, Nepal and Sri Lanka, among other South Asian contexts, creating an intergenerational conversation on shared histories despite contemporary political boundaries. Participating artists include Nilima Sheikh, Reena Saini Kallat, Zarina, Tayeba Begum Lipi, Mahwish Chishty, Gunjan Chawla Kumar, Ashfika Rahman, Ashmina Ranjit and several other established and emerging practitioners.

The exhibition highlights how themes such as migration, language, ecology, gender, memory and cultural inheritance continue to influence contemporary artistic practice across the region. Rather than presenting a unified history, the exhibition acknowledges multiple perspectives and lived experiences that collectively shape South Asia’s cultural landscape.

Exhibit320 Marks Another Major Curatorial Project

Founded in 2010 by Rasika Kajaria, Exhibit320 has established itself as one of New Delhi’s prominent contemporary art galleries, presenting interdisciplinary practices while participating in leading art fairs including India Art Fair, Art Dubai and Art Basel. Celebrating fifteen years of programming, the gallery continues its emphasis on concept-driven exhibitions that encourage critical engagement with contemporary issues. MOOL reflects this curatorial approach by combining historical inquiry with contemporary artistic practice in a public setting at Bikaner House.

Exhibition Highlights

20 contemporary South Asian artists
Curated by Shaleen Wadhwana
Reunion of works from The Sindhu Project
Personal family artefacts displayed publicly for the first time
Four thematic sections exploring belonging and identity
Works across painting, sculpture, photography, textiles, ceramics, installation and archival media

Event at a Glance

Event	Details
Event Name	MOOL
Curator	Shaleen Wadhwana
Presented By	Exhibit320
Venue	Bikaner House, New Delhi – 110003
City	New Delhi
Preview	Wednesday, 5 August 2026 \| 5:00 PM onwards
Exhibition Dates	6 August – 13 August 2026
Timings	10:00 AM – 6:00 PM \| Open Daily
Participating Artists	20 South Asian contemporary artists including Nilima Sheikh, Reena Saini Kallat, Zarina, Mahwish Chishty, Gunjan Chawla Kumar and others.
Special Programme	Curatorial walkthrough, live Baithak by Upstairs and Listening Library
Entry	Open to the public (no ticket information specified)
Website	https://www.exhibit320.com

About the Curator

Shaleen Wadhwana is an independent art historian, curator and writer based in New Delhi. Her research focuses on South Asian history, heritage and contemporary visual culture. She has previously curated The Sindhu Project: Enigma of Rootsat Exhibit320 and The Second Responder at Chemould Prescott Road. She also represents South Asia at KADIST, an international contemporary art organisation, and is currently involved in the India–Australia Curatorial Exchange (MAITRI Project) as part of the Indian Ocean Craft Triennial (2025–2027).

About Exhibit320

Established in 2010 by Rasika Kajaria, Exhibit320 is a contemporary art gallery based in New Delhi’s Lado Sarai district. The gallery presents interdisciplinary exhibitions and works with both established and emerging artists from South Asia. It is a founding member of Delhi Contemporary Art Week and regularly participates in major art events including India Art Fair, Art Mumbai and Art Dubai. Celebrating fifteen years of programming, the gallery continues to focus on concept-driven exhibitions that encourage critical engagement with contemporary art.

Takaway

By bringing together artists from across South Asia, MOOL offers a thoughtful examination of how memory, migration, language and inherited histories continue to shape contemporary identities. Rather than presenting a single narrative, the exhibition encourages visitors to reflect on multiple experiences of belonging through artworks and personal archives. Through its interdisciplinary approach and regional dialogue, MOOL contributes to ongoing conversations around cultural heritage, shared histories and the evolving role of contemporary art in South Asia.

Naresh Kumar Kumawat Inspires IIIT-Delhi Students at Design Science Café with Art and Technology

By

Nagaraj

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July 30, 2026

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The Department of Human-Centred Design at IIIT-Delhi welcomed internationally acclaimed sculptor Naresh Kumar Kumawat as the keynote speaker for the second edition of its Design Science Café on July 28, 2026. Conceived as an informal platform for conversations around creativity, design, and innovation, the café brings together designers, researchers, students, and practitioners to exchange ideas through personal experiences rather than conventional lectures.

During the session, Kumawat reflected on his professional journey, the evolution of his artistic practice, and the role of technology in shaping contemporary public sculpture.

A Journey Rooted in Art and Innovation

Kumawat shared how his career developed from traditional sculptural practices into creating monumental public artworks recognised internationally. According to the artist, technological advances such as 3D scanning, digital modelling, artificial intelligence, and 3D printing have transformed the execution of large-scale sculptures. However, he emphasised that these tools complement rather than replace artistic imagination.

Speaking to students, he said that while technology enables artists to realise ambitious ideas, creativity continues to originate from human vision and artistic conviction.

Beyond the press release, published profiles describe Kumawat as a third-generation sculptor who has led large-scale public art projects through Matu Ram Art Centres while combining traditional craftsmanship with advanced engineering methods.

Monumental Projects Discussed

The session also provided insights into several of Kumawat’s landmark projects, highlighting the engineering and creative considerations involved in monumental sculpture.

Projects discussed included:

Statue of Belief (369 feet)
Samudra Manthan mural inside the new Parliament building
Large-scale international public installations
Engineering challenges in structural stability and perspective
Integration of traditional craftsmanship with digital technology

Kumawat explained how issues such as scale, material selection, structural integrity, and visual perspective influence every stage of designing monumental artworks.

Encouraging Design Students to Think Beyond Boundaries

Addressing students from design and technology disciplines, Kumawat encouraged participants to approach creativity with curiosity and confidence. He stressed that collaboration between artists, designers, engineers, and technologists is becoming increasingly important for contemporary public art.

Dr. Anmol Srivastava, Chair of the Department of Human-Centred Design at IIIT-Delhi, described Kumawat’s journey as an example of how vision, perseverance, innovation, and technology can work together to create meaningful outcomes.

The interactive format of the Design Science Café enabled students to engage directly with the sculptor through discussions on artistic processes, project execution, and professional experiences.

Design Science Café as a Collaborative Platform

Unlike traditional academic lectures, the Design Science Café at IIIT-Delhi is designed to encourage dialogue and informal knowledge exchange between practitioners and students. The initiative reflects the institute’s broader emphasis on interdisciplinary learning, where design, engineering, and research intersect through real-world experiences.

The session concluded with a felicitation ceremony in which Dr. Anoop Ratn, representing the Department of Human-Centred Design and IIIT-Delhi, honoured Kumawat for his contributions to sculpture and for promoting collaboration between creativity, technology, and innovation.

Event Highlights

Internationally acclaimed sculptor Naresh Kumar Kumawat addressed IIIT-Delhi students.
Session held under the second edition of the Design Science Café.
Focus on creativity, engineering, AI, and digital technologies in sculpture.
Discussion on major public artworks including the Statue of Belief and Samudra Manthan mural.
Interactive dialogue with students from the Human-Centred Design department.
Felicitation by IIIT-Delhi following the session.

Conclusion

The Design Science Café session demonstrated how artistic practice increasingly intersects with engineering and emerging technologies. By sharing practical experiences from large-scale public art projects, Naresh Kumar Kumawat offered students insights into multidisciplinary collaboration while reinforcing the continuing importance of creativity in design education. The event also reflected IIIT-Delhi’s commitment to creating opportunities for interaction between academia and leading practitioners from the creative industries.

Where This Flower Blooms Art Fair to Open at Total Environment Imagine Campus in Whitefield

By

Nagaraj

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July 30, 2026

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Real estate developer Total Environment will host “Where This Flower Blooms“, a one-day art fair at its Imagine Campus in Whitefield, Bengaluru, on Sunday, August 2, 2026. The event aims to bring artists, craftspeople and visitors together in a shared space where attendees can view artworks, interact with creators and participate in creative activities. Entry to the fair is priced at ₹100, with the event beginning at 10 am.

Art and Craft at the Centre

According to the organisers, the fair is built around the idea that art and craftsmanship contribute to the character of the spaces people inhabit. Visitors will have an opportunity to engage directly with artists, learn about their creative processes and explore collections of original artworks and handcrafted objects.

The event is positioned as an interactive experience rather than a conventional exhibition, encouraging conversations between creators and audiences.

Beyond the Gallery Experience

In addition to art displays, Where This Flower Blooms will include a range of cultural activities intended to broaden the visitor experience.

Highlights include:

Art displays by participating creators
Handcrafted products and artisan collections
A literature section with talks and discussions
Bonsai workshops
Pottery workshops
Food experiences throughout the day

These programmes are designed to encourage participation and provide visitors with opportunities to engage in creative practices.

Venue in Whitefield

The fair will be held at Total Environment’s Imagine Campus in Whitefield, one of Bengaluru’s major residential and technology districts. The campus serves as the company’s design and development headquarters and reflects its emphasis on architecture, interiors and landscape design. Total Environment has developed residential projects across Bengaluru and other cities, often integrating art, customised interiors and landscaped environments into its communities.

Bringing Creators and Audiences Together

Unlike traditional exhibitions where visitors primarily view finished works, the organisers say the fair will enable attendees to meet artists in person and hear the stories behind their creations. The event also seeks to connect people interested in collecting original art with practising artists and makers.

The inclusion of literature sessions, workshops and craft demonstrations is intended to create an environment where visitors can experience different forms of creative expression in a single venue.

Visitor Information

The art fair will take place on Sunday, August 2, 2026, beginning at 10 am onwards at Total Environment – Imagine Campus, Whitefield, Bengaluru.

Event at a glance

Event	Details
Event Name	Where This Flower Blooms
Event Type	One-Day Art Fair
Organiser	Total Environment
Venue	Total Environment – Imagine Campus
City	Whitefield, Bengaluru, Karnataka
Date	Sunday, 2 August 2026
Time	10:00 AM onwards
Highlights	Art exhibitions, handcrafted collections, literature section, talks, bonsai workshop, pottery workshop and food experiences.
Entry Fee	₹100
Website	https://www.totalenvironment.in

Conclusion

With art exhibitions, handcrafted works, literature sessions and interactive workshops brought together in one venue, Where This Flower Blooms seeks to create a space for dialogue between artists and the public. By combining creative practices with community participation, the event reflects a growing interest in making art more accessible while encouraging appreciation for craftsmanship and cultural engagement.

FIRE & FORM Brings Keshari Nandan’s Three-Decade Ceramic Journey to Triveni Kala Sangam

By

Nagaraj

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July 29, 2026

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Ceramic artist Keshari Nandan will present his latest solo exhibition, FIRE & FORM, at Shridharani Gallery, Triveni Kala Sangam, New Delhi, with a preview on 11 August 2026 at 5:30 p.m. and a public opening from 12 August. Curated by art writer and curator Uma Nair and presented by 108 Art Projects, the exhibition will remain on view until 18 August 2026. Bringing together more than thirty recent stoneware works, the exhibition examines over thirty-five years of the artist’s engagement with clay, material, and firing techniques.

A Practice Rooted in Clay and Fire

Working from his atelier in Bhainslana, Rajasthan, Keshari has developed a ceramic practice that spans functional pottery, architectural ceramics and contemporary stoneware sculpture. His work integrates every stage of ceramic production—from preparing clay bodies and developing mineral glazes to kiln construction and atmospheric firing—into the artistic process. Rather than treating firing as a technical stage, the artist considers the kiln and fire as active collaborators that influence the final outcome of each work.

The exhibition features vessels, platters, sculptural forms and a monumental stoneware work inspired by the landscapes and cultural memory of Rajasthan. Together, these works explore the relationship between utility, craftsmanship and sculptural expression.

Exhibition Highlights

More than 30 recent stoneware works
Functional pottery alongside sculptural ceramics
Monumental ceramic installation inspired by Rajasthan
Exploration of clay, glazes and atmospheric firing
Curated by Uma Nair

International Recognition

In recent years, Keshari’s work has received increasing international visibility. His ceramics were included in “Multiple Realities: Voices in Contemporary Indian Ceramics” at the ClayArch Gimhae Museum in South Korea in 2024 and in the Latvia Ceramics Biennale at the Rothko Museum. He has also received both the National Award and the President’s Award for his contribution to Indian studio ceramics.

The exhibition catalogue also features a foreword by ceramic curator Kristine Michael, while sculptor P.R. Daroz and the late sculptor Himmat Shah acknowledge Keshari’s technical expertise and sustained experimentation with clay and glazing techniques.

Curatorial Perspective

According to curator Uma Nair, Keshari’s work demonstrates an understanding of transformation through material, process and time. The exhibition positions ceramics not merely as craft but as a contemporary artistic language capable of moving between intimate functional objects and monumental sculptural forms. This approach reflects broader discussions within contemporary art, where material knowledge and handmade processes are receiving renewed attention.

About the Organiser

The exhibition is presented by 108 Art Projects, an independent arts initiative founded by collector and advisor Tarun Khanna. The organisation develops exhibitions, publications and artist legacy projects centred on significant figures in modern and contemporary Indian art. Its previous projects have included exhibitions featuring artists such as M.F. Husain, S.H. Raza, Manu Parekh, Madhvi Parekh, Somnath Hore and Mrinalini Mukherjee.

Visitor Information

Event	Details
Event Name	FIRE & FORM
Artist	Keshari Nandan (Keshari Nandan Prasad)
Curator	Uma Nair
Venue	Shridharani Gallery, Triveni Kala Sangam, New Delhi
Preview	11 August 2026 \| 5:30 p.m.
Public Opening	12 August 2026
Exhibition Dates	11–18 August 2026
Organiser	108 Art Projects
Website	https://108artprojects.com

Conclusion

FIRE & FORM offers visitors an opportunity to engage with the evolving language of contemporary Indian ceramics through the work of an artist who has dedicated more than three decades to the medium. By bringing together functional pottery, architectural ceramics and sculptural forms, the exhibition highlights the continuing relevance of clay within contemporary art while encouraging a deeper appreciation of craftsmanship, material knowledge and the transformative role of fire in artistic practice.

Vidyarthi Vishesh 2026 Returns to Spotlight India’s Emerging Artists at Gallery Pradarshak

By

Nagaraj

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July 29, 2026

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Gallery Pradarshak will present the 28th edition of Vidyarthi Vishesh 2026, its long-running annual student art exhibition, from 31 July to 14 August 2026 at its gallery in Khar West, Mumbai. Instituted in 1995, the exhibition has become one of the gallery’s signature initiatives dedicated to introducing young artists to the public, collectors and the wider art community. Entry to the exhibition is free, and it will remain open daily from 11 am to 7 pm, except Sundays.

A Platform for Emerging Artists

This year’s edition brings together the work of more than 25 student artists representing over seven art colleges across five Indian cities. The exhibition reflects the range of contemporary art education in the country, bringing together artists at the beginning of their professional journeys.

Rather than following a single curatorial theme, the exhibition focuses on the individuality of each participant. Visitors can expect works that explore personal experiences, cultural observations and experimental visual approaches through diverse artistic practices.

Diverse Artistic Practices on Display

The exhibition features artworks across several disciplines, demonstrating the breadth of media currently explored in Indian art institutions.

Highlights include:

Painting
Printmaking
Sculpture
Mixed media
Experimental art practices

The selected works move between abstraction and representation while drawing from both traditional techniques and contemporary forms of expression. According to Gallery Pradarshak, the exhibition aims to provide audiences with an opportunity to engage with emerging artistic voices before they establish professional careers.

Hybrid Exhibition Expands Reach

Around 15 selected works will be displayed at the gallery in Mumbai, while the complete exhibition will also be available through Gallery Pradarshak’s official website.

The hybrid format allows each participating artist to present multiple works online, extending visibility beyond the physical gallery space. The digital exhibition also enables collectors, curators and audiences across India and overseas to access the exhibition throughout its duration.

Gallery Pradarshak has increasingly adopted digital initiatives alongside its physical exhibitions to broaden access to contemporary Indian art and support artists beyond geographical limitations.

Nearly Three Decades of Supporting Young Talent

Founded in 1994, Gallery Pradarshak has established itself as one of Mumbai’s longstanding independent galleries dedicated to emerging artists. Although recognised for its compact exhibition space, the gallery has organised hundreds of exhibitions and continues to focus on introducing new artistic talent through curated programmes and annual initiatives.

Over the past 28 editions of Vidyarthi Vishesh, many former participants have gone on to build professional art practices, exhibit nationally and internationally, teach in leading institutions and hold academic leadership positions. The exhibition therefore serves not only as an annual showcase but also as a record of changing generations within Indian contemporary art.

Public Programmes During the Exhibition

In addition to the exhibition, Gallery Pradarshak will host its Open Canvas – Conversations over High Tea sessions.

Programme Schedule

Event Name	Vidyarthi Vishesh 2026 – Student Art Exhibition
Organiser	Gallery Pradarshak
Venue	Gallery Pradarshak, Khar West, Mumbai
City	Mumbai, Maharashtra
Opening Date	31 July 2026
Exhibition Dates	31 July – 14 August 2026
Timings	11:00 am – 7:00 pm (Closed on Sundays)
Participating Artists	25+ Student Artists from 7+ Art Colleges across 5+ Cities
Art Forms	Painting, Printmaking, Sculpture, Mixed Media and Experimental Practices
Special Programmes	Open Canvas – Conversations over High Tea on 1 August & 11 August 2026 (5:00 pm – 7:00 pm, Pre-registration mandatory)
Entry	Free
Registration	DM/Call +91 9920386641 to reserve seats for Open Canvas sessions.
Website	https://www.gallerypradarshak.com
Contact	Phone: +91 9920386641 \| Email: pradarshak@gmail.com

Seats for the Open Canvas sessions can be reserved by contacting the gallery directly.

Continuing a Long-standing Legacy

For nearly three decades, Vidyarthi Vishesh has created an accessible platform where emerging artists, educators, collectors and the public can interact through original works of art. As each edition introduces a new group of young practitioners, the exhibition continues Gallery Pradarshak’s long-standing commitment to nurturing artistic talent and encouraging wider public engagement with contemporary Indian art.

Running until 14 August 2026, the exhibition offers visitors an opportunity to discover artists at an early stage of their careers while observing the diversity of practices emerging from art institutions across India.