India’s au courant artscape is about to be illuminated by a solo exhibition by Meena Sansanwal, titled “Divine Manifestation.” This exhibition is set to open at the Black Cube Gallery in Hauz Khas, New Delhi. The exhibition seamlessly amalgamates sacred symbolism, mythology, and contemporary visuals. The preview of this exhibition is scheduled on January 7, 2026, and will be on view until January 22. The core of the exhibits circumnavigate the themes of feminine divinity, cosmology, and metaphysical elements. This show sheds a spotlight on a significant point in her career. Meena’s paintings carefully protract the viewer’s eyes into an “inner universe.”
Artistic Exploration
Her representation of this intimate space becomes the syncretic plane where physical and metaphysical forms form a horizon. Meena’s artwork is associated with a group of contemporary artists who reimagine the sacred mythos beyond traditional religious boundaries. The figures etched by her represent the cosmic forms of Shakti, Durga, and Ardhanarishvara. They are structured through a surreal, ornamental geometry that echoes postmodern mythic abstracts. Meena possesses this distinct skill to elevate her craft through a more surrealist lens. She employs geometric patterns and a distinct colour palette comprising golden yellows and earthy browns.
The Root of The Art
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The broader thematic line of her artwork unveils a corpus of art that presents a consistent engagement with the “Shakti” or the primal energy. In “Divine Manifestation,” Meena elongates this concept by coalescing symbols such as horses (power and transcendence) and celestial beings that become the thread linking the viewer with the divine. The artwork represents the “female” form as an argosy of anima mundi and cosmic creation. She is often noted for her ingenuity in melding the “sacred and the surreal.” This technique makes her artwork feel more immediate and intimate.
She employs the concept of the “cosmic eye,” resonating with the “third eye.” This represents a higher consciousness and omniscient perception. Globally, artists such as Hilma af Klint, Alex Grey, and Indian contemporary masters like Anjolie Ela Menon and Baiju Parthan have explored similar metaphysical iconographies. Meena also emphasizes the hybrid divine conformations by associating them with puranic mythologies, where “divinity” is fluid. In her canvas, the divine is multi-form and is in a state of anthropogenic novelty.
Glimpses of The Exhibition
| Aspects | Details |
|---|---|
| Exhibition Title | Divine Manifestation |
| Artist | Meena Sansanwal |
| Venue | Black Cube Gallery (G12A, Hauz Khas, New Delhi) |
| Preview Date | January 7, 2026 (5:00 PM – 8:00 PM) |
| Duration | On view until January 22, 2026 |
| Core Themes | The Female Form, Spiritual Energy, Celestial Beings |
| Cultural Context | Indic metaphysics, tantric symbolism, Puranic references |
Key Highlights
- Reinterpretation of the divine feminine through surreal sacred geometry
- Mandala-inspired symmetrical compositions for meditative contemplation
- Fusion of mythological symbolism with contemporary abstraction
- Emphasis on the cosmic eye as a metaphor for higher consciousness
- Strong visual alignment with tantric, yogic, and metaphysical philosophies
- Revival of spiritual narrative art within contemporary gallery culture
- Positioning of feminine divinity as both creative and cosmic authority
- She utilizes a meticulous layering technique that gives her flat surfaces a sense of three-dimensional depth and spiritual weight
- The location of the gallery in the historic Hauz Khas village adds a layer of architectural heritage to the viewing experience
- The exhibition is structured as a “journey,” leading the viewer from earthly representations to increasingly abstract manifestations of the divine
- By reimagining traditional deities, she contributes to a new visual language for 21st-century spirituality in India
The Path of Discovering The Artworks
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Meena’s art stands at a critical counterpoint against the pure market-driven commercial abstracts. Her paintings revivify spirituality, symbolism, and mythic philosophy in the gallery space. Her imagery nudges the viewers to engage with it existentially. She actively invites introspection and contemplation. This exhibition promises an immersive cosmological experience that is crafted through carefully etched mandalas that also behave like a portal, teleporting the spectator to a new world. By making the feminine the core of her art, she quietly conveys her stand on women as cosmic creators. She resonates and hallows the notions embedded in Indic Philosophy. As the modern art world subscribes to cynicism over reverence, her paintings emerge as a mediator that shows the “other side.”
Takeaway
The artist does not cling to the inertia of choosing between the traditional and the Outré. Instead, she finds a “middle path” that honors the craftsmanship of the past while addressing the spiritual voids of the present. Her paintings radiate a rarity amidst the digitally dominated world. Her paintings are visually “dense” and aesthetically place the female figure at the core of the cosmos. She doesn’t just paint “about” divinity; she manifests a space where the viewer can experience the sublime. It is a bold, beautiful, and deeply soulful celebration of what it means to see the sacred in the self. This show is a must-visit for anyone looking to see how ancient symbols can be reclaimed to tell a story of modern empowerment and cosmic unity.
