All You Need To Know About Vibrant Kalighat Paintings of Kolkata

October 12, 2022

Over several centuries in literature, drama and visual arts, Kolkata has emerged as the unofficial cultural capital of India and has pioneered a number of movements and trends in the same. Kalighat painting is one of the rich legacies the country continues to retain.

Kalighat painting is a traditional Indian form of art that originated in the colonial atmosphere of Calcutta in the 19th century. The Kalighat Kali Temple is the birthplace of these paintings, and this traditional form of painting owes its name. Kalighat’s paintings have been mainly made of cloth or paper scrolls, and are named after the flourishing colony of the patuas or cloth artists at Kalighat temples in Kolkata. The focus for these paintings was mostly mythological characteristics that eventually evolved with other secular and contemporary themes into civil life in Calcutta. The style is characterised by the use of bold and vibrant colours and the strong and effective use of brush strokes. Experts consider the brushwork on these paintings to be soft, smooth, flawless and among India’s most seamless artworks.

History of Kalighat painting

Kalighat Paintings Historical Background — Image – Wikimedia

Bengal’s earliest art was on clothes and patas and even on paper scrolls that represent scenes from Hindu holy epics such as Rama Charita Manas. The patuas were transported to the urban hub of Calcutta, to expand the client base for their art form. The way they settled down around the temples, in particular the Temple of Kalighat, was deliberate, as the subject of their art was most popular. Since Kalighat Temple was a renowned religious location, during their regular visits people would buy Kalighat paintings. The artists created paintings with a distinctive theme during the festivals, which was once again quite popular with temple goers. It is thought that around 1850 the particular genre of Kalighat painting emerged in India.

Jyotindra Jain, one of India’s most recognised art historians, believes that there was no discrete society of painters and artisans involved in making the Kalighat paintings. These paintings were done by artisans, potters, stoneworkers and men of other professions.

At the same time, Calcutta underwent incremental reforms in its British education system and began to accept fine art as a mainstream field of learning. This led artists to travel into the city, learn new techniques and appreciate contemporary themes, of which Kalighat paintings later show an influence. Two different styles, the Oriental and the occidental arose from Kalighat art, both popular in the country.

Motifs and Themes in Kalighat painting

Kalighat Paintings Motifs and Themes — Image – Wikimedia

The whole process of creating a painting from Kalighat depended only on the efficiency and amazing capabilities of the patuas. The paintings were made via a production line, and mostly by family members. The first was to copy the figures from an original crayon sketch, then passing them to the others who gave life to the painting by adding the basic colour to the flesh and muscles where required, further filling the other family member with colours, in different parts of the body and in the background. The final member, especially the master artist, would apply lamp black to the finishing touches. The background was kept unchanged or straightforward, eliminating all the necessary elements and therefore saving time. These were their skills that could readily create hundreds of Kalighat’s paintings in one day by a family of four to five members.

Colors and Hues in Kalighat painting

Kalighat Paintings Colors and Hues — Image – Wikimedia

Kalighat Art is recognised for its brilliant, jewel-toned hues, powerful lines and its pristine visual harmony. Therefore, the use and availability of correct colours formed the basis of the whole artwork. The paintings were done using opaque colours, the paper and the brushes, based on water, were made from the hair of the goat or the squirrel. They used natural colours before the painters changed into cheaper manufacturing hues.

Black- burnt carbon
Blue- aparajita flower and indigo
Green- sem and its leaves
Red- peepal tree bark
Yellow- turmeric
White- rice powder

These colours, including crushed tamarind and bel gum, were blended in with a variety of binding agents. Colloidal tin was utilised in addition to the basic colours for decorating the paintings and giving them a sparkle.

Themes and Varieties

Religious Art – The concepts normally shown in these paintings were an extension of the original pattachitra, which was intended to be devotional keepsakes for the Hindu gods and deities. Scenes from Ramayana, Mahabharata, or tales from the life of Krishna were painted in their many shapes and deities like Shiva, Kali, Durga, Lakshmi, Ganesha, Sita, Kartikeya. In order to entertain their Muslim guests, the artists often portrayed Islamic figures like the horse of Imam Husain. These religious and mythological paintings were known as the Oriental school of Kalighat Paintings.
Contemporary Art – Only when they started producing Kalighat paintings, did they start painting scenes from everyday lives and resorted to urban themes. These pictures reflected the social and political climate of Bengal’s 19th century and often satirically viewed the culture of ‘babu,’ which painters disregarded. Given that these painters relocated to a relatively new metropolitan environment from rural areas, these paintings reflected their perception of contemporary life. Crime scenes were drawn by artists and women and men who fed their pet cats, birds and animals, men travelling on elephants, courtesan ears being washed by the barber, etc. Not only did they produce excellent quality paintings, but their traditional paintings of Rani Lakshmibai and Tipu Sultan also propagated the concept of independence. In Kalighat Pat Art, the depiction of civilian life was called the ”Occidental school of Kalighat Painting’.

Jamini Roy- The pioneer of Kalighat Paintings

All about the vibrant Kalighat Paintings in Kolkata -Jamini Roy — Image – Pinterest + Facebook

If you walk into an average middle-class art-loving West Bengal household, you’re more likely to find a well-preserved portrait of Jamini Roy than a fancy-looking work by one of India’s many modern painters. The paintings had to be kept in good condition since Jamini Roy would not have sold his work if he had doubts about his buyer’s passion for art. While most Indian artists of the twentieth century were enthralled by modern art, which paid well, Jamini Roy stood out for his devotion to Indian traditions. He was so enamored with simple Indian folk art. Outside the famed Kalighat temple in Calcutta, he received his genuine calling in 1925. Jamini instantly recognised what he preferred and was interested in art after seeing a few Kalighat paintings on display outside the temple. Jamini Roy threw up modern art and kept to his origins after being influenced by the simplicity of Kalighat paintings (Indian folk art), gaining millions of hearts in the process. He also abandoned the use of European pigments and even canvases in favour of more appropriate substitutes. He was awarded the Padma Bhushan by the Indian government in 1954 for his contribution to art.

Prominent Works

Kalighat-Paintings-Ramayana-by-Jamini-Roy — Jatayu, Ravanna & Sita from the Ramayana by Jamini Roy

Ramayana – His 1946 masterpiece, “Ramayana,” is widely regarded as his magnum opus by art lovers and critics alike. This particular work of his is a series of paintings spread across 17 canvases, created in the Kalighatpata style. To tell his interpretation of the old Indian epic, Roy employed vegetable colours and pigments obtained from natural ingredients. Sarada Charan Das, K.C. Das’s successor purchased the entire series, which currently hangs on the walls of his home, Rossogolla Bhavan. With 25 of the artist’s original paintings, the residence houses the artist’s largest private collection. Individual Ramayana episodes have also been created by Jamini Roy, some of which are displayed at places like the National Art Gallery.

Bride with two companions – This painting, which was completed in 1952, is notable for its magnificent Bengal indigo. Every feature of this painting, according to critics, has a meaning and a cause.

Krishna Balaram – In this picture, Lord Krishna is seen with his brother Balarama. Roy had employed earthy tones over a magnificent red background.

Radha Krishna Series Roy painted a series of paintings representing Radha and Krishna’s colourful lives. Along with his other Gopis, he depicted Krishna’s life.

Present Day Scenario of the Kalighat paintings

Now the paintings of Kalighat are on display all throughout the world, from Britain to Philadelphia. It is a global testimony to one of the most famous modern Indian art styles. In the production of stylish ethnic Indian clothes, it is also used as an art form for a more modern motif. This type of art has inspired Indian designers to produce some of the most unique themes ever seen in a saree. However, this has played a major part in broadening and bringing the reception to younger people whose interest is more in distinctive fashion than in modern art forms.

7 Nude Indian Painting That Continue To Amaze Us

Mahima Sharma

October 10, 2022

Reading the pages of history through scriptures and caves is a crucial part of learning through the ages. One such domain which is not only quintessential but also controversial in the subject of Indian culture is nude Indian painting. When referring to this kind of art, the first impression comes with its subject, the portrayal of females. Sigiriya Damsels, a massive 5th century mural in Sri Lanka, have 500 naked ladies adorned on the Lion Rock. The murals of Ajanta tell the Jataka stories, the oldest 2nd century BC age Indian art. Here, there lies handsome princes and princesses with love-lorn displaying heavy breasts and feminine beauty. If you look closely at the old Indian sculptures, you will find there is a certain kind of an obsession of Indians with the sensual body parts. It is momentous to note that nude art is not always about eroticism, but rather about creating a sense of fertility and abundance through females. To complement the idea, you must know that centuries ago, 1200 BC, in the reign of the Mauryan empire, women and men didn’t wear anything but just a fabric to cover the essentials, close to nothing. It is not surprising that India has a rich nude art history, from which many Indian artists have drawn inspiration. This article highlights some of the famous ones whose art is irresistible.

Here we list the top nude Indian painting and the artists who painted them.

1. Female (Nude) By Mahadev Viswanath Dhurandhar.

Nude-Indian-Painting-by-Mahadev-Viswanath-Dhurandhar-2 — Female (Nude) by Mahadev Viswanath Dhurandhar. Source: Tallenge Store

After Raja Ravi Varma, Dhurandhar is the second most popular Indian artist of the first half of the nineteenth century. His work comprised mainly of landscapes, portraits, and mythological and historical India. The painting Female (Nude) is realist nude Indian painting by the artist with a princely eye for details. In Mumbai’s J J School of Art, he mastered classical Western training while incorporating traditional Indian craftsmanship and iconography.

This naked female art by Dhurandhar portrays a lady from the rear against a thick blue background. Her fleshy skin and minimal muscles are some of the features that make her appealing, while she embraces herself with a necklace. The white pearl earrings and flowers on her hair are an addition to her beauty. Her expressions hint to us about her going crimson while closing her eyes. This painting perfectly manipulates the artist’s mastery of lighting, shade, and body language.

2. Untitled By Hemen Majumdar

Female Nude Art by Indian Artist Hemen Majumdar — Untitled by Hemen Majumdar. Source: Tallenge Store

Among the epic artists, Majumdar is known for the wet-saree effect he produces with his paintings. He learnt art with the European books he got from England. Majumdar produced a series of artworks with the woman as the subject. He used to paint sensuous layers of smooth skin with little muscles and bone structures to portray feminine beauty.

This nude Indian painting has a female with long black hair covering her torso with a free cloth. Moreover, her body skin shows a smooth texture with a whitish tone. Her facial expressions and head-down explain the dilemma of the woman’s life. In the background, there lies a statue which is also naked. The painting holds a spectacular vision of the domestic side of a woman’s life through the rich colours and vivid scenery.

3. Self-Portrait As A Tahitian By Amrita Sher-Gil

Nude-Indian-Painting-Self-Portrait-As-A-Tahitian-By-Artist-Amrita-Sher-Gil — Self-Portrait As A Tahitian By Artist Amrita Sher-Gil. Source: Picryl.com

In remembering one of the finest Indian female artists, one can’t neglect the name of Amrita Sher-Gil, who was a Hungarian-Indian artist. She is the Avante-grande woman artist of the 20th century, referred to as Frida Khalo of the east. By analyzing her 172 oil paintings, it becomes clear that she captured the inside peaks of women’s lives that nobody knew about. She was an exceptional colourist with special effects through colours. Surprisingly, until her late 20s, she did not use red colour in any of her paintings. She took inspiration from the murals of Ajanta and Ellora caves and drew classic compositions. She has painted a number of nude Indian painting that continue to amaze us. Learn more about her style of art, earlier life and late life from here.

The composition you see does not intend to showcase the female body as a component of desire but as a reflection of reality. Sher-Gil portrayed a man’s reflection on the naked lady with misery on her face. The reason behind this is the message of patriarchial society and the female body as a depiction of a mere sexual object. In addition, various Japanese figures used in the background of the naked female art suggest her experimentation with a new art style.

4. Tilottama By Raja Ravi Varma

Nude-Indian-Painting-Tilottama-By-Raja-Ravi-Varma — Tilottama by Raja Ravi Varma. Source: Picryl.com

Raja Ravi Varma was the first Indian artist to display Westernism in his paintings, yet his values and subjects were deeply rooted in Indian traditions. He was born in Kerala and grew up with his siblings in his mother’s ancestral home, where he observed the women working and performing their daily rituals. In his paintings, he used to display subtle flesh skin with careful attention to facial expressions. He used to embrace feminine beauty with ornamentation and glittering clothing.

In this composition of Tilottama, there lies a Hindu mythological story of an Apsara, Tilottama. As a result of Brahma’s request for the destruction of two demons, Sunda and Upasunda, she was created in the epic Mahabharata. As their atrocities grew, Lord Indra sent her to them. They were captivated due to her irresistible beauty. As a result, they fought and ended up killing each other. The nude Indian painting displays a naturalistic woman with a bare chest and hand gestures above her head. Her long hair, use of red saree and glittering jewel gives another reason for her prolonged charm in the composition by the artist.

5. Nude with Mirror By Francis Newton Souza

Born in Goa in 1924, he was the most influential modern Indian painter and mentor of M.F. Husain. He studied at St. Xavier’s school, where he was dismissed due to his drawing of pornographic images on the school’s lavatories. He further enrolled in J. J. School of Art in Bombay, where he was expelled again due to his participation in the Quit India movement with Gandhiji. He experimented with many art styles, but his most famous was the black paintings, produced in London during the 1950s to 60s.

In this composition, he portrayed a nude lady who adores her beauty with a comb in one hand and a mirror in the other. The evocative sensuality in this artwork through the unusual private parts of the lady is notable here. The artist filled colours in the lady with black reflections.

6. Bharat Mata By M.F. Husain

Bharat Mata Painting by M.F. Husain. Source

There is rarely anyone in India who does not know about M.F. Husain. He was one of the most crucial modernist Indian artists who remained controversial due to his naked depiction of Hindu Gods and Goddesses. On asking about his naked art, he often said that nakedness in it links itself to formlessness, innocence and maturity. He drew nude portrayals of Saraswati, Sita, and Ram and as the hurtful sentiments to the people of India; he even went to exile.

In this composition, he drew Bharat Mata as a red nude female with various other elements in the background. The artwork led him to around 900 odd cases and massive protests against him. It portrays a weeping woman due to colonization by the Britishers. The careful use of lines and symmetry alongside brighter colours are the noted points in the controversial Indian nude painting.

7. Untitled, Nude with Still Life By Badri Narayan

Nude with Still Life by Artist Badri Narayan. Source: Sarmaya.in

Born in 1929, Badri Narayan was an Indian artist, author, and storyteller. He worked as a successful art teacher before he took paintings as a full-time role. Additionally, the core of his composition remains in Indian literature. He inserts popular Indian icons into his oeuvre at times, and symbolism dominates his work. A constant theme in his artwork was self-reflection and autobiographical perspective.

An abstract still-life composition is juxtaposed with the figure of a seated female nude in this painting by Badri Narayan. Almost as if the woman herself is part of the still-life composition. It has a certain mystic dream-like quality, which is typical of the artist’s painting compositions. In Narayan’s artworks, there is a hidden message conveyed through certain symbolic elements.

Suggested read – Top Indian Artists That Every Indian Should Know

Conclusion.

There is no doubt that nude depictions have always been a part of Indian history. They not only showcased the purity of artistry but were bound to explore the traditions of old India, which we now overlook. What do you think of these artworks, and which nude Indian painting is your favourite? Let us know in the comments below.

12 Best Websites to Buy Handloom Sarees this Festive Season

Cscope Staff

October 6, 2022

Handloom sarees are the perfect blend of elegance and tradition. The Indian handloom sector is re-establishing itself on the world fashion map. The rising love for khadi in a fashionable approach is exactly what people are seeking for. Luxury fashion businesses and self-made labels are working together to address this need. This, in turn, will boost and illuminate the traditional weavers of India. The indigenous loom is surely doing the rounds on the internet among B-town stars and clients all over the world.

It’s time to spruce up your wardrobe with the ideal weave. Handloom sarees are a valuable treasure, from the stunning Banarasi Silk to Telangana’s Pochampalli. It’s a tradition you wear, a tradition that contributes to the charm of your personality in the truest sense. All around India, numerous sarees and draping techniques may be found. Each one differs in terms of materials, manufacturing processes, design, and minute features. Their beauty and cultural value are enhanced by their differences and variety. These sarees reflect the cultural history, customs, and traditions of the region to which they belong.

Suggested Read – 10 Best Websites to Buy Indian Ethnic Wear Online

Since it may be difficult to personally visit weavers and obtain the best handloom sarees, here is something for you: We’ve compiled a list of the greatest online stores where you can purchase these incredible pieces of art. These one-of-kind selections of designer, traditional bridal and everyday usage sarees will make you the center of attention everywhere you go!

1. Suta

Suta is a fresh design house that focuses on providing a variety of clothing with a mix of heritage and modernity. Their handcrafted inspirations are detailed, and the designs bring beauty, boldness, and grace. Suta, or thread, is the brand’s inspiration and a nod to India’s handmade traditions. Suta, like a pure creation that begins with a needle and thread, provides surprise each time it is encountered. They value raw threads, historic boldness, and unbroken simplicity. Visit website – https://suta.in/

2. Loomfolks

The founding members of Loomfolks traveled the length and breadth of India with the support of well-known non-governmental organizations (NGOs) dedicated to reviving and assisting traditional weavers and artisans to achieve a sustainable living through continuous training and education. In order to cater to a wider audience and showcase their creativity and craftsmanship, they encourage craftsmen and weavers from diverse communities around India, a world of colors and cultures. Their objective is to foster creative design thinking among rural craftsmen while also enabling a worldwide audience to deepen their artisanal heritage and live a handcrafted life. From vibrant oranges and yellows to more subdued linens and breezy cottons, Loomfolks offers something for everyone. Visit website – https://www.loomfolks.com/

3. Ekaya

Ekaya is India’s first handloom luxury brand, showcasing the greatest Banarasi art from the repertory of Indian artisans. The brand comes with a 120-year legacy that has been passed down through four generations of the family. Ekaya was founded with the goal of changing the way handloom textiles are marketed and displayed internationally, as well as to provide its clients with a highly distinct product range based on the concepts of history and artisanship. All of Ekaya’s products are handwoven and handcrafted, supporting and empowering over 10,000 weavers as well as craftspeople from around the country. Each product is woven using the highest quality raw materials in the most environmentally friendly way possible, taking from 200 to 1000 man-hours from start to finish. The brand provides a highly distinct product range to the discerning customer on both the national and international levels, based on the ideals of history and artisanship. Visit website – https://ekaya.in/

4. Gaatha

Gaatha was founded in November 2009 with the goal of investigating and recording Indian craft clusters and traditions that are rapidly disappearing. However, they quickly realized through their experiences with craftspeople that study alone would not be enough. They required the restoration of dignity as well as business opportunities in their ecology. As a result, Gaatha became Gaatha.com, an e-commerce platform, in August 2013. Gaatha now strives to restore the lost esteem and riches to these historic handicraft clusters.

Gaatha combines craft research with a keen awareness of technology to create rich and engaging online experiences. In the midst of expanding online shopping, they plan to educate customers about the great worth of handcrafted items by telling the story of their origin, evolution, and production. These eco-friendly items educate us how to live a balanced existence. Visit website – https://gaatha.com/

5. Chidiyaa

The label, which is largely inspired by nature, ecological techniques, and the values of simplicity, is handcrafted in the villages of Ajrakhpur in Gujarat and Phulia in Bengal. Chidiyaa strives to revitalize the art of block printing, hand-spun and handwoven silk and linen sarees, and other textile and craft creations via its collections.

Chidiyaa embodies a love of nature, basic yet wonderful life experiences, and optimism. Recognizing that in order to practise sustainability successfully, it must become a way of life, the brand incorporated eco-friendly methods from the start. Chidiyaa’s designs promote slow fashion by producing high-quality clothes with distinctive yet wearable patterns that survive the test of time. Chidiyaa’s designs stand out by adding a modern twist to traditional Indian handicrafts. Experimentation with materials, patterns, and processes is encouraged by the design philosophy. At the moment, block printing is their most powerful means of expression. They only sell their products through their independent online store, and before the pandemic, they routinely showcased their work at various events, exhibits, and pop-ups around the country. Visit website – https://chidiyaa.com/

6. Madhurya

The idea of Madhurya arose from Smt. Bhanumathi Narasimhan who founded the organization in 2007 to promote and support craftsmen and to revitalize ancient Indian crafts and weaves. The first Madhurya retail store opened in Bangalore at The Art Of Living International Centre. The revenues, in turn, benefit underprivileged children’s education through the Art of Living Foundation’s Gift-a-smile initiative. The brand promotes products such as handloom silk sarees, jewelry collection, décor items, historical furniture, and so on with the goal of revitalizing, protecting, and preserving Indian traditions and history. The sales revenues benefit the education of the girl child in India. One of the most sought-after items available at Madhuya are hand-woven sarees in various designs like Benarasi, Paithani, Kanchipuram, Jamdani, Uppada, and many more. Visit website – http://madhurya.com

7. TheiaScape

Loomers and weavers are the last remnants of a period that prized workmanship above all else. They are the remaining protectors of traditional Indian weaving workmanship, which still employs handlooms to make our dream sarees.

TheiaScape’s goal was to identify and provide a specialized platform for all of the vibrant local arts and handicrafts that resonate with our culture. As a result, selecting Handloom means prioritizing heritage over anything else. Their weaves, trinkets, and lifestyle goods are all handcrafted, eco-friendly, and fashion-forward, as imagined and created by the subcontinent’s most talented craftsmen. According to TheiaScape, each saree has its own collection of facts and a unique story to tell. Visit website – https://theiascape.com/

8. BharatSthali

Bharat, the name, evokes the diversity, rich traditions, and transformation that she threw over the years, resulting in brilliant colors, beautiful textiles, and cultural splashes. BharatSthali takes you on a trip across India’s rich past, offering you regional specialties and character with each fabric. Time travel through history with them and experience the greatest of crafts and the best of weaving. Bringing together textile designers, artisanal communities, weavers, and artists, this is a modern platform that meets and does not fade away the lovely treasures. While the technology, interface, and platform are cutting-edge, the designs and goods are as authentic and traditional as they can be.

They work closely with the artists and weavers to offer only original items, which are sourced directly. The brands exert no control over their creative liberty. The handcrafted aspect is highlighted, whether it is embroidered or block printing, a simple ajrakh or the regal Banarasi. Visit website – https://www.bharatsthali.com/

9. ForSarees

ForSarees began in 2015 with a passion and enthusiasm for Indian handloom. Keeping this in mind, the brand embarked on a mission to deliver handloom sarees to modern saree enthusiasts who are unable to attend exhibitions on a regular basis. For their younger target population, they also use fusion looms.

Forsarees is a tribute to Indian artists who have been carrying the history of crafts and a commitment to popularize their work internationally. Traditional designs are reflected in a new and contemporary style in their collection. They specialize in lovely handcrafted silk and cotton silk sarees for all events and seasons. There is also a large selection of dupatta and blouse materials. Not only that, but they have a one-of-a-kind variety of German silver jewelry, including earrings and necklaces. Visit website – https://www.forsarees.com/

10. Parisera

Parisera, which means “environment” in Sanskrit, was founded in 2014 as an online retail business to link clients all around the world, including India, to the best of Indian weaves and hand-crafted jewelry. They wanted to create an atmosphere where all of our favorite projects were just a click away. Parisera quickly became a destination for companies that had a direct connection to one or more weaving groups. They had huge and little brands, but each one was genuine.

Parisera understands that India is not a homogeneous nation. Their variety is beautifully represented in the hands of various craftsmen, who carry on their family heritage, and each sari tells a time-honored narrative. For that purpose, the brand concentrated on bringing together a diverse range of art and artists, allowing clients to wear a piece of history and heritage. They are joined in this attempt by like-minded weavers and companies from around the nation who have taken great satisfaction in presenting their work to the globe. Visit website – https://www.parisera.com/

11. Tarini

Tarini is a social enterprise that works to provide sustainable livelihood options for Odisha’s weaving community. They are dedicated to preserving and promoting Odisha’s unique handloom heritage. Tarini’s journey began with a respect for the weavers’ skills and an awareness of the weavers’ circumstances. The brand is dedicated to developing and revitalizing Odisha’s handloom industry and putting it on the global map. As a business committed to ethical and ecological processes, they promote endangered traditional and tribal fabrics dyed with natural dyes. Tarini provides a more environmentally responsible alternative to quick fashion. Visit website – https://tarini.shop/

12. Roots Handloom

Roots is a brand that aims to portray Madhya Pradesh’s style and roots of art by supplying handloom items made by weavers in Chanderi and Maheshwari, two tiny towns in the Indian state of Madhya Pradesh. The intricacy and elegance of these handcrafted items are highly valued, yet many people do not have easy access to them. Roots hopes to broaden the appeal of these distinctive textiles from Chanderi, Maheshwar, and Bagh.

Their current product line currently comprises Chanderi, Maheshwari, and Bagh hand block print sarees. The aim of the brand is to bridge the gap between handloom weavers and consumers, and their ambition is to share the legacy with the rest of the world. Visit website – https://www.rootshandloom.com/

Websites and social media platforms are fantastic sources of hassle-free shopping in today’s technological environment. These boutiques take pleasure in offering vibrant selections that entice clients to return for more. Apart from bringing elegance and a touch of history back into your wardrobe, these online saree retailers are also changing the socioeconomic structure for the craftsmen and resurrecting handloom, which has been a major industry in India since its independence. If you’re looking to add some sophistication to your everyday traditional wear, do check out these stores!

Journeys of Clay and Fire, A Collective at the British Council

Cscope Staff

October 3, 2022

British Council, the UK’s international organisation for cultural relations and educational opportunities, is hosting Journeys of Clay and Fire, a collective exhibition featuring 7 ceramic artists and makers from across India. The exhibition focusing on their work in the field of contemporary Indian ceramic art will run from September 30 to November 29, 2022, at the British Council, New Delhi.

Journeys of Clay and Fire brings together Indian and UK artists and arts organisations to co-develop and collaborate on projects which explore new futures for craft in India. The exhibit is a part of the India/UK Together, Season of Culture – a programme of Arts, English and Education that celebrates India’s 75^th anniversary and builds on the British Council’s commitment to creating opportunities for Indian and UK artists and artisans to collaborate. Some exhibiting Indian artisans have also been supported by the Charles Wallace India Trust.

The exhibition aims to draw attention to artisanal pottery – one of India’s oldest art forms – and underline what artistic collaboration and knowledge exchange can do in reviving a fading art form and taking it to global audiences.

Exhibit 1 includes work by

Ela Mukherjee (Delhi) – “Meanderings and “Tribute to a Shared Past Series”,
Abhay B. Pandit (Mumbai) – Fathom” and “Troposphere”,
K. GukanRaj (Chennai) – “Tidal” and “Thaw”,
Neha Kudchadkar (Mumbai) – “Inheritance” and “Weightlifter”,
Shitanshu G. Maurya (Kolkata) – “The Sketchbook II”, “Fossil 1” and “Fossil II”,
Shruti Bansal (Delhi) – “Memoirs of Transformation”,
Shirley Bhatnagar (Dehradun) – “Ochterlony’s Household” and “Unusual Suspects”.

The exhibition would also explore the fostering of a creative dialogue between design institutions in India and the UK which is leading to innovative solutions.

Exhibit 2 would showcase collaborative work by

Design Innovation and Craft Resource Centre, CEPT University Ahmedabad and British Ceramics Biennale in Gundiyali, Gujarat,
Indian Institute of Craft and Design, Jaipur and West Dean College of Arts and Conservation in Baswa, Rajasthan.

About the British Council

The British Council is the UK’s international organisation for cultural relations and educational opportunities. We support peace and prosperity by building connections, understanding and trust between people in the UK and countries worldwide. We do this through our work in arts and culture, education and the English language. We work with people in over 200 countries and territories and are on the ground in more than 100 countries. In 2021–22, we reached 650 million people. britishcouncil.org

About Charles Wallace India Trust (CWIT)

The Charles Wallace India Trust is a UK charity and a grant-making Trust established in 1981. Our alumni numbering almost 3,000 people, come from across India. We work in partnership with several institutions providing much-needed opportunities for postgraduate study and research in the arts, heritage and humanities.

British Council India has been our main partner for more than four decades. We are particularly pleased to be collaborating with the British Council on the India/UK Together Season of Culture. The Trust has been a key player in the development of contemporary ceramics in India. We are grateful to Kristine Michael (alumna) for curating this exciting exhibition showcasing the work of our grantees.

About India/UK Together, a Season of Culture

India/UK Together, a Season of Culture is a year-long celebration of the long-standing relationship between India and the UK. Marking India’s 75^th anniversary, the Season of Culture will see a vast programme of creative collaboration, education and cultural exchange take place online, and in cities across both countries. Working with a number of partners and institutions in the field of Arts, Education and English, the British Council is developing a programme of cultural activity which will bring together people in both countries, raise awareness around key real-world issues, and strengthen and celebrate the UK and India’s educational and cultural ties. For more information on India/UK Together, a Season of Culture, please visit www.britishcouncil.in

Mysore Painting – A Shining Distinctive Art Form of Karnataka

Cscope Staff

October 3, 2022

Mysore paintings are an art form that hails from the Mysore region in Karnataka. A traditional painting from South India, the Mysore paintings have a distinct style of their own. A traditional art the paintings are reflective of deep spirituality. Based on themes of Gods and Goddess or Hindu mythology, the Mysore paintings are a blistering combination of subtle elegance, gold shimmering works, and subdued colors.

Origins of Mysore paintings

Types-of-Indian-Paintings-Mysore-Style-Painting — Image – Asian Curator/Flickr

The Mysore paintings, as the name suggests, developed specifically in and around the Mysore town in Karnataka. Karnataka itself has a rich history of cultural arts that goes back to the Ajanta times or from the 2nd century BC to the 7th century AD. The Mysore paintings can find their origin in the paintings from the Vijayanagar Empire. The kings of Vijayanagar were in favor of the arts, however, with the fall of the Empire in the Battle of Talikota, the artists of the area scattered and took refuge in various places, such as Mysore, Surpur, Tanjore, etc. These artists then incorporated the local culture and references of these regions into their art to create distinct traditional art forms, such as the Mysore paintings and Tanjore paintings.

The evolution of Mysore painting

Mysore Painting – A Shining Distinctive Art Form- The evolution — Image – Wikimedia

The Mysore paintings found patronage under Raja Wodeyar who took it upon himself to rehabilitate the artists and painters after the fall of the Vijayanagar Empire. His successors continued to encourage the art form by commissioning the artists to paint in palaces and temples. Sadly, none of these paintings have survived, both due to the destruction by the British and Hyder Ali and Tipu Sultan. However, during their reign, the artists also called chitrakars continued to create their paintings. An example of this can be seen in the Narasimha Swamy temple between Tumkur and Sira, built by a serviceman of Hyder Ali and Tipu Sultan, named Nallappa. Another example of the Mysore paintings is the paintings and murals at the palace of Tipu Sultan, the Daria Daulat Bagh.

After the demise of Tipu Sultan, the Wodeyars of Mysore were established as rulers again of the region. Muhammadi Krishnaraja Wodeyar in the late 18th and early 19th centuries brought in a new era of development for the Mysore paintings. Most of the paintings that have survived today are from this era. It is also during his time that a complete documented know-how of the Mysore paintings, called Sritattvanidhi, a manuscript of 1500 pages with illustrations and instructions was prepared. Today Sritattvanidhi is one of the most important learning tools for artists. The Mysore paintings that one can see today from this period are found in the Jagan Mohan Palace in Mysore. These paintings include rulers of Mysore, important personalities in history, self-portraits, and Hindu mythology.

Process and method of Mysore painting

Handicrafts-of-Karnataka — Image – Mysore Ganjifa Paintings

The Mysore paintings are created carefully through a thorough and robust method. First, the canvas or the base is prepared. Earlier it used to be either wood, paper, cloth, or the ground. If it was made from the pulp of paper it was dried and then polished with quartz. If it was cloth, it was laid on a wooden board using a paste of gruel, gum, and dry white lead. Later artists would use layers of newspaper and paste a drawing sheet on top of them. The sheet was then covered with maida or refined flour. Today, however, cartridge sheets or mount cardboards are used as a base.

Once the base is prepared, a sketch is drawn. Earlier the sketches were made using twigs from the tamarind tree. Next, the objects in the sketch that were furthest away or not the main focus of the painting, such as the sky, river, hills, animals, etc. were painted. After painting these, the attention shifted to the main characters in the painting, with the detailing of the faces, ornaments, dresses, etc. It is also during this stage that the gesso work or gold covering is added to the painting.

Gesso work in Mysore Painting

One of the most distinct characteristics of the Mysore paintings is the gesso or gold work on them. Gesso is a mixture of gambose, powdered white lead, and glue on which gold foil is pasted. Gesso work is used to highlight jewelry, clothing, intricate designs, and details either on dresses or architectural objects, such as arches and pillars. For Mysore paintings, the gesso work is not too elevated or thick as seen in Tanjore paintings. This is perhaps the most marked difference between these two traditional, classical paintings from southern India.

The gesso paste made from Arabic gum and zinc oxide is first applied to give it a slight elevation. The gold foil is then pasted on this surface. The gesso work is usually done in the morning so that after the gold foil is laid, it is left to dry for 6 to 8 hours. The excess gold is then removed using a brush or cotton.

Since the gold foil is quite expensive, the excess is removed and reused in the next painting.

Colors and technique

The basic colors are used in Mysore paintings. Initially, the colors were made from natural ingredients, such as vegetable extracts, flower extracts, etc. Today, of course, artificial colors and sometimes even acrylic are also used. Once the painting is complete with the colors and gesso work, and fully dried, a thin paper is used to cover it. A soft stone known as kalupada kullu is rubbed on the painting so that when the paper is removed, the painting acquires a glaze and shine that looks stunning with the goldwork.

The tools used to paint, include brushes, gold foil, boards, and paints. The brushes are made from squirrel hair, goat hair, camel hair, etc. Today many artists still prefer squirrel hair brushes compared to synthetic brushes.

Some of the different types of Mysore paintings include:

Paintings with embossing
Paintings with gold foil but without embossing
Makki Safeda – In this type of Mysore painting, shades of white are used and a border is definitely found, usually in black and yellow hues. The main figures are painted in yellow.

Themes and subjects of Mysore painting

Traditional Mysore Painting — Image – International Ramayana Trust

The Mysore style paintings are paintings of Gods, Goddesses, and mythological figures. Some of the most common Gods that are painted are Goddess Rajarajeshwari, Dashavathara, Kodandarama, Chamundeshwari, Saraswati, Lakshmi, Shiv-Parvathi, etc. In the 19th century paintings of the royal family and kings were also painted. Heroes from epics, as well as real-life models, are also painted.

The figures that are painted in Mysore paintings have a few common characteristics. For example, the eyes are fish-shaped, there is a protruded round chin, and the hairstyle, jewelry, and dresses are based on the traditional attire and features of Mysore. The architectural backdrops are also mostly those for the Mysore palaces and the Gods and Goddess’s feet are placed on flowers as a mark of respect.

The artists of Mysore painting

Mysore Painting – A Shining Distinctive Art Form- The artists — Image – Pinterest

Some of the famous artists of the Mysore paintings are Sri K.S Shreehari whose ‘Virata Vishwaroopa’ and ‘Panchanaari-Turuga’ are some of his famous works. M. Ram Narsaiah is known for his many paintings on the royal family of Mysore. His paintings also depict the culture, traditions, and society of Mysore.

Chandrika, daughter of M. Ram Narsaiah continues to carry his legacy forward and works with different mediums of oil, acrylic, and paints.

Some of the other renowned Mysore artists include Mr. Anand, B.P Ramakrishna, R.G Singh, and more.

Mysore paintings are classical Indian paintings that are unique and specific to the region they come from. Just like the many other traditional painting and art forms of India, the Mysore paintings are also a manifestation of the rich cultural and artistic heritage of this nation.

Top Homegrown Indian Fashion Brands to Keep an Eye Out For!

Cscope Staff

September 30, 2022

Indian fashion brings to mind brightly coloured, intricately embroidered clothing, as well as garments with centuries-old print methods that have been admired around the world. Think of Yves Saint Laurent’s opulent jacquards, Valentino’s gorgeous prints, or Alessandro’s Gucci or Maria Grazia’s Dior’s embroideries – Indian heritage craft has influenced luxury Maisons for decades.

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The juxtaposition of ancient art with current trends has spawned a slew of young Indian designers who are blending contemporary aesthetics for the new age global customer. On a daily basis, more Indian fashion brands are being created and launched in the country, making it an effervescent fashion industry to keep an eye on. Here is a curated list of Indian fashion frontrunners in the industry to look out for.

1. Nicobar

Nicobar’s aesthetic includes flattened banana leaves cast in brass as wall decor, glassware inspired by the kulhads (cups) of chai (tea) seen at Indian train stations, bamboo wastebaskets, and summery garments that make Indian humidity pleasant. The company focuses on well-designed products that reflect the current Indian way of life, mixing form and function, creativity and culture in a harmonic way. Nicobar is named after a series of islands in the Indian Ocean, and its stunning items and unique designs show a different side of India.

Nicobar’s stores are now all designed to mirror the brand’s aesthetic: minimal, straightforward, and modern. While it is located in Chattarpur, South Delhi, it established its first store in Mumbai’s artsy Kala Ghoda neighbourhood, which houses galleries, cafes, boutiques, and designer stores in renovated heritage buildings. Visit website – https://www.nicobar.com/

2. Fabindia

Fabindia is an Indian brand that sells furnishings, traditional clothing, personal items, as well as a wide range of consumables and personal care products originating from Indian communities. Its items are stylish and fashionable while remaining traditional and ethnic at the same time. The “Fabindia style” is evident in popular items such as Nehru jackets and kurtas. The company’s strength is that it is known as a brand that sells traditional clothes with a social conscience. Its motto, “Celebrate India,” sends a strong statement about the country. It is a must-visit store for foreign travellers and has acquired popularity among Indian clients. Fabindia was created on the conviction that there was a need for a vehicle to market India’s rich and diverse craft traditions, hence assisting in the provision and maintenance of jobs.

Today, sustainability is echoed as the corporate motto, yet in the 1960s, most Indian enterprises saw profitability and social mission as incompatible. Fabindia, like Amul, went against the tide to build durable commercial connections through creating sustainable livelihoods in India’s rural sector. They empowered the suppliers and allowed for their growth to coincide with the company. Visit website – https://www.fabindia.com/

3. Nappa Dori

Respect for antiquity is the source of inspiration for New Delhi-based premium leather craftsman Nappa Dori. Nappa Dori is one of India’s most well-known contemporary design firms, with a carefully crafted design approach and craftsmanship that preserves artisanal sensitivities and minimalism while blending form and function in a harmonic way. Every handcrafted piece in the company’s accessories or luggage collection is an expression of fine uniqueness, offering a unique mix of design and craftsmanship.

The brand, which is based in Hauz Khas Village, which founder Gautam Sinha describes as a “quaint little design district,” promotes its traditional Indian culture and aesthetic roots through a wide range of handcrafted products. While many American and European designers use Indian influences in their work, Nappa Dori is unique in that its whole team is headquartered in India. The brand offers a diverse range of products, including handcrafted leather fashion accessories and home decor, all of which are inspired by the creators’ Indian ancestry. Many people appreciate Nappa Dori’s success because it has disrupted traditional design mandates and built its own unique creative ideology through its simplicity in thought and execution. Visit website – https://www.nappadori.com/

4. Delhiwear

A streetwear business named ‘Delhiwear,’ based in the capital is finally doing respect to India’s street style by incorporating the ‘street-ness’ into plain, everyday items. Harkrishan Singh Alag and Tarandeep Singh created Delhiwear out of a modest, unofficial initiative in which the two combined handmade hand-painted shirts with “high-intent email marketing.”

Simply hand-painting a shirt with a Hindi/English logo, according to the co-founders of Delhiwear, was not Indian streetwear. Rather than dismissing it as a clumsy attempt to cash in on the streetwear trend, the pair decided to put their own touch on it by experimenting with a kurta! This one seed of creativity sparked their ‘VARDI’ collection, which draws inspiration from both traditional Indian culture and street fashion as we know it.

The classic kurta is given a modern twist in Delhiwear’s ‘VARDI,’ which is founded on Indian sensibilities. VARDI is an unconventional take on standard Indian clothing, using basic colours and an easygoing design that is both comfortable and attractive. After all, who doesn’t have at least one kurta in their closet? Visit website – https://delhiwear.com/

5. Doodlage

Doodlage is a fashion and lifestyle business that began in 2012 with the simple idea of creating distinctive eco-friendly things with a high level of design. While interning at an export firm, Kriti Tula, the creator of Doodlage, spotted a vast heap of textile waste and had the idea for Doodlage. Her passion for the environment inspired the creation of the brand. She came up with the idea of repurposing the rejected fabrics and putting them to better use. She chose to start upcycling this trash to produce sustainable apparel since she was aware that the fashion industry is a major contributor to textile waste that ends up in landfills.

Doodlage can reprocess waste, recover intrinsic value through recycling, and optimise end-of-life processes toward zero-waste systems using the upcycling principle. Doodlage makes every attempt to reduce waste in the manufacturing process, and any scraps are converted into bags and home furnishings. From the procurement of raw materials through the disposal of clothing by consumers, the company focuses on developing sustainable business methods at every stage of the fashion supply chain. Visit website – https://doodlage.in/

6. PostFold

When Ashish Gurnani and Aashray Thatai couldn’t find the ideal clothes to go to work and on a night out, they decided to start their own label, PostFold, in late 2015. Their AM to PM designs is so adaptable that they can go from boardroom to bar with ease. From the office to dinner and everything in between, the contemporary clothing brand effortlessly transitions. The brand demonstrates the right combination of quality and design with minimal effort.

PostFold is a traditional yet understated elegance built on ideas of radical openness, adaptability, and subtle sophistication. The brand unfolds throughout a collection of easy basics for both sexes, including shirts, blouses, polo’s, knit tops, and shrugs, using fitted design techniques produced in premium grade fabric. PostFold is a unique approach to everyday modern fashion, as it tells its narrative by including you in every step of the process, from sourcing to the people that make them for you. Visit website – https://postfold.com/

7. Anokhi

Anokhi’s origins were from Jaipur, a city founded by enlightened supporters of the arts and crafts. Skilled artisans were invited to relocate here and were guaranteed a steady income. Anokhi follows the Jaipur tradition of maintaining an open and honest relationship with its artisans. It assists people in working in conditions of their choosing and is committed to providing them with long-term employment.

Anokhi’s designs are a mix of modern sensibilities and time-honoured traditions. Its designers search out the bold and striking, the graphic and colourful, and use cutting-edge printing techniques to keep up with a demanding and fast-paced global market while maintaining the spirit of revival.

Anokhi has been producing items in specialised fields including appliqué, embroidery, patchwork, and bead work for many years, and they now make up a considerable part of its product range. Anokhi offers a varied and colourful assortment of products, including Indian and Western-style clothes, household textiles, sarongs, and accessories. Anokhi has been pioneering hand block printing for the export market for the past thirty years. It is continually working to create an atmosphere where traditional textiles have a place and are valued, as well as to establish a symbiotic link between the market and the design product – between talent and tradition. Visit website – https://www.anokhi.com

8. The Pot Plant

The Pot Plant was created with a simple concept in mind, one that has since evolved into a necessity for human life. Resham Karmchandani and Sanya Suri, the founders, set out to make our lives greener, one garment at a time. While the current capitalist system encourages us to spend more and make more garbage, Resham and Sanya’s The Pot Plant allows us to dress well without feeling guilty. They believe in a zero-waste approach and make apparel that isn’t gender-specific, working with textiles like hand-spun khadi and handmade linen. The brand’s idea is based on natural textiles and long-term sustainability.

Karmchandani and Suri met in college in New Delhi, where they were both studying for their BA Hons. They chose to start a brand after graduation since they had similar designs and work sensibilities. They wanted to make their goal of wearing natural and handloom materials a reality. The designers explain the label’s style and ambitions, saying that The Pot Plant wants its consumers to be able to freely express themselves through its garments. Pushing the specified bounds of design is important to the brand strategy. Visit website – https://thepotplant.in/

9. Jaywalking

Jaywalking, the streetwear company founded by designer Jay Jajal, is a force to be reckoned with in the current fashion landscape. Jaywalking’s aesthetic is full of attitude, defiance, and the kind of fluidity that allows for experimentation at a time when sustainable, organic, and minimal are the new catchphrases for labels.

Jaywalking is a well-respected company thanks to the founder and creative director. It’s a brand for those who aren’t afraid to step over the line to make a statement. It is intended for those who value art and culture. architecture, conceptualization, photography, craftsmanship, and working with artisans. Gender-fluid, men’s and women’s ready-to-wear, and custom-made clothing are all covered by the fashion house. Jay Jajal’s signature style is seen across the collections. The Indian brand was one of the first in the country to establish a specialised market.

Deconstruction, experimentation, and the juxtaposition of the founder’s memories and attitude are all part of Jaywalking’s ethos. Jay Jajal places a strong emphasis on the appearance of things. The designs’ aesthetics are influenced by his own paintings. Visit website – https://www.jaywalking.in/

10. Almost Gods

Everything about ALMOST GODS is concentrated on art and applying it to daily notions in order to transform commodities into items of desire, from their name to their collections to their story-telling.
The New Delhi-based independent fashion label, which was founded by Dhruv Khurana in 2018, has gained a lot of attention for its red, oversized draping hoodie. The product philosophy of the brand strives to establish “Indian Futurity.” ALMOST GODS aims to extend the debate about what an Indian brand can do through their products.

Whether it’s stripping jacquard textiles from old couches for use in jackets or obtaining used Indian fabrics and upcycling them into shirts, resurrected materials give worn fabrics a second life.
The moniker ALMOST GODS is derived from the founder’s affiliation with the postmodernist idea of equality. This idea allowed Khurana, a brown boy, to feel that he, like other cultural shapers of colour, could affect the global zeitgeist. Outerwear, T-shirts, shirts, bags, hats, and even shoe laces are all part of each collection. Visit website – https://almostgods.com

Suggested Read – 10 Best Websites to Buy Indian Ethnic Wear Online

The Indian apparel business is currently thriving, thanks to the exquisite outfits made by the industry’s greatest designers and celebrities wearing them. With the world’s view on encouraging small businesses, now is the moment to rethink our shopping habits to a more thoughtful approach. So, when the time comes—hopefully soon—to start making new shopping lists, think about these homegrown fashion labels that are available online for a new wardrobe.

Ziro 2022: The Exemplary Outdoor Music Festival is Here!

Cscope Staff

September 28, 2022

Music lovers and festival goers, we have the most exciting news of the year. The spectacular outdoor Ziro music festival 2022 from Arunachal Pradesh is back on the ground after two years. The pandemic caused the festival to take place virtually in 2020 but it is now taking place in the picturesque, lush Ziro valley of Arunachal Pradesh from 29 September to 2 October 2022.

Festivals like this are unique, and the local Apatani tribe which holds the festival each year has made sure the four-day carnival has something for everyone. From performances by classical and jazz musicians to folk artists and more, including cultural events as well. The event will also be a smorgasboard of mouth-watering culinary options. In addition to this, there will be art installations, village walks, yoga and meditation, hikes, and indigenous music workshops. Kids under the age of 12 are admitted free. So, if you are travelling with kids, this is icing on the cake for you!

Zero-Festival-Mangka-03-Kev-Curtis — Mangka, Kev Curtis

The well-known music event that will be held for the ninth time this year will also bring us a metaverse of collaborations. The initiative known as Ziro Focus is produced by Ziro Festival of Music, India in partnership with Focus Wales, UK and is supported by the British Council and the Arts Council of Wales. Ziro Focus is a part of the India/UK Together, a Season of Culture, which is an extensive programme of creative collaboration, education, and cultural exchange to commemorate India’s 75th anniversary.

Jonathan Kennedy_Director Arts_British Council India — Jonathan Kennedy, Director Arts, British Council India

Jonathan Kennedy, Director India, British Council says, “India/UK Together, a Season of Culture aims to establish a global network of Indian and British artists in order to strengthen a more diverse, inclusive, and equitable arts sector, and to provide opportunities around digital innovation. We are really excited that Ziro Festival of Music is a part of the Season of Culture with partners Focus Wales. This collaborative project is to empower musicians to connect with their audience and create a fantastic live and digital experience. Phones and mobile tech are an essential part of our lives, and creativity like Ziro Focus where musical experiences are transformed through the use of augmented reality is sure to bind audiences together in both countries. We are happy that Ziro Festival and Focus Wales will be spotlighting fantastic artistic collaborations across both countries.”

Artists from every region of India have been invited to the festival. This year, the legendary Rabbi Shergill and the legendary Jumme Khan from Mewar, Rajasthan, perform an exclusive unplugged set at the Signature Danyii (Sun) stage. Both Nepali singer Bipul Chettri and India’s oldest rapper Baba Sehgal will play at their first-ever concerts in the northeast on the Simba Uproar Piilo (Moon) Stage. This year’s international performers include the energetic female-fronted Japanese band Pinky Doodle Poodle, the Lithuanian pop hit Leon Somov & Dileta, and the brand-new Yelli Yelli project by French composer Emilie Hanak. As part of the British Council’s India-UK Season of Culture events, Manipur’s musical hero Mangka has partnered with up-and-coming Welsh musician Eadyth and their debut song RaRaReHei is soon going to be released as an NFT.

Arunachal Pradesh’s beloved troubadour (and doctor!) Nikom Riba, Mizo pop act Origami, Khasi folk-fusion collective Da Minot, Sikkim’s Salakhala with their funk rock sound, Nagaland’s well-known singer-songwriter Abdon Mech, and the bluesy Dr Declan Oppenheimer’s Polyphonic Experience from Assam are just a few of the northeast performers who will be performing at the festival.

India’s first female classical slide guitarist Dr Kamala Shankar, Kerala’s seasoned rockers Motherjane, Tamil Nadu’s dance electro-pop act Sapta, Maharashtra’s ultra-melodic Easy Wanderlings and fiery act Laxmi Bomb, and Uttarakhand’s up-and-coming qawwali act Rehmat-e-Nusrat are just a few of the acts converging at Ziro from other regions of the nation.

Numerous musicians from various genres, including electronic, folk, classical, rock, and fusion, will perform this year. Watch out for Arunchali folk-fusion band David Angu and The Tribe, experimental post-rock band Sky Level, Street Stories, possibly India’s best pop punk band, Takar Nabam, and the electronic duo Dokodoko.

“Mangka and Eadyth were the most unlikely pair to collaborate on a piece of music because they came from diverse backgrounds, cultures, and musical styles. They never actually met, but they still managed to work together. ReRaReHei, their first joint work, was co-written and created across multiple Zoom meetings, and will be available virtually for all music lovers.” says Anup Kutty, Co-Founder of Ziro Festival of Music.

The Ziro Festival of Music has never used plastic, and this year won’t be any different. All of the main stages will be constructed of bamboo. Even the attendees are urged to use environmentally friendly and waste-reduction methods. There will be a strict no single-use plastic policy in place for everyone to abide by.

Visit www.zirofestival.com to book your tickets, accommodations, and experiences.

10 Essential Tips To Design Your Pooja Room According To Vastu Shastra

Cscope Staff

September 28, 2022

When we buy a house, the first person we thank is God. That’s because we feel from within that an entity like God has helped us reach where we are today. In order to keep his blessings carried forward along with us always, we decide on the puja room design where we plan to situate God. The puja room design is one of the main room designs in the entire house.

When choosing the puja room design, multiple things must be considered. Such as the direction has to be correct in the puja room design. It doesn’t have to be too bright or bold, but the puja room design should also give holy and calming vibes. Other things used should combine and complement the puja room design with the puja room design.

There’s so much more to understand about how exactly the puja room design should be; hence, we have a list of 10 tips to choose the design wisely, according to Vaastu Shastra.

1. Choose the door design well.

Pooja Ghar doors, when designed, keep in mind that they should have two shutters that are the same size and, as far as possible, made of wood. In addition, the doors can be embellished with a certain number of different metals.

2. Pick the direction correctly

The northeast of the house is the best place for the mandir. If not, you can also use the north and east corners. If nothing else works, the west is also okay. However, the pooja room should not be found in the south.

3. Face in the correct direction while praying

When you set up your pooja room, make sure that you sit in it with your back to the north or east so that you can offer prayers. Surya Dev explains this because the sun rises in the east, and its rays are regarded as a blessing from the sun.

4. Keep it on the ground floor.

For the best results, place the pooja ghar on the ground floor of your house. According to Vastu, mandirs should not be located in basements or on upper floors.

5. No two idols should face each other.

In an ideal world, the idols in the mandir should not face each other. They should also be oriented in the northeast instead of in the front of the door or wall. Finally, the idols should always be pointing in the direction of your home because this indicates that they have grace or protection over you.

6. Look at what you keep in the room.

In the pooja room, avoid paintings that depict violence or images of the deceased. Vastu colours like white, light blue, yellow, or other subtle, calming hues are ideal for pooja rooms.

7. Place the lighting well

When placing lamps, Agni Kund, or diyas, ensure they face southeast. Make an effort to put the diyas in the mandir’s centre. Lamps can also be positioned in the south corners, facing either the north or the east.

8. Choose the colours wisely.

Lighting When adding lights to the design of your pooja ghar, use soft colours rather than bright ones. It’s a good idea to use soft colours like white, powder blue, pastel yellow, or sunshine yellow.

9. Check the placement.

The mandir can be placed in the kitchen or living room, but you should make sure it faces northeast. Having a mandir in the bedroom is a bad idea. But if you have to, put it in the bedroom’s northeast corner.

10. What vessels should be used?

Copper is considered auspicious, so copper vessels are used in the pooja ghar.In addition, it is common knowledge in Vastu Shastra that some metals are good for our health, and copper is one of those metals. Therefore, consuming water stored in copper containers is also beneficial to health.

This was the list from our end. If you liked it, let us know.

Defying Boundaries: When a Woman Sculpts Her Own Divine Form

Asit Bhagat

September 26, 2022

In the Indian art landscape, the word murtikaar evokes the imagination of a man sculpting idols.

What causes this imagination is not just the masculine form of the word, but also the fact that we hardly get to see women in the profession. Manly and laborious, sculpting precludes us from imagining a sculptress who can manage the entire sculpting process single-handedly. Murtikaar implies a male has thus become a putative belief.

But then, there are always those who defy the established notions. By setting examples, they make us overcome our assumptions.

My search for one such trailblazer led me to a house of a sculpting family. I called at the door and waited, looking around in the small atelier attached to the house. Just then a lady, with a sturdy physique, emerged and began looking curiously at me.

“Tai, tumcha video pahla ji YouTube var (Sister, I saw your video on YouTube),” I initiated the discussion. “Video? Which video?” she surprisingly asked. She was oblivious of her presence on social media. A year ago, a boy amongst her acquaintances had shot a video of her sculpting Durga and uploaded it on YouTube. “Yes, there’s a video of yours,” the man standing by her said. He was her younger brother. “Ok. Is it?” the down-to-earth lady replied with a smile, while also not being too excited about it.

Ranjana Lavhekar is a clay sculptress from central India’s Yavatmal town. Clay sculpting was not her vocation. Like most parents, her too, had thought of marrying her off as she had come off age. But destiny had a different journey planned for her. Her father suffered paralysis and got permanently confined to bed. However, fate only had more sufferings for the family in store, as more adversities were heaped on the humble souls in the coming days. Sadly enough, with both her kidneys becoming dysfunctional, her mother, too, got ridden to bed. “On one side lay my father, while on the other side, my mother,” recalls Lavhekar, as she remembers those distressful days.

So, the occupation of sculpting didn’t come to Ranjana as a choice but she was compelled by the circumstances to take the reins in her hand. Her father was a sculptor who had gathered fame in the local circle of clay sculptors. However, due to the sudden illness, someone had to continue his legacy on account of two things. Firstly, sculpting was the source of livelihood for the family. And secondly, Ranjana was the eldest child and had to take care of her two brothers, who were young then.

Thus, destiny betrothed the young girl to the art, and now for more than twenty years, the sculptress is assiduously practicing the occupation.

While Lavhekar sculpts idols for a range of festivities, it is Durga sculpting that has a special place in her heart. “Durga Mandals have relations with us since my father’s days. I have always been conscious of keeping that promise,” says Lavhekar. “However, living up to the expectation wasn’t easy as I had to build my skills from scratch,” she doesn’t forget to add.

Even though her two younger brothers assist her in the work, most of the work she manages by herself. “My youngest brother has a knack for eye painting. In any sculpting, the finishing work gives a final form to the idol,” she stresses. “Since my brothers work in other professions, they contribute to my work as much as they can,” the artist adds.

Notably, the artist has still been able to maintain the vim and vigour of her younger years.” Red clay sculpting is a strenuous job,” Ranjana says, as she winds a coir rope around a bunch of paddy straws and pulls it with full energy. Indeed, right from kneading clay, creating frameworks, and rendering shapes to fine-touching body features, sculpting is a laborious endeavour, requiring great physical strength.

Apart from mastering sculpting niceties, it is worthy of admiration how as a young girl she would have managed relations with raw material vendors in a male-dominated space. “We need to procure paddy straw from rice-producing areas of eastern Vidarbha. Initially, I did face difficulties in coordinating with outstation vendors, but once I got accustomed to the process, it became a routine.”

The entire locality has a deep respect for Ranjana. Many feel that had it not been that illness in her family, the course would have been different for her.

Indeed, Ranjana is a gem of a person, who always keeps smiling, and speaks humbly.

When she says she didn’t marry, no explanation of the reason is required. One can make that she has devoted her life to the art and her family.

Destiny exscinded personal happiness from Ranjana’s life, however, she transformed her heart-wrenching story into an inspiring journey.

“You need to hang in there,” she says, with her face beaming with refulgence as much as the goddess’s, as she operates a brush on a Durga idol for giving the final touch.

Types of Dupattas you must Stock your Closet With

Rupsha Sen

September 23, 2022

A dupatta is something that is traditionally worn by Indian women and is nowadays, worn by women as a symbol of humility all around the world. Dupattas are a wardrobe staple for all women and can be paired with literally any outfit like salwar kameez, salwar suits, lehengas, bridal outfits, sarees, casual wear, party wears, and dresses, kurta pyjama, ghagra choli, anarkalis, and even normal jeans and t-shirt. There are a lot of different types of dupattas and all can be used for different purposes with countless designs and patterns and colours. These dupattas instantly add to the beauty, elegance, and grace of the whole outfit and are a real game-changer. From Banarasi Silk dupatta to Bandhani dupatta, there are innumerable types of dupattas. Nevertheless, today, we will take a look at some of these types.

1. Phulkari Dupatta

Types-of-Dupattas-Phulkari-dupatta — Image Source

Originating in Punjab, Phulkari is a folk embroidery tradition of the state and it means flower (Phul) craft (Kari). The Phulkari embroidery is very intricate and is done in several designs and patterns using floss silk thread on woven cotton fabric, Chanderi, chiffon, and other fabrics as well. The Phulkari dupatta designs are mostly hand embroidery and these are usually worn at weddings, festivals, and family functions. The Phulkari dupattas are very bright, bold, colourful, and eye-catching. There are many types of Phulkaris for different uses like Bagh, Thirma, Darshan Dwar, Sainchi Phulkari, Vari-da-bagh, Bawan Bagh, Chope Phulkari, Panchranga Bagh, Satranga Bagh and Modern Day Phulkari. The Phulkari dupattas are also known as the ‘Pride of Punjab’ and there is even a traditional Punjabi song –

“Ih phulkari meri maan ne kadhi, iss noo ghut ghut japhiyan paawan” which translates to “My dear mother has embroidered this phulkari; I embrace it again and again with affection”.

2. Chanderi Dupatta

Types of Dupattas, Chanderi Dupatta — Image – Pinterest

The Chanderi fabric originated in a small town, Chanderi in Madhya Pradesh. The Chanderi dupattas are very lightweight with sheer adhere and luxurious drapes. It is very elegant and gives a grand feel. These dupattas are very colourful and have elaborate detailing. There are three types of Chanderi fabrics – pure silk, silk cotton, and Chanderi cotton. The most common designs of Chanderi fabric are florals, coin patterns, peacocks, and geometric patterns. This fabric is created by weaving in silk and golden zari in traditional cotton yarns. These Chanderi dupattas can be worn in festivals, religious functions, and events, college years, and formal parties.

3. Banarasi Silk Dupatta

Types of Dupattas, Banarasi Silk Dupatta — Image – Pinterest

Originated in Varanasi, Uttar Pradesh, the Banarasi Silk fabric is one of the finest traditional fabrics in India and it is very popular worldwide. The Banarasi silk dupattas and clothes were initially made for the royals and real gold and silver threads were used in its making. These are known for their designs and gold and zari work. The designs on Banarasi silk sarees and dupattas are mostly complex and difficult floral motifs. The Mughals were the ones who brought this to India which is why the designs are mostly Mughal inspired. These rich Banarasi silk dupattas are very elegant, shiny, vibrant, glamorous, and quite heavy yet very sophisticated. These dupattas are loved by every Indian woman and are made for special occasions and lavish events only as these silk dupattas are considered very royal. One can don these dupattas in weddings and Indian functions, social gatherings, and formal parties.

4. Gota Patti Dupatta

Types of Dupattas, Gota Patti Dupatta — Image – Pinterest

This type of embroidery originated in Rajasthan and this embroidery uses techniques by which they create beautiful, intricate patterns and designs with gold, silver, and copper ribbons and lace. The Gota Patti dupattas are perfect for weddings and festivals. The Gota work is suited best on net dupattas but they can also be done on any other fabric like georgette, chiffon, silk, etc. The Gotas give a heavy look but are very light. The Gota Patti work is now an important part of Indian weddings and it features a lot of bridal lehengas. The Gota Patti dupattas are of those types that never go out of fashion and can be worn on any occasion or event or place from weddings to casual hangouts and get-togethers. The Gota Patti dupattas look best when paired with bright-colored or block-printed suits.

5. Kalamkari Dupatta

Types-of-Dupattas-Kalamkari — Image – itokri

The word ‘Kalamkari’ literally means ‘freehand drawing with a pen. This artwork originated in Andhra Pradesh and is designed completely by hand. Making a Kalamkari piece or fabric requires a lot of steps and techniques like dyeing, bleaching, hand – painting, block-printing, starching, etc. The Kalamkari dupattas are mostly made with cotton fabric. These dupattas can be best paired with either a matching suit or a plain suit with a pair of juttis. One can also don this dupatta with a simple white shirt and blue jeans. These Kalamkari dupattas are apt for social gatherings, festivals, college days, and casual functions and get-togethers.

6. Net Dupatta

Types of Dupattas, Net Dupatta — Image – Pinterest

The Net dupattas are one of the most exceptional pieces of grace and beauty. They are extremely elegant, graceful, subtle, and versatile, with a sheer texture, glittery and so light in weight. Net dupattas go with anything be it chiffon suits, party wears, wedding outfits with heavy work on them, embroidered outfits, or traditional outfits like lehengas, salwar suits, or kurtas. These instantly enhance any piece of clothing. These Net dupattas go with anything; still, they can be best paired with white banarasi salwar kameez with some gota on it or one can drape a fun colored glitter dupatta with their clothing. One can even wear it as a cape and carry it on their shoulder or put it over their head. These net dupattas can be worn in any function or events like weddings, casual parties, formal parties, auspicious events, and festivals or also on just a normal day.

7. Chiffon Dupatta

Types of Dupattas, Chiffon Dupatta — Image – Pinterest

The Chiffon dupattas are extremely light in weight and fragile and delicate. These are soft in touch and are best in summers and spring as these dupattas are very cheerful and breezy. The chiffon fabric and Georgette are similar to each other. Chiffon dupattas are very accessible and affordable. Moreover, they can easily be dyed, can be draped easily, and are more suited for lighter embroideries. Usually, plain chiffon dupattas are more preferred than the over-embroidered ones. These dupattas are mostly worn as evening wears and they give a touch of elegance and grace to the overall outfit. Chiffon dupattas are very popular and decorative and shimmery. They are well-matched with bright colors, a plain kurta pyjama, salwar kameez, and Anarkali dresses with gota work chiffon dupattas or floral printed dupattas. These dupattas can be donned in engagements, office, work, college. They don’t need an event or a function, one can wear them any day they want.

8. Velvet Dupatta

Types of Dupattas, Velvet Dupatta — Image – Pinterest

The velvet dupattas and fabric are perfect for winters and they give a royal and lavish feel. Velvet fabric is mostly used as the bridal outfit and is worn by brides at their weddings. The velvet dupattas are quite heavy and it is difficult to carry and maintain them. For this reason, people usually choose to mix and match their velvet dupattas with another fabric. The velvet fabric is extremely soft like a feather to touch and is very cosy and warm. They are best draped with sarees and lehengas. The velvet dupattas have mostly heavy embroideries and work like zardozi, stone, and mirror work and Dori on them. The colour intensity of velvet dupattas is a treat for the eyes as they have such beautiful colours like intense bottle green, stunning navy blue, and black and gorgeous burgundy. As a velvet dupatta weighs a lot, these cannot be veiled overhead, so one can layer them like a shawl and always pin it up to their outfits because of their weight. The velvet dupattas are mostly worn in family functions, fashion shows, and as a bridal outfit at weddings.

9. Georgette Dupatta

Types-of-Dupattas-Georgette-Dupatta — Image – utsavfashion.com

Georgette dupattas are quite similar to chiffon dupattas and are most suited for summers and spring. These dupattas are cheerful and happy and light in weight. They are semi-transparent and are available in many patterns like prints, florals, and light lacework and pom-poms. It can be paired with a plain salwar kameez or an Anarkali dress with light jewellery. These georgette dupattas are very delicate and gorgeous and they don’t even crease easily. They can be worn on normal college days, casual hangouts and family dinners, and lawn parties. They are well-suited with Kurtis and long Anarkali dresses. These dupattas go well with evening parties and after sunset.

10. Pashmina Dupatta

Types of Dupattas, Pashmina Dupatta — Image – Pinterest

Originated in Kashmir, Pashmina is a ball of fine cashmere wool which comes from either a Changthangi goat or a Pashmina goat. The Pashmina shawls and dupattas are famous worldwide and made from this fibre. These Pashmina dupattas are one of a kind and are extremely elegant and very comfortable. These dupattas are capable of keeping a person warm during cold days and have a shine to them because of which, these are people’s favorite. The Pashmina fabric and dupattas are a little expensive than all other fabrics and are very soft and light. These are mostly worn in social gatherings and events, fashion shows and concerts, marriage ceremonies, and engagement.

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History of Kalighat painting

Motifs and Themes in Kalighat painting

Colors and Hues in Kalighat painting

Themes and Varieties

Jamini Roy- The pioneer of Kalighat Paintings

Prominent Works

Present Day Scenario of the Kalighat paintings

1. Female (Nude) By Mahadev Viswanath Dhurandhar.

2. Untitled By Hemen Majumdar

3. Self-Portrait As A Tahitian By Amrita Sher-Gil

4. Tilottama By Raja Ravi Varma

5. Nude with Mirror By Francis Newton Souza

6. Bharat Mata By M.F. Husain

7. Untitled, Nude with Still Life By Badri Narayan

Conclusion.

1. Suta

2. Loomfolks

3. Ekaya

4. Gaatha

5. Chidiyaa

6. Madhurya

7. TheiaScape

8. BharatSthali

9. ForSarees

10. Parisera

11. Tarini

12. Roots Handloom

Exhibit 1 includes work by

Exhibit 2 would showcase collaborative work by

Origins of Mysore paintings

The evolution of Mysore painting

Process and method of Mysore painting

Gesso work in Mysore Painting

Colors and technique

Themes and subjects of Mysore painting

The artists of Mysore painting

1. Nicobar

2. Fabindia

3. Nappa Dori

4. Delhiwear

5. Doodlage

6. PostFold

7. Anokhi

8. The Pot Plant

9. Jaywalking

10. Almost Gods

1. Choose the door design well.

2. Pick the direction correctly

3. Face in the correct direction while praying

4. Keep it on the ground floor.

5. No two idols should face each other.

6. Look at what you keep in the room.

7. Place the lighting well

8. Choose the colours wisely.

9. Check the placement.

10. What vessels should be used?

1. Phulkari Dupatta

2. Chanderi Dupatta

3. Banarasi Silk Dupatta

4. Gota Patti Dupatta

5. Kalamkari Dupatta

6. Net Dupatta

7. Chiffon Dupatta

8. Velvet Dupatta

9. Georgette Dupatta

10. Pashmina Dupatta

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