Something magical occurs when the first raindrops land on the ground, and the aroma of wet soil ushers in. It is not just a change of weather; it is a mood, feeling, or memory. You have a chance to feel that this monsoon now with Monsoon Ragas, a live concert by the most popular Mohan Brothers, Lakshay Mohan and Aayush Mohan, who play sitar and sarod, respectively.
It involves relating to the beauty of rain in the quiet but with fantastic sounds of Indian classical music. Moreover, the Mohan Brothers have come back with the second edition of the show, which promises to be even more beautiful after a successful show last year.
The Divine Connection
Indian classical music has two of the most famous instruments: the sitar and the sarod. Here at this concert, you will listen to them both played in a duet or jugalbandi that is uncommon in India. More than being expert musicians, Lakshay and Aayush are gifted singers. They are brothers who are familiar with one another musically.
It seems like they are conversing through their instruments whenever they are playing. Their music shows the many moods of the monsoon, from the soft start of the rain to the heavy downpour, from joy to longing.
Ragas for the Rainy Season
In the concert, the special ragas that relate to the monsoons will be performed. These ragas, such as Megh, Miyan ki Malhar, and Desh, have been in play for hundreds of years to tell the beauty of the rain. The music will make you feel the gushing thunder sound, the quietness after that storm, and the chilly winds.
Also, joining the Mohan Brothers are two masters of rhythm. Pt. Ramkumar Mishra on tabla and Pt. Fatehsingh Gangani on pakhawaj, who will add powerful beats and depth to the performance.
Who are the Mohan brothers?
Lakshay Mohan, and Aayush Mohan are well-known due to their talent in Indian classical music all over the world. They were the first Indian instrumentalists to play in the Grammy Museum at Los Angeles. In addition, they have also performed in some of the iconic venues like the Royal Festival Hall in London, Berklee College of Music in Boston and the Sawai Gandharva Festival in India.
The great Pandit Ravi Shankar mentored and assisted them. Moreover, their albums such as The Majestic Court, Echoes from the Yellow Land and others have won the approval of both music fans and critics across the globe. Not only do they perform, but they also lecture music and talk at conferences like TEDx to make the younger generations take notice and realize the beauty of Indian classical music.
Takeaways
So, what are you waiting for? Come and Enjoy the Music of the Rain
With clouds turning dark grey and the rain smell in the air, Monsoon Ragas will make your sightseeing adventure sound and feel. It is a concert that is aimed at all people who may love classical music or just want to hear something calm and pretty.
Let the music lift your mood and help you enjoy the magic of the season.
Come and enjoy the rains with music that touches your heart.
When we think of dance of India, we usually get images of many popular dances like Garba, Bihu, Bharatanatyam, or Kathak. But have you ever heard of Goravara Kunitha? Sounds different right! Yes! The dance is as vibrant and energetic as its name sounds. It is one of the major folk dance forms from the big list of Karnataka’s folk dances.
Goravara Kunitha is not just a folk dance; it represents a captivating blend of music, movement, and spirituality. This unique traditional dance form of Karnataka exhibits the cultural heritage of the Gorava Community and their pure devotion to Lord Shiva. In this article we try to explore the tradition of Goravara Kunitha through its history, notable features, and lasting significance.
Dance Details
Description
Name of the Dance
Goravara Kunitha
State
Karnataka
Region/Community
Gorava community in Mysore and north Karnataka.
History/Purana
Devotional dance of the Gorava community, associated with Sri Mylara Linga a form of Lord Shiva.
Traditional Attire
Simple attire with bear fur headgear, dhoti, and shawls. Men also wear kavade Sara and Rudrakshi mala.
Musical Instruments
Damaru, Pillangovi, Gejje and Gante
How it is Performed
Group of 10-11 men perform with rhythmic movements, singing, and foot tapping to create a trance like state.
Culture Significance
Celebrates devotion to Lord Mylara Linga, emphasizing religious unity and community bonding.
Spiritual Significance
Symbolizes the connection with divine energy, offering prayers and seeking blessings.
Where to Witness
Mainly in rural areas of Karnataka, during annual fairs and temple festivals.
What is the History of Goravara Kunitha?
Goravara Kunita refers to the words as “Gorava” refers to the followers of this sect, while “Kunitha” means dance.
Goravara Kunitha originated from the Kuruba community seen around Mysuru and north karnataka region, Goravas are the followers of god Sri Mylara Linga, a form of Lord Shiva. People from Kuruba community are given Deeksha to become a “Goravayya” who dedicates his life to Lord Mylaralingeshwara and performs Koravara Kunitha.
According to puraans, two brother demos, Mallasura and Manisura performed intense penance to get a boon from lord Brahma which gave them the power of invincibility. To save the world from their atrocities Lord Shiva took the avatar of Mylaralingeshwara and defeated them with the help of a large group (Seven Crore) of Goravas and Devi Parvati.
What are the Traditional Attire of Goravas?
An initiation ceremony is performed to give deeksha to young men of the Kuruba community, the event involves a Guru (Head of Goravas) who will bless the boy and accept him as a Goravayya. After the Deeksha the young men will be given a woollen blanket, the symbol of Kuruba community. And accessories like below are presented.
Gante (jingle)
Jolige (bag)
Bandara (holy Turmaric powder)
Kaalu Gejje (Anklets)
Nagabetha (wooden stick)
Dhone (bowl)
Damaru (small drum)
Pillangovi (flute)
Along with the above accessories he will be made to wear a red top , a head gear made up of black bear fur and a Kavade Sara before taking the oath to serve the deity and community.
What are the Musical Instruments used in Goravara Kunitha?
Goravara Kunitha is a group performance, the group usually consists of 10-11 men performing to the energetic sound produced by the traditional musical instruments like Damuru, pillangovi and gante.
Rhythm & Beats: Goravas use Damaru a small hand held drum linked to Shiva produces a unique hypnotic sound that creates the right atmosphere for the dance performance. Dancers also wear Kaalu Gejje (anklets) to produce the sound that syncs with the Damuru sound.
Melody & Chants: The group members use Pillangovi (flute) that adds a melodic layer to the beats of Damuru. The troupe also sings the songs glorifying Mylara Linha, enriching the overall experience.
Folklore Theme: Themusic is deeply rooted in Indian Puranas which include rich tales involving regional deities like Mylara Linga, Mante Swamy and Male Mahadeshwara.
The music of Goravara Kunitha is so rich that every beat takes the dance to the next level and the synced steps of the dancers are so perfect that viewers get hooked to the performance evoking a sense of devotion and celebration.
How is Goravara Kunita Performed?
Goravara kunitha is performed in lively rhythmic movements, the dance is often performed in a group, they produce energetic music and dance in a circular pattern. The performance is characterized by several notable features:
The Dancers often enter a trance like state, reflecting the spiritual connection with their deities. Also the dancers mimic the moments of animals leaping and crouching, rapid spinning and dizzying speed is a signature style of Goravas that captures the audience’s sight.
The group also tries to involve the audience by inviting them to participate and get the blessings. Though the dance moments look repetitive, they never fail to captivate spectators due to their intensity and spiritual passion.
During small private ceremonies devotees offer milk in small bowls along with bananas placed on a woollen blanket, the performers decorated in bandaras dance around the offering and eat it in the end laying flat on the ground without touching it with hand.
What is the Significance of Goravara Kunitha?
Goravara Kunitha has both cultural and spiritual connection to its people and region.
Spiritual Significance: The dancecarries a deep symbolic meaning that represents the connection between physical and spiritual realms, the dancers act as mediators of two worlds with their trance like performance echos the cosmic dance of Shiva Tandava that embodies the symbols of birth, death and inbetween. The dancers capability to transcend beyond the ordinary world displaying pure devotion that stir the emotions of the audience.
Cultural Significance: In Kuruba community Goravara Kunitha is not just a dance performance, it has great communal responsibilities. The dance is usually performed during grand festivals like Mahashivaratri and other small village fests, becoming a focal point for celebrations and reunions. It also acts as the medium of transferring oral tradition. The stories and teachings connected to Lord Shiva are passed through these performances.
What are the Challenges Faced by Goravara Kunitha?
Goravara Kunitha, like many classic art forms, is facing difficulties in the present world. Due to the paradigm shift in people’s lifestyle have led to a decline in the number of practitioners active in this dance. Young coevals often interpret it as obsolete, raising questions about its sustainability as a social practice.
However, different programs are working to revive and maintain the current trade arrangements. Towards the development of Goravara Kunitha, a number of traditional Karnataka companies set up workshops, festivals, and performances in towns to promote Goravara Kunitha. Moreover, to understand the current dance expression, it is necessary to allow people with no previous experience to set up shows and television activities.
How Goravara Kunitha Influences Modern Art?
Contemporary artists and performers are inspired by Goravara Kunitha’s vibrant energy and religious depth. Their active movement has influenced modern dance stage dancing, while the trance-like quality of the dance has discovered their way into experimental theatre and music. Moreover the motifs of Goravara Kunitha have found their way into various forms of creative expression.
To witness the real essence of Goravara Kunitha, the best way to see it is during the festival period in rural Karnataka. During their festival, they often play in the countryside around the Shiva temple in Mailaralingeshwara.
For those who are unable to travel, ethnic festivals in towns often include Goravara Kunitha as part of their program. Keep an eye on the Karnataka Department of Heritage or Home Creativity Council for special occasions.
FAQs About Goravara Kunitha?
Question: What is Goravara Kunitha?
Answer: Goravara Kunitha is a traditional Karnataka folk dance performed by the Gorava community as a devotional gift to Shiva.
Question: What are the unique features of this dance?
Answer: The dance is characterized by its trance like movement, energetic movement, symbolic costumes, and the use of common instruments such as the Damaru and Pillangovi
Question: When and where is Goravara Kunitha performed?
Answer: It is usually performed during temple festivals, especially during Mahashivaratri, as well as during town carnivals and communal events in Karnataka.
Question: Who performs Goravara Kunitha?
Answer: Goravara kunitha is performed by the men from the Kuruba community in Karnataka.
July 29 is celebrated every year as International Tiger Day, an international day of action dedicated to creating awareness about tiger conservation. Environmentalists, governments, conservation groups and other people gather on this day to ponder on the plight of tigers in the wild, their decreasing number, and the necessary action to take to save the iconic species.
Strong and glorious in their stripes, tigers are not only the symbols of power but also keystone species that ensure the well-being of ecosystems. However, nowadays, they are in danger of being extinct because of human activities. The commemoration of the International Tiger Day serves as a reminder of the need to preserve not only tigers but also forests and biodiversity as they symbolize.
History International Tiger Day
The first International Tiger Day was set up in 2010 during the Saint Petersburg Tiger Summit in Russia. This Summit united the heads of 13 Tiger range countries and international conservation agencies. By this period the world tiger population had reduced to dangerously low levels- there were less than 3,200 tigers estimated to be still in the wild.
The key result of this summit was the initiation of the TX2 goal- a global pledge to increase the number of wild tigers by two times in 2022. International Tiger Day, observed on July 29 each year, was established to honor the pledge and carry the initiative forward. It has since then been celebrated yearly globally through events, campaigns and educational programs.
The significance of Tigers in the Ecosystem
Photo – Rohit Varma
Tigers are not only apex predators. Their existence is important to the well-being of the ecosystems that they live in. Here’s why:
Tigers are at the top of the food chain and control the population of their prey which include deer and wild boars. Such a control aids in the absence of overgrazing and vegetation and forests thrives providing a broader network of life.
Healthy forests and well-balanced ecosystems are represented by the healthy tiger populations. When tigers are thriving, then it implies that other species will also be living in a well balanced environment e.g. plants, insects, birds, and herbivores.
In most countries especially in Asia, tigers are regarded as being of cultural significance. They also play an important role in eco-tourism that earns revenues to the locals and the governments. By visiting tiger reserves and the other protected parks, the tourists contribute towards conservation directly and indirectly.
The Reason Why Tigers Are Endangered
Their status as an endangered species stems from multiple causes, they are:
Tigers are hunted to get their body parts which are sold in the black market to be used in traditional medicines, ornamental pieces and as a status symbol. Poaching is a great problem in spite of law and international agreements.
There is loss of forests where tigers stay in and the forests are being cleared to build farms, infrastructures, and human settlements. This not only decreases the habitat in which tigers can survive but also confines populations which makes it harder to breed and create genetic diversity.
With the growth of human population into the tiger territory, conflict is unavoidable. Tigers can attack livestock or people and this results in retaliatory killings and the loss of support on conservation programs.
International Environmental Restoration
Despite the challenges, conservation initiatives worldwide have brought about positive changes. These are some of the outstanding attempts:
India Project Tiger
Project Tiger, one of the most popular conservation programs in the world was established in 1973. The first thing it did was to create some protected areas and reserves in India, secondly it introduced some more stringent laws, and thirdly it placed attention on scientific research and monitoring. In recent times, over 70 percent of the global wild tiger population has been found in India.
The TINA Goal
Nations such as Nepal, Bhutan, and Russia have advanced a lot under the TX2 initiative. Nepal has almost doubled the number of tigers in the country, 121 in 2009, and 355 in 2022, demonstrating what persistence and community engagement can accomplish.
Monitoring and Technology
New technology like camera traps, drones, and GPS collars are assisting researchers and forest departments to monitor the movements of tigers, poaching patterns and refining conservation planning.
Engagement of Local Communities
Conservation is dependent on local communities. Through eco-tourism, education and jobs, the conservation programs make people interested in the survival of the tiger. Local people who are the beneficiaries of conservation are likely to conserve wildlife as opposed to viewing it as a menace.
The Ways You Can Help to save tigers
It is not necessary to have any special skills and knowledge in wildlife or forest ranger to help in tiger conservation. These are the things that can be easily done by any person:
Join Conservation Groups
Donate to non-profits which are involved in the conservation of tigers like WWF, Panthera, and Wildlife Conservation Society. Donations, volunteering or even sharing a word about their work can be very helpful.
Avoid Products that are associated with wildlife exploitation
Avoid buying any products that are made out of tiger skin or teeth, bones or any other product that is derived out of the wild life. Harmful and illegal business can be sustained even by such seemingly innocent products.
Educate Others
Speak out and use your platforms to create awareness. Discuss about tiger conservation at school or workplaces or on social sites. Empathy and understanding are created through education.
Use Green Products
The decisions that you make on a day-by-day basis count. Buy products and companies that are green. By minimizing your carbon footprint and purchasing and using responsibly, you are making sure to save forests, which is indirectly beneficial to tigers.
Present World Situation of Tigers in the Wilds
Today an estimated 4,000 tigers live in the wild as of 2025. The increase of tiger population in certain areas is promising and the battle is not over yet. There are still reports of poaching and habitat remains a significant threat.
A selection of major regions in which the wild tiger still exists are:
Country
Estimated Wild Tiger Population (2022–23)
India
About 3,167 – 3,682 wild tigers (largest global population).
Russia
Approximately 500–600 Siberian (Amur) tigers in the Russian Far East.
Nepal
Around 316–355 Bengal tigers, showing steady population rise.
Bhutan
About 131 tigers in 2022, protected at high altitudes.
Indonesia
Estimated 390–400 Sumatran tigers — one of the smallest yet most critical‐status subspecies.
Thailand
Between 148–189 Indochinese tigers in protected forest reserves.
Malaysia
About 150 Malayan tigers remain in the wild; critically endangered.
Theme of International Tiger Day 2025
Although the official theme this year is likely to include the theme of coexistence and climate resilience, the essence of this message once again is the same: Tigers need our help. The call to action does not only consist in the necessity to save tiger populations, but in the necessity to make sure that humans and tigers can coexist in the world, in peace. It is time that governments, NGOs, researchers and citizens develop a long term sustainable strategy on tiger conservation in a world that is increasingly becoming human dominated.
Conclusion
Tigers are among nature’s most extraordinary creatures, yet they are also among the most threatened. International Tiger Day acts as a reminder that, although we have seen some improvements, complacency is not an alternative.
It is our responsibility as human beings, as individuals, and as a society to make sure that coming generations will have an opportunity to see the beauty of a tiger encountered in real life, not through documentaries or literature. Their roar must remain in the forests, which is a sign of power and survival as well as fragile harmony of nature which we all belong to.
FAQs About International Tiger Day
Question: What is the aim of International Tiger Day?
Answer: The purpose of celebrating International Tiger Day is to highlight the shrinking numbers of tigers in the wild, the dangers they encounter, and the worldwide need for their protection.
Question: What is the current number of wild tigers across the globe?
Answer: An estimated 4,000 tigers are believed to be living in the wild as of 2025. India holds the largest share of this population, followed by Russia, Nepal, and Bhutan.
Question: What makes tigers a keystone species?
Answer: Tigers are apex predators and they maintain the balance of the ecosystems by keeping the population of herbivores in check. This avoids overgrazing and promotes biodiversity.
Question: What are the successes of the TX2 goal?
Answer: The TX2 campaign was introduced globally to reach the ambitious target of doubling wild tiger numbers by 2022. Although not distributed universally, some countries showed great improvement, especially India and Nepal experiencing positive trends in the growth of the tiger population.
Question: How can people help the situation with tiger conservation?
Answer: The tiger conservation efforts can be enhanced by individuals donating to reputable wildlife organizations, avoiding all wildlife products, creating awareness, or other environmentally-friendly lifestyle choices that may minimize the pressure on forests and other ecosystems.
AstaGuru Auction House is set to present its upcoming ‘Iconic Masters’ Auction on July 29–30, 2025, offering a thoughtfully curated selection of rare and important works by India’s most celebrated modernists. This auction will spotlight legacy-defining pieces that have shaped the narrative of Indian art and continue to command reverence across global collections.
A Celebration of India’s Modernist Visionaries
The auction will feature artworks by pioneering masters such as Jamini Roy, Nandalal Bose, F.N. Souza, S.H. Raza, M.F. Husain, Manjit Bawa, Ram Kumar, Krishen Khanna, Anjolie Ela Menon, Akbar Padamsee, Jogen Chowdhury, K.G. Subramanyan, Bhupen Khakhar, and others—offering collectors a rare opportunity to acquire works that reflect the evolution of India’s avant-garde movement. Several of these works are making their auction debut, further enhancing the uniqueness of the collection.
AstaGuru’s Vision for Cultural Legacy
Sneha Gautam, Director – Client Relations at AstaGuru Auction House, shares, “The ‘Iconic Masters’ auction is a celebration of legacy, vision, and rarity. Each work on offer carries a lineage of artistic excellence and a piece of India’s cultural history. We are proud to present a catalogue that not only showcases signature styles but also invites collectors to be custodians of works that shaped modern India’s artistic identity.”
Highlights from the Auction Catalogue
Manjit Bawa’s Iconic Cow Imagery
Featuring on the cover catalogue, lot no. 36 is a serene Manjit Bawa masterpiece featuring his iconic imagery of a cow. Bawa’s use of subdued, soft tonal gradations imparts an ethereal quality to the image, reinforcing the cow’s symbolic presence as a vessel of peace, divinity, and maternal calm. This lot is estimated to be acquired at ₹ 3,00,00,000 – 4,00,00,000.
Rare Works by Nandalal Bose
The auction will present a stunning curation of several works by legendary Bengal School artist Nandalal Bose, including a set of works originally from the collection of E. Kumaril Swamy, a fellow artist and a close associate of Nandalal Bose.
Ganesh Pyne’s Dreamlike Detailing
Lot no. 24 is a beautiful and well-published work by artist Ganesh Pyne. Executed with his characteristic use of watercolour on paper, the composition merges miniature-like detailing with a sombre, dreamlike palette, evoking a timeless atmosphere. The lot is estimated to sell for ₹ 20,00,000 – 30,00,000.
Krishen Khanna’s Bandwallas and Wildlife
Coming from the collection of artist Krishen Khanna, lot no. 32, estimated to sell at ₹ 50,00,000 – 70,00,000, is a signature-style mixed media on canvas work depicting a majestic tiger resting in the jungle. Lot no.44, a set of three works depicting his most famous figures of Bandwallas in three vibrant colours. This is expected to be acquired at ₹ 1,20,00,000 – 1,60,00,000.
A Rare Sculpture by K.K. Hebbar
An extremely unique creation, lot no. 47 is the only known auctioned sculpture executed by artist K. K. Hebbar. Titled Surya – The Sun Chariot, it is estimated to sell at ₹ 1,20,00,000 – 1,80,00,000.
Thota Vaikuntam’s Works on Offer
Three works in the auction, lot no. 42, 50, and 65 belong to the collection of the famous artist Thota Vaikuntam.
F.N. Souza’s Visceral Landscape
Lot no. 56 is a stunning late landscape by F. N. Souza, exemplifying his visceral approach to environment and structure. With a dense web of jagged lines and rhythmic brushstrokes, the composition collapses foreground and background into a frenetic tangle of green, ochre, and blue. This work is expected to sell at ₹ 80,00,000 – 1,50,00,000.
M.F. Husain’s Pandharpur Reflections
Another highlight of the auction is lot no. 64, a unique monochrome work by M.F. Husain. Estimated to be acquired at ₹ 80,00,000 – 1,20,00,000, it reflects his encounters while growing up in Pandharpur and embodies the raw energy of his figures, drawn from observations of the world around him.
Ram Kumar’s Abstract Poetics
Lot no. 68, estimated at ₹ 80,00,000 – 1,20,00,000, is an abstract landscape by Ram Kumar, which perfectly captures the dark yet poetic essence of his works in the 1970s.
Jogen Chowdhury’s Scroll of Reflection
Lot no. 70 titled ;Dream; is a work by Jogen Chowdhury, in effect a scroll of sustained introspection by Jogen Chowdhury, created in his mid-eighties as both a continuation and quiet subversion of his Reminiscences of a Dream Series from the 1970s. This work The concluding lot of the auction catalogue, no. 89 is a monumental rendition of the Bandwalla figure by Krishen Khanna titled Shyam Pratap Bhompu Wala. Estimated to be acquired at INR 40,00,000 – 60,00,000, this sculptural masterpiece is a tribute to the spirited street musicians of India.
Takeaways
Each lot in the ‘Iconic Masters’ auction represents more than aesthetic brilliance—it holds stories of creative courage, personal conviction, and cultural memory. Through this collection, AstaGuru once again reinforces its commitment to preserving artistic legacies while offering collectors the chance to be a part of them.
Shiva) in Rajasthan, the 206-foot Statue of Social Justice in Andhra Pradesh, and artistic
contributions to India’s new Parliament building. From Mahatma Gandhi in New York to
Swami Vivekananda in Mexico, his art powerfully represents India’s cultural diplomacy and
civilizational ethos on the global stage.
From time immemorial, Indian monumental art has stood as a symbol of deep cultural, spiritual, and artistic heritage intact with the country’s profoundly rich history. From the intricate carvings on the Khajuraho temples to the great monoliths of deities and national heroes, the term traditionally prescribes a concept of brilliance and continuity. Elaborately carved out by human imaginations and skills, monumental sculpting has traditionally been an art form based on immaculate skills and years of experience. However, in the new millennium, a new paradigm is quietly taking shape in which silicon and software increasingly join hands with stone and steel.
The AI Revolution in Art
AI Generated Monument
Witnessing a technological revolution, AI and 3D sculpting techniques are now transforming the very foundations upon which large-scale public and spiritual art used to rest in conception, design, and execution. Artists working in digital studios and academic labs, in India and all over the world, are using algorithmic intelligence fused with sculptural creativity to redefine what a monument can be.
With the rise of generative design tools, virtual modeling environments, and AI-powered fabrication processes, the art of sculpture is undergoing a radical transformation that promises to make it more inclusive, innovative, and interactive.
From Traditional Sculpture to Digital Realms
Artwork – Copyright Naresh Kumar Kumawat
Digital sculpting is similar to the concept of clay modelling, where an artist uses software-aided environment such as ZBrush, Blender, or Nomad to push, carve, or smooth virtual forms with great precision into great detail. Instead of chiselling marble, creators work on digital tools to sculpt complex shapes, using art, animation, and special effects.
Similarly, through AI and machine learning tools, a sculptor now gets assistance in suggesting forms, refining details, or generating entirely new 3D shapes in response to the prompts or inputs provided. This integration transforms AI from a passive assistant into an active creative partner.
Innovation in Indian Monumental Art
369 ft Tall Statue by Naresh Kumar Kumawat
Generative AI art will push the limits of 3-D work into outlandish texturing, forms, and patterning. As backed by recent studies carried out in the International Journal of Engineering & Research (TIJER), on modern sculptures. 3D printing, VR, and AI-supported generative modelling at different levels are facilitating and adding value to the traditional ways. This is why thought leaders in this profession claim that AI does not kill creativity but rather promotes it; AI quickly generates ideas, variations, or compositional suggestions to allow artists more time for making conceptual and stylistic decisions.
AI & 3D Sculpting in India
Monumental art for temples, public statues, and cultural icons now leverages 3D sculpting and AI to reinterpret traditional motifs. Artists build digital models of deities or legendary figures carrying contemporary motifs or generative elements inspired by machine-driven creativity. They can prototype these digital sculptures to the desired scale, refine them through successive iterations, and allow them to be 3D-printed and materialised in stone or metal.
AI can therefore propose detailed procedures; it can come up with new geometric shapes or provide fresh sketch proposals generated from thousands of heritage artefacts, thus opening artistic vistas so as to avoid stigma of stylistic stagnation. Moreover, such AI-aided sculpting assists in lowering the technical barriers, making it accessible for artists from various regions to explore 3D and monumental designs. With an abundance of suggestions from the software and generative models, one can sculpt forms quickly without having to master time-consuming activities, resulting in wider engagement in monumental art forms across India.
Does AI Bring Authentic Art?
Some argue AI threatens originality, or infringes on IPR and copyright, but others propose AI is akin to past technological shifts like the camera that don’t diminish human agency. Many artists advocate framing AI as a collaborative tool or an assistant that offers ideas, not the creator of the essence. However, ultimate decisions that define the monument’s meaning, purpose, and future relevance still rest in human hands.
The Monumental Impact
As monumental art underwent a metamorphosis, AI and 3D sculpting gradually remodelled the atmosphere of public spaces. Digital sculptural proposals for virtual or augmented-reality viewing and community feedback merge traditional design with more democratically solicited innovation. The transition was boosted further by digital-to-physical workflows where designs processed through AI are employed in 3D-print clay moulds, cast bronzes, or carve stones to streamline production, reduce costs, and speed timelines. At a deeper level, they stimulate cultural dialogue whereby the artists are allowed to feed either folk tales or concepts of certain deities in abstract generative forms, from which a new set of perspectives is introduced to monument design narratives.
Future Outlook
Naresh Kumar Kumawat with is Sculptures
Over the course of the next five to ten years, AI and 3D sculpting will redesign the monumental art landscape of India through the creation of hybrid studios bringing together traditional sculptors, digital artists, AI specialists, and conservationists. These teams will design monuments that are a hybrid of hand-carved heritage and AI-driven structural innovations. Restoration will, of course, use power-assisted methods of AI, assisting in 3D scanning and modelling for purposes of digitally reconstructing monuments that have been eroded and in guiding their physical restoration. The domain of public interface will further change, creating interactive statues that will enable the public to co-articulate artworks through the agency of AI sculpting tools. At the same time, art institutions will likely promote courses on AI-driven 3D sculpting in order that the new generation of artists will be fluent in both crafts and technology.
Conclusion
With India forging ahead in a rapidly digitising world, 3D sculpting and AI have come together to restore and further the scope of traditional monumental art. The system that had existed for a long time in which master sculptors had complete ownership of the art and worked solely with stone and metal has now become a shared platform for coders, designers, engineers, and even historians to collaborate upon.
These technological collaborations have increased scale and precision, while also opening up avenues for the newer generation, born and nurtured in the digital landscape. Whether the works are carved by hand or via a computer program, every sculpture remains an expression engraved with the spirit of its epoch. The young generation of sculptors is deeply imbued with the spirit of innovation, collaboration, and cultural reinvention.
Author: Naresh Kumar Kumawat – Indian Sculptor & Director of Matu Ram Art Centers
Naresh Kumar Kumawat is a globally celebrated sculptor and third-generation artist, known
for fusing ancient Indian traditions with contemporary expression. As Director of Matu Ram
Art Centres Pvt. Ltd., based in Gurugram, he has led the creation of over 600 monumental
sculptures across 40+ countries. His iconic works include the 369-foot Statue of Belief (Lord
One can visit numerous places that can stimulate creativity and there is no doubt that one of the best ones is CultureCon in India. Powered by The Art X Company and Festivals From India, CultureCon 2025 is back, bigger than ever. It will be held at the Museum of Solutions, Mumbai, on August 7- 8, 2025. This is a two-day workshop that will plunge into practical tips, important shifts in the field, and creative development.
If you are an artist, a culture maker, or a creative biz boss, CultureCon is a must-attend for you. This meet reveals the shaping forces of the creative scene, such as careers, tech, new ideas, and so on.
Also, CultureCon is known as a solid spot for cultural talks and growing your craft through:
Talks on policy for smart future moves.
Mentor labs for real-world issues.
Team-ups across fields, with creators, brands, and backers.
This time, the theme is “Creative Capital: The Next Frontier,” showing how to grow creativity into a significant economic force.
How Does CultureCon Deliver Real Results?
At the same level where Machine Learning assists money decisions by providing live data and in-depth verifications, CultureCon provides layered-level insights with:
Curated Talks and Labs
CultureCon 2025 lines up well-planned parts like:
Session Type
Description
Panel Talks
Engaging one-on-one discussions offering cultural insights and career advice from experienced voices.
Mentor Labs
Personalized sessions with field experts for professional guidance and knowledge sharing.
Quick Talks & Big Classes
Compact and high-energy sessions designed for fast learning and deeper understanding.
Key Topics
Some top talks to watch include:
Key Topic
Focus
When Code Meets Culture
Tech and art collaborations, led by Goethe-Institut Mumbai.
Gen Z as Culture Makers
Discussion on how Gen Z influences creative industries and cultural values.
The Artist-Manager Game
Exploring the evolving power dynamics between artists and their managers.
Selling Creative Work Worldwide
Strategies for global outreach, featuring Honeypot Marketplace & Adelaide Fringe.
CSR & Culture
Moving beyond monetary donations to deeper support for cultural initiatives.
Each talk aims to clear up, cut down doubts, and help individuals make wise choices.
Who Should Attend?
Well, this event can be attended by anyone. Here is a curated list of people who should definitely participate in:
Content People and Online Stars: Learn and team up with big names.
Start-Ups and Creative Biz Folks: Find out how to grow and see investment chances.
Students: Get into intern spots and career events.
Marketing and Tech Folks: Learn about mixing culture and new tech for future plans.
Top Voices: Don’t Miss These Leaders
The curated speakers list at CultureCon has some top cultural leaders who raise the game. Some names include:
Speakers
Affiliation / Role
Roshan Abbas
Founder, Kommune Arts (Keynote)
Shreyas Srinivasan
Former CEO, Paytm Insider
Thukral & Tagra
Contemporary Artists
Ruchira Das
Arts Management Consultant
Ankur Tewari
Singer, Song writer
Papa CJ
Stand-up Comedian
Padmini Ray Murray
Founder, Design Beku
Andy Beecroft
Marketplace Manager, Adelaide Fringe
Asad Lalljee
CEO, Avid Learning; SVP, Essar Group
Antara Ashra
Future School of Performing Arts
Joyoti Roy
CSMVS
These leaders will guide talks that help people make fundamental changes in their creative work.
CultureCon as a Creative Lab: What Makes It Stand Out?
Just as models update often to stay good, CultureCon grows each year with clearer goals and more open paths. Its parts include:
Deep Workshops for personal learning.
Evening Mixes for meeting peers.
Sign language help and free spots for disabled people make sure all voices are heard.
“CultureCon is a live lab where we look into India’s creative futures. With each version, we open new doors: work and private.”
A History of Touching Lives and Open Doors
Past CultureCons have had stars like Oscar-winner Guneet Monga, Arundhati Ghosh (India Foundation for the Arts), Sanjoy Roy (Teamwork Arts), and other prominent voices. Long-time pals include the British Council, Godrej India Culture Lab, and Access for All.
This year, CultureCon is all in on being open. Free spots are ready for disabled people, and Indian Sign Language help is available in talks, making the place truly welcoming for all.
Final Thoughts
CultureCon 2025 is more than a meet; it’s a think spot for India’s creative economy. If you want to grow your job, big up an innovative project, or just find your place in a quickly changing culture scene, this is your chance.
Join them in Mumbai on August 7-8, 2025, and be part of a living scene that not just dreams of the future, but one that builds it.
FAQs About CultureCon 2025
Question: Who should attend CultureCon 2025?
Answer: Creators, students, biz folks, teachers, marketers, and anyone into culture and creative ideas should definitely attend CultureCon 2025.
Question: What topics are on this year?
Answer: Tech in the arts, Gen Z as creative chiefs, cultural biz, global sales moves, and CSR in the arts are all in talks this year.
Question: How is CultureCon different from other creative meets?
Answer: It mixes mentorship, industry talks, open doors, and fundamental career tools in one significant experience.
Question: Where is CultureCon 2025 happening?
Answer: It is happening at the Museum of Solutions, Mumbai, on August 7–8, 2025.
The first raindrop falling on the dry ground and monsoon winds swaying the trees comes with a fresh touch of joy, renewal and celebration. Hariyali Teej is one such festival which is a true representation of the rainy season in India.
What is the Muhurat and Timings of Hariyali Teej 2025?
As per the Hindu calendar, Hariyali Teej falls on the third day of the Shukla Paksha in the month of Sawan. Tritiya Tithi is on July 26, 2025 till 7:52 PM and July 27, 2025 till 10:05 PM.
Hariyali Teej
Details
Date & Time
July 26, 2025 till 7:52 PM and July 27, 2025 till 10:05 PM.
Occasion
Reunion of Lord Shiva and Goddess Parvati
Observed By
Married and unmarried Hindu women
Key Rituals
Fasting, worship, swinging, singing, wearing green attire, Sindhara gifts
Cultural Significance
Celebrates love, devotion, nature, and women’s empowerment
Regional Variations
Unique customs in Rajasthan, Haryana, and Punjab
Teej festival is not only a simple religious event, but also a colorful showcase of love, faith, and womanhood. With the swinging of neem trees and the swinging rhythm of folk songs, Hariyali Teej brings us back to the ancient roots of Indian relation to nature and traditions that are still alive and well in the hearts of many people.
It is time to stroll through the streets of history, traditions, feelings, and meaning of Hariyali Teej and find out why this festival is so popular among women all over India.
What is Hariyali Teej?
Hariyali Teej, commonly referred to as Teej, is a traditional Hindu festival predominantly observed in northern Indian states like Rajasthan, Uttar Pradesh, Bihar, and Madhya Pradesh. Hariyali has a meaning of greenery symbolizing the greenery of the monsoon season and Teej means the third of the bright half of the lunar month.
The festival falls on the Tritiya Tithi (third day) of the Shukla Paksha during the holy month of Shravan (Sawan), which holds special significance for devotees of Lord Shiva and Goddess Parvati. Married women, in particular, newlyweds, fast and pray on this day in order to have long life, prosperity, and health for their husbands. Unmarried girls also get involved with the hope of a good match in future.
However, it is also the festival of female beauty, folk music, green saris, henna-painted hands and communal unity.
What is the Significance of Hariyali Teej?
Hariyali Teej honors the sacred and everlasting union between Lord Shiva and Goddess Parvati, symbolizing true love and devotion.
It is believed in Hindu mythology that Goddess Parvati made extreme penance during her 108 births to show her love and devotion to Lord Shiva. Moved by her unwavering devotion, Lord Shiva finally accepted Goddess Parvati as his consort on the auspicious day of Hariyali Teej.
Therefore, Teej is a representation of dedication, conjugal happiness and communion. Women also fast and pray to Parvati in the hope that they will also be granted the same unbreakable union in their relationships.
Hariyali Teej and Monsoon Connection
Hariyali Teej is more than a spiritual occasion. As the monsoon arrives, parched lands turn lush, peacocks spread their feathers in dance, rivers swell with life, and the fragrance of rain-soaked earth fills the air. This seasonal change is greatly embedded in the festival of Teej.
Women sing folk songs, swing on ornamented swings attached to banyan or neem trees and they play with the cooling rain. The towns and villages are dressed up in festive attires, with colors all over, and of course, the green color, which represents fertility, prosperity and peace with nature.
Local fairs are conducted in most rural places where women are adorned, mehndi applied and traditional dances such as Ghoomar and Kachhi Ghodi are performed.
Fasting and Rituals during Hariyali Teej
Among the most remarkable things about Hariyali Teej is Nirjala Vrat (fast without water and food), which is followed with full devotion by the married women.
Day rituals:
Bangles, sindoor, bindi, mehndi, and green sarees are items of Suhag, which are worn with pride and joy.
women bathe and dress in traditional attire to begin the celebrations.
A picture or statue of Goddess Parvati is worshipped with fresh flowers and sweets (particularly ghewar) and fruits and a special Teej katha (story) is read.
Married women pray for a blissful and long-lasting married life, while unmarried girls seek blessings to find an ideal husband like Lord Shiva.
In cities, especially among working women, the rituals are now adapted to modern schedules. Some opt for partial fasts or symbolic prayers while still upholding the festive spirit.
How is Hariyali Teej Celebrated Across India?
Regardless of the fact that the essence is the same, various regions contribute their flavors to the celebration.
Rajasthan: In Jaipur and Udaipur, music, camels and elephants are used in taking out grand processions of Goddess Parvati. The city is full of fairs, puppet shows and traditional delicacies.
Uttar Pradesh and Bihar: Women also meet in groups, sing Kajri and Teej songs, put mehndi and give sweets. It is also the norm to present daughters and daughters-in laws with items of Shringaar.
Delhi & NCR: Having a cosmopolitan set up, women make kitty parties or office parties in the theme of Teej. There is a boom in the demand of henna designs and festive makeovers in beauty salons.
Hariyali Teej: Sweets and Special Dishes
How can there be a festival without food even when you are fasting?
The Teej thali includes some delicious snacks that are mouth-watering after the fast ends at night, such as:
Ghewar- a Rajasthani honey-comb-like sweet dipped in sugar syrup.
Kheer- Sweetened rice pudding.
Poori Aloo Sabzi- a celebratory combo that is popular in the north.
Other popular additions include Malpua, Seviyan and Ladoo.
During Sawan, most households prepare light and sattvic meals, typically avoiding the use of onion and garlic.
Hariyali Teej 2025: What is Special This Year?
Hariyali Teej will be celebrated this year on Monday, July 28 which is taken as very auspicious as Monday is the day of Lord Shiva. Fasting during this day is believed to add more blessings and peace in marriage.
The green celebrations are also becoming popular in 2025. Increasingly, more women groups and communities prefer to celebrate sustainably, with no plastic decorations, and eco-friendly idols and organic mehndi.
Womanhood celebration during Hariyali Teej
Other than religion and rituals, Teej has come to be a festival of womanhood. It is one of the few festivals that represent women as the main subject, being able to dress up, dance, laugh and celebrate their uniqueness. It is about the love of sisterhood, family and self-expression. It is a day when women go out not only to fast, but to be connected, not only with nature, not only with community, but with their inner strength.
Hariyali Teej reminds many people to stop, to take a break and think of love, strength, and the pleasures of minor customs that connect us to our origins.
Conclusion
When we are living in a world of rush and passing moments, festivals such as Hariyali Teej bring us to the ground. They make us think of life-long love, of sacrifices that women have made throughout generations, and the power of unity and belief.
Regardless of whether you are fasting, wearing green, hanging on a tree, or just reminiscing with your loved ones, Hariyali Teej 2025 gives you an opportunity to have fun and enjoy both your culture and your soul.
Therefore, this monsoon, sit back and enjoy the rain, wear your most colorful saree, sing with your friends and rejoice the divine and human love stories that make life so beautiful.
FAQs About Hariyali Teej
Question:What date is Hariyali Teej 2025?
Answer: Hariyali Teej will be observed on Tritiya Tithi starting from July 26, 2025 till 7:52 PM and July 27, 2025 till 10:05 PM.
Question:Does one have to fast on Hariyali Teej?
Answer: Although fasting is a cultural aspect of the festival, it is done at an individual level. Nirjala Vrat is practiced by many women, although some women can choose partial or symbolic fasting due to health and convenience.
Question: Do single girls have the right to celebrate Teej?
Answer: Yes, absolutely! Unmarried girls also enjoy Teej by adorning themselves, wearing mehndi and praying to get a good life partner.
Question: Which Traditional Colors and Outfits Are Worn During Teej?
Answer: Green is the primary color, symbolizing fertility and prosperity. Women often wear green sarees or lehengas, along with traditional jewelry and glass bangles.
Question: How is Hariyali Teej Different from Other Teej Festivals?
Answer: Hariyali Teej leads the way, gracefully followed by the vibrant Kajari Teej and the deeply devotional Hartalika Teej. Each has its own customs and stories but all are linked to Lord Shiva and Goddess Parvati’s devotion.
The Kargil Conflict of 1999 is one of India’s most prominent military victories. The conflict not only established Indian hegemony in the Kargil sector but also displayed the readiness and courage of the Indian troops in protecting the territorial integrity of the nation. Kargil Vijay Diwas, observed every year on the twenty-sixth of July, commemorates the end of the conflict and is a day to remember and exalt the noble acts of the Indian Armed forces in the Kargil conflict against Pakistan.
Why did the Kargil War start?
Before Kargil, India and Pakistan had fought three wars against Pakistan- the Independence War in 1947, the war in 1965 and the Bangladesh Liberation War in 1971. Post the Bangladesh liberation war, relations between the two countries seemed to cool off. There were no conflicts for nearly thirty years before Kargil, except for the skirmishes in Siachen in the 1980s.
It was in the 1990s that relations between the two countries began to deteriorate. With the worsening of Kashmiri separatism and insurgency and with India and Pakistan’s respective nuclear tests, hostility blossomed. The two countries signed the Lahore to defuse the situation in February 1999, but the damage was done. They were heading toward conflict.
The Kargil Terrain
The Indian Army occupies and guards some of the highest manned posts in the world in the Kargil sector, with several crossing five thousand metres altitude. The conditions here are harsh and frigid even in the summers, let alone the winters. Indian troops vacate their posts during the bitter winters, when temperatures plummet far below freezing temperature, making it impossible for humans to survive for long periods. As the snows thaw at the end of the winter, the troops return to the posts, guarding them till the next winter takes over their duties.
The Kargil sector is of great strategic importance. National Highway 1, Leh’s lifeline and a major transport route for the Indian Army, passes through the region. Many of the high-altitude posts here overlook the highway, and control of these posts would mean practical control over it, for one could disturb any movement with artillery firing.
Operation Badr
Taking note of the empty bunkers in Kargil during the winters,, Pakistan hatched a shrewd plan- to occupy and fortify their positions in these vacated Indian bunkers in Kargil during the winter of 1998-99, while disguised as militants. This ambitious mission was Christened ‘Operation Badr’.
Thus, elite Pakistani Special forces troops from the SSG or the Special Services Group of the Pakistan Army and a few battalions of the Northern Light Infantry, a Pakistani paramilitary force, occupied over a hundred posts in Kargil after infiltrating into Indian territory through the Line of Control, either under the cover of artillery firing or because of the absence of guards on the Indian side.
Captain Saurabh Kalia
Based on a tipoff from a local shepherd, Captain Saurabh Kalia of the 4th Battalion of the Jat regiment went on a regular patrol to follow up on the information about the infiltrators in mid-may. This resulted in a firefight with Pakistani rangers, who soon surrounded and captured Capt Kalia and his team when they ran out of ammunition. Following their capture, they were tortured barbarically to death for twenty-two days in Pakistan. Their bodies were later over to the Indian army, which were mutilated beyond recognition. Captain Kalia’s family even stated that they could not recognise his body. The Indian government served a notice to the government of Pakistan on the grounds of violations of the Geneva Convention which dictated the humane treatment of Prisoners of War, but nothing has been done.
Pakistan has since denied the torture of Captain Kalia and his men several times. However, Captain Kalia’s father has persistently been campaigning for justice. He has approached many international organisations, the Indian government and allies, but in vain. He continues to fight for his son even today.
Operation Vijay
After this incident and a few other encounters with the Pakistani rangers, the Indian Army understood that these were not militants but the soldiers of the Pakistan Army. The government of India then responded to Operation Badr with Operation Vijay to push back the infiltrators, mobilising over 200,000 troops.
What followed was a series of fierce battles in the frigid slopes and peaks of Kargil. Braving low temperatures and despite facing an enemy with an overwhelming geographical advantage, the Indian Army pushed back the infiltrators and got Kargil back into Indian hands. The stories of courage, sacrifices and even humanity in the battles of the conflict should be remembered for eternity.
The Battle of Tololing
Tololing was one of the most important positions occupied by the Pakistani troops. It overlooked the Srinagar-Leh Highway, blocked by the Pakistanis with heavy artillery firing.
The Battle of Tololing was one of the fiercest battles fought in the conflict. For over three weeks, 18 Grenadiers and 2 Rajputana Rifles of the Indian Army adapted and improvised to the changing challenges of the rough terrain and fought resiliently. The final assault was mounted in the late hours of June 12 by a team led by Major Vivek Gupta. Ascending the jagged, difficult terrain, the team fought valiantly and hoisted the tricolour in the early hours of June 13. However, the price paid was high. Major Gupta and ten others were martyred during the final assault, and during the course of the three-week battle, a total of sixty-six soldiers and officers laid down their lives.
Tololing was an important feature, the capture of which changed the tide for the Indian side. High on Josh from the victory, 18 Grenadiers went on to play a crucial role in the battle of Tiger Hill, another pivotal Indian victory in the conflict.
Tiger Hill is another crucial feature in Kargil. Standing at an imposing 5307 metres, it too, overlooks the Sringar-Leh highway.
In late May, the Indian Army discovered that Tiger Hill was occupied by Pakistan’s forces- including the elite SSG and artillery.The 8 Sikh infantry of the Indian Army had tried to clear the position but had failed to do so because of bodily weakness due to a lack of acclimatisation.
In mid June, soldiers from 18 Grenadiers, the Ghatak commando group and 8 Sikh regiment were called to Dras to acclimatise and train. Finally, at 2000 hours on July 3, the final Indian advance to capture Tiger Hill began. In the initial assault, heavy artillery firing from the Indian side ate at the enemy troops, but the Indians were pushed back. However, the attack resumed soon.
The Delta company of the Indian side, consisting of the men of 18 Grenadiers and accompanied by a Ghatak commando platoon, ascended a vertical ice wall of a thousand metres while braving freezing rain and reached the peak, taking the enemy by surprise. Subedar Yogendra Singh Yadav and five others led the assault. Only Subedar Yadav survived amongst the six, prompting an attack from the rest of the men. Subedar Yadav would go on to win the Param Vir Chakra, the highest wartime gallantry award. He is the youngest recipient of the award, at just nineteen years old.
The Ghatak platoon and Grenadiers summoned all their strength despite the freezing conditions and captured the entire summit of Tiger Hill. At 0730 hours on the fourth of July, General Puri, the commander of the 8 Mountain Division, informed Gen VP Malik, the Chief of Army Staff at the time, that the enemy would not be able to dispatch the grenadiers from atop the hill.
Operation Safed Sagar was launched by the Indian Air Force, complementing Operation Vijay. While only a limited role of the Air Force was permitted, it proved exceedingly efficient in its duties.The Air force had begun contributing to the Indian victory even before the discovery of Pakistan’s troops- IAF fighters had been carrying out reconnaissance operations in the sector, giving the Army crucial information about the positions of the enemy. As the conflict advanced, they took on several roles, including attack and reconnaissance missions. IAF helicopters and transport aircraft also played a crucial role, providing rations and necessary goods to Indian soldiers on the frontline. They also evacuated hundreds, if not thousands, of Indian soldiers, giving them life-saving medical attention in time. Without the Air Force, the price paid for the victory would have been even higher or perhaps, it would not have been possible.
The Kargil conflict is usually regarded as a conflict that was fought on land by the Indian Army, supported by the Air Force. However, the Indian Navy silently contributed to the Indian victory too.
The Indian Navy, in the summer of 1999, began their routine summer exercise, called ‘Summerex’. However, this year, something had changed. Usually held in the Bay of Bengal, it was now shifted to the Arabian Sea, close to Pakistan’s waters. As it progressed, the Indian Navy, seven times the strength of Pakistan’s fleet, had gotten bolder. The assets of the Navy were all equipped with actual wartime missiles and directed toward Karachi, ready to bomb in the case of a single suspicious movement. Practically, Indian naval assets had blockaded the Karachi port.
India’s blockade of Karachi proved highly effective. Cornered, the Pakistan Navy shifted its assets from Karachi and any Pakistani ships remaining were told to stay put. The Indian Navy also constricted Pakistan’s trade, leaving Pakistan, at a point, with only six days’ worth of fuel, according to Nawaz Sharif, the Prime minister of Pakistan at the time. This operation was called ‘Operation Talwar’.
The conflict ends
On 4 July, following the victory on Tiger Hill, the prime minister of Pakistan, Nawaz Sharif, agreed to withdraw the Pakistani forces. However, some of them chose to fight on. India pressed on the assault until the remaining forces, concentrated in the Drass subsector, were flushed out. The fighting finally ended on July 26, known today as Kargil Vijay Diwas.
Who were the bravest soldiers in the Kargil War?
The Kargil conflict brought to light many heroes of the Indian Armed Forces. The stories of the Param Vir Chakra awardees, winners of the nation’s highest military honour, are some of the most stirring tales of bravery. The write ups are abridged/ unabridged versions of their Param Vir Chakra award citations.
Captain Vikram Batra
Captain Batra of the 13 J&K rifles led his unit up to Point 5140, a crucial feature in the Drass subsector of Kargil. He surprised the enemy by climbing up a difficult route and killed four men in hand to hand combat. The point was captured due to his quick thinking and leadership abilities.
On July 8, his company was tasked with capturing Point 4875, a narrow feature with sharp ridges, extremely difficult to climb. Captain Batra attacked from a narrow ridge, and the enemy was taken by surprise. In the fierce hand to hand combat that ensued, Captain Batra killed five soldiers. He was, however, gravely injured, but still lobbed grenades into enemy positions while leading his men. Captain Batra gave up his life in the battle, but his initiative and valour played a pivotal role in capturing point 4875.
Lieutenant Manoj Pandey
Lt Manoj Pandey of the 7 Gorkha rifles took part in a number of operations in Operation Vijay. One of these operations was the advance toward Khalubar, when he was the commander of his platoon. Late in the night of July 2, his platoon came under severe enemy fire as they were approaching Khalubar. Lt Pandey moved his platoon to a safe and advantageous position, and began leading his men and attacking two enemy positions in succession, killing four enemy soldiers. As he assaulted the third, he was hit by bullets on his shoulders and legs, but led his men, undaunted, to the fourth position, when he was hit by machine guns on his forehead. Despite this, while breathing his last, he hauled a grenade into the fourth position occupied by the enemy and destroyed it.
Subedar Major Yogendra Singh Yadav
Grenadier Yogendra Singh Yadav was part of the leading team of Ghatak Platoon tasked to capture Tiger Hill on the night of 3/4 July 1999. The approach to the top was steep, snow bound and rocky. Grenadier Yogendra Singh Yadav, unmindful of the risk involved, volunteered to be in the lead and fixed rope of his team to climb up. On seeing the team, the enemy opened intense automatic grenade, rocket and artillery fire killing the commander and two of his colleagues and the platoon was stalled. Realising the gravity of the situation, Grenadier Yadav crawled up to the enemy position to silence it and in the process sustained multiple injuries. Unmindful of his injuries and in the hail of enemy bullets, Grenadier Yadav continued climbing towards the enemy positions. Lobbing grenades and continuously firing from his weapon, he killed four enemy soldiers in close combat and silenced the automatic fire. Despite multiple injuries, he refused to be evacuated and continued the charge. Inspired by his gallant act, the platoon charged on to the other positions with renewed punch and captured Tiger Hill Top.
Grenadier Yogendra Singh Yadav displayed the most conspicuous courage, indomitable gallantry, grit and determination under extreme adverse circumstances.
Rifleman Sanjay Kumar
Rifleman Sanjay Kumar volunteered to be the leading scout of the attacking column tasked to capture the Flat Top of Point 4875 in the Mushkoh Valley on 4 July 1999. During the attack when enemy automatic fire from one of the sangars posed stiff opposition and stalled the column, Rifleman Sanjay Kumar, realising the gravity of the situation and with utter disregard to his personal safety, charged at the enemy. In the ensuing hand-to-hand combat, he killed three of the intruders and was himself seriously injured. Despite his injuries, he charged onto the second bunker. Taken totally by surprise, the enemy left behind a Universal Machine Gun and started running.
Rifleman Sanjay Kumar picked up the UMG and killed the fleeing enemy. Although bleeding profusely, he refused to be evacuated. The brave action on his part motivated his comrades and they took no notice of the treacherous terrain and charged onto the enemy and wrested the area Flat Top from the hands of the enemy.
Rifleman Sanjay Kumar displayed conspicuous gallantry, cool courage and devotion to duty of an exceptionally high order in the face of the enemy.
The Kargil conflict produced four Param Vir Chakra, eleven Maha Vir Chakra and 1327 Vir Chakra awardees. Over five hundred soldiers were martyred in the conflict. The names of many are lost in the annals of time, but their sacrifices are just as important as those of the ones we honour the most.
The Kargil conflict was one of the most brutally fought in recent history, and the first ever between two nuclear nations. The arduous conditions produced heroes whose exploits continue to inspire us even today – heroes who did the unthinkable, who did what needed to be done. War is nothing to be romanticised – soldiers work in extremely unhygienic and dangerous conditions while fighting hypoxia, memory loss, depression and impending oedema in the high altitude terrain. In addition to the medical challenges, there exists the possibility of dying the very next moment by stepping on an enemy mine or by getting shot by an enemy bullet, if not in a million other possible ways. However, they still see it through and deliver for the nation. This is a day to honour the sacrifices and resilience of these brave-hearts who protect the nation, come what may.
In Indian culture, the vibrancy of decorations, diamonds, pearls and gems has always been captivating especially as part of the ancient tradition of Solah Shringar. It’s not just about admiring their brilliance; there is a belief that it is wise to adorning oneself with jewelry through the ages. Historical evidence indicates that early men and women wore jewelry, marking the beginning of this rich cultural practice.
In Indian literature, women are often depicted with adornments, while in all Indian classical dances; Shringar Rasa is a major motif. Tagore’s Radha in Bhanushinger Padavali beautifully portrays how she adorned herself to approach Krishna.
“Dress me with pearls and jewels
Decorate my forehead with mang tika
My hair is spilling to the ground
Bind it with garlands of champak”
What is the Story of 16 Shringar?
The story of 16Shringar is deeply rooted in Hindu mythology, it is believed that Rati a woman with examplary beauty performaed intense penance to impress Goddess Lakshmi, who blessed her with 16 divine adornments which helped her to win Kamdev’s love and marry him. These 16 embellishments, which became symbol of beauty and grace, are now known as Solah Shringar, representing the physical and spiritual embodiment of a woman’s energy and charm.
Ancient Vedic literature references Solah Shringar, where a woman must adorn herself with sixteen embellishments, that include the bindi, collars, earrings, hair flowers and finger rings, armlets, tails, ankle bands, kajal, rings of the toe, henna, fragrance, paste of sandalwood, upper clothing, lower clothing and the list of solah shringar goes on.
What are the Benefits of Solah Shringar?
“The scriptures also insist that there is a scientific reason for practicing Solah Shringar. While apparel is meant for modesty and accessories like perfumes are used to enhance attractiveness, the concept is that the 16 adornments contribute to good health and well-being. For Hindus, women are considered incarnations of Shakti. Ornaments, therefore, are traditionally used to protect orifices and limbs, and to control the power emanating from these parts of the body.”
Click here to view List of Solah Shringar and its Usage +
Solah Shringar
Usage & Scientific Reason
1. Bindi
Represents the third eye; enhances perception and spiritual awareness. Scientifically, it stimulates the pineal gland and reduces stress.
2. Nath – Nose Ring
Worn for health benefits related to the female reproductive system; believed to ease childbirth discomfort due to nerve stimulation.
3. Bangels
Stimulate blood circulation and activate cosmic energy. The sound produced creates an aura that protects the wearer from negative energy.
4. Bichhiya – Toe Ring
Regulates menstrual cycles and is believed to alleviate period pain. It connects to the uterus and helps heal reproductive organs.
5. Haar – Necklaces
Control blood pressure and improve blood circulation. Necklaces like mangalsutra symbolize marital status and are believed to protect health.
6. Kamarbandh – Waistband
Prevents fat saturation around the waist and accentuates body shape. Helps to maintain posture and stability in traditional wear.
7. Kajal
Enhances eye appearance and protects them from sunlight and dust. It is said to relieve eye strain and improve vision.
8. Ear Ornaments
Enhance femininity and are believed to help with menstrual issues, kidney health, and overall well-being due to acupressure effects.
9. Mehendi
Henna applied to hands and feet has cooling properties, reduces stress, and promotes relaxation. It signifies love and prosperity.
10. Payal – Anklet
Improve circulation and reduce swelling in the feet. Anklets are also believed to provide relief from sciatica and other leg-related issues.
11. Angoothee – Rings
Improve the activity of the brain and benefit the health of the fingers and the hands because of the constant movement and energy transfer.
12. Mahur
A red dye, applied to hands and feet, symbolizing life and fertility. It is also a cooling oil and used during prosperity rituals.
13. Bajuband – Armlets
Armlets help improve blood circulation in the arms while offering support, and they also enhance the aesthetic appeal of the wearer.
14. Sindoor
Symbolizes a married woman. It is made from turmeric and lime and is believed to protect and calm the person wearing it by reducing stress.
15. Aarsi
A thumb ring with a mirror, used in traditional rituals to view oneself and also as a symbol of self-awareness and reflection.
16. Keshapasha Rachana
A hair accessory that symbolizes beauty and is traditionally used to adorn braids or buns with flowers and gold decorations.
1. Bindi
Image – Ancient Origins
The bindi, a decorative spot between the eyebrows, represents the mystical third eye, the two eyes are considered to be the sun and the moon, perceiving the past and the present. The symbolic third eye is light with the power of perception to see forward.
2. Nath – Nose Ring
Most married Hindu women choose to wear the Nath on the left nose, as the nerves leading from the left nostril are associated with the female reproductive organs. It is believed, Women who get their noses pierced by the ring of the nose had less distress and ache during birth. Some argue it does not hypnotise women, as the wavelength of the brain is curbed.
3. Bangles
The word bangle comes from the traditional phrase ‘Bangri’ which in Sanskrit means ‘the adorning of the arm. Due to their round shape, the bracelets are supposed to stimulate a woman’s blood circulation and guide the cosmic energy coursing through her body back to her. The sound generates an aura around the body of women that protects them against all threats and evil spells. In various Hindu scriptures, this fact is presented quite discreetly. At the time when the bangles clash against each other, the Kriya Shakti (action waves) activate women’s Surya Nadi (sun channel). These waves spread over the female body and defend her against harmful atmospheric forces.
4. Bichhiya – Toe Ring
Image – Anique/Flickr
Toe rings are said to regularise the menstrual cycle of the woman. The nerves of the second toe are attached to the uterus and friction and when the rings are worn, the rings help the reproductive organ to heal. The bicchiya or toe ring is traditionally adorned on the second toe of a married woman’s feet, whereas unmarried women wear it on the third toe. Donning a silver toe ring on the third toe by unmarried women is alleged to aid them to evade or at least reduce period pain.
For women who wear toe rings on the fourth finger, the nerve that runs through this finger is connected with brain neuron cells and Wearers’ health benefits from repeated metallic friction, which allows them to approach life with ease and confidence.
5. Haar – Necklaces
Necklaces of various lengths, some arranged in the shape of a collar or choker, are strung with pearls, armband designs for Indian brides in gold pieces, and gold beads. The bride also wears necklaces crafted from floral garlands. The mangalsutra is the most traditional necklace, presented by the husband on the wedding day. It’s crafted with black beads. It is believed that blood pressure is controlled and blood circulation is improved by wearing necklaces like the mangalsutra.
Waistbands are not commonly used these days, yet they help to keep a woman’s body by preventing fat saturation in the waist. Kamarbandhs are used to accentuate females’ elegant shapes. The waistband is composed of gold and silver and is embellished with gems. It is used to keep the sari in place.
7. Kajal
Kajal is solely used to highlight the size and appearance of the eyes. After all, the eyes are known as the soul’s windows because they express heartfelt emotions. Natural kohl or kajal can be made at home by collecting soot in a silver dish balanced above a candle burning in mustard oil. Camphor is sometimes added to the oil. This combination is applied to the outer rims of the eyes with a silver stick. It is stated that when it combines with natural tears, it protects the eyes from strong sunlight and dust.
8. Ear Ornaments
Earrings, such as Jhumkas, Danglers, Karn Phool, and Chandbalis, are a woman’s must-have beauty accessory. Earrings are ornately adorned pieces of jewellery made of gold or silver that are set with diamonds, Kundan, and other precious gemstones. Earrings with intricate ear cuffs and chains that hang from the lobe and ending with an adorned pendant are common. Karn Phool is thought to enhance the essential traits of the female form such as kindness and spiritual perfection.
An acupressure point is located on the outer region of the ear where the earring is worn. Wearing an earring has an acupuncture effect and aids in the treatment of menstruation difficulties and aids in the health of the kidneys and bladder.
9. Mehendi
Henna is an indigenous herb that is ground into a fine paste and applied to the bride’s hands and feet. The intricate mehndi designs create a deep crimson hue that signifies love, luck, prosperity, and fertility. Mehendi has a cooling effect and helps to relax the nerves. It cools the body and heals injuries and wounds.
10. Payal – Anklet
Anklets are typically made of silver and have a thin chain or a thick multi-layered pattern. A bride who wears anklets is deemed to be an incarnation of the goddess Lakshmi. Anklets cannot be made of gold since wearing gold on one’s feet is not considered good. Anklets provide relief from Sciatica, which is a discomfort caused by leg weakness. It is also supposed to aid with blood circulation and the treatment of swollen heels. Wearing anklets also improves immunity and aids in the treatment of menstruation disorders, hormone imbalance, infertility, and obstetrics.
On her hands, the bride wears eight rings, each with a focal floral or medallion pattern that covers her palmer side. This is referred to as Hathphool. Three of the Hathphool’s chains join to a bracelet, and five to each of the fingers, and they are connected to finger rings. The rings on your fingers stimulate brain activity and are hence beneficial to your health.
Just like Mehendi, the evident use of mahur, which is a red dye, used by women to adorn their hands and feet, can be seen in the Hindu Upanishads. The red of the alta symbolises life, fertility and prosperity. Alta was traditionally produced from the juice of beetle leaves. At times, kumkum (powder) in liquid forms were used to paint the hands and feet red. Alta is also known as Mahur. The vibrant shade of alta is an essential feature of Bengali and Odissi celebrations. The Bengalis’ most prominent celebration, Durga Puja, would be unfinished without the use of alta by married women. Not just the women, but even the idols of Goddess Durga’s feet and hands are gorgeously outlined with the alta’s rich colour. In Bengali weddings, the alta becomes the centre of a significant ritual after the wedding.
13. Bajuband – Armbends, Armlets
In Rajasthani, Mughal, and Jaipuri weddings, the Baaju-band is commonly observed. Armlets are constructed out of pearls or diamonds set in gold and wrapped on the upper arm. The Armband aids in the regulation of blood circulation in the arms and provides just enough resistance to keep your arm relaxed.
Sindoor is a red-coloured powder that is applied to the centre parting of a bride’s hair. This is a sacred symbol of a married woman (Suhaag) in the country, just like rings are in western countries. Young girls do not put Sindoor ahead of marriage. For the first time, the groom places vermillion on the bride’s head during wedding rites. In certain Hindu cultures, it is necessary to have Sindoor on a married woman’s forehead all the time. Sindoor, which is made from turmeric, lime, and a trace of mercury metal, cools the body and relaxes the bride. As the wife’s obligations grow, the stress on her body might be detrimental. Wearing a sindoor keeps her emotionally calm and in control.
The bride also wears an aarsi, which is a thumb ring. It usually has a stunning type of mirror work incorporated in it that allows the bride to see herself. It was also used to catch a glimpse of her future life partner because during wedding rites the woman wears a veil and cannot see the groom’s face.
Wedding hair accessories come in a number of styles and designs. Each culture has its own style in which hair is decorated. While Gajra, a few meters long, is utilized for some cultures, Keshapasharachana is one of the famous hair accessories to the south. The bride usually knots her hair into a traditional braid or bun, which is adorned especially with gold and floral decorations. Because of their long-lasting smell, jasmine flowers have been historically employed.
Final Thoughts
India is the land of numerous cultures, rituals and customs. The rituals are beliefs that have been passed down to us from our ancestors and our societal practices have developed around these ideas. It is a very usual custom to bless a newborn or a new bride by presenting gold jewellery of good fortune on them. Even kids and babies are made to wear jewellery to protect themselves from diseases. Despite traditionalists’ claims, the medical evidence does not support claims that ornaments improve the health of those who wear them.
FAQs About Solah Shringar
Question: What are the 16 Shringars?
Answer: The 16 Shringars are traditional adornments including bindi, earrings, bangles, necklaces, and more, symbolizing beauty, grace, and spiritual energy in women.
Question: What are the benefits of Solah Shringar?
Answer: The benefits of Solah Shringar include enhancing physical beauty, improving health through symbolic adornments, and promoting spiritual well-being by balancing cosmic energy.
Question: What are the items of Solah Shringar?
Answer: The 16 items of Solah Shringar include bindi, nath (nose ring), bangles, bichhiya (toe rings), haar (necklaces), kamarbandh (waistband), kajal, ear ornaments, mehendi (henna), payal (anklet), angothi (rings), mahur (alta), bajuband (armlets), sindoor, aarsi (thumb ring), and keshapasha rachana (hair accessories).
Question: What is the meaning of Sola Singar?
Answer: Solah Singar refers to the traditional 16 adornments that symbolize a woman’s beauty, grace, and spiritual energy in Indian culture.
Kerala, also known as God’s own country, is where nature and culture coexist—surrounded by serene backwaters, misty hills, beautiful beaches, and vibrant traditions. Kerala is sure to give some memorable travel experiences in India. So if you want to escape the city life, Kerala can be the best option for weekend getaways. The beautiful places promise peace, adventure or a mix of both. Here is a list of seven places to visit in Kerala for weekend getaways.
Munnar
Munnar is a beautiful hill station in the Western Ghats, popular for its tea gardens, cool climate, and beautiful scenery. Just a few hours from Kochi, this is a lovely place for those seeking a peaceful retreat amid nature. Walk through the sprawling tea estates, even visit the Tea Museum to learn about the region’s heritage, or go hiking or trek to the viewpoints, Top Station, and get those panoramic views for your eyes.
And when you are there, don’t miss the Ervaikulam National Park, home to the endangered Nilgiri Tahr, and a beautiful Mattupetty Dam, where you can enjoy a peaceful boat ride. This is the best place for couples and even solo travellers, just wanting to unwind in the lap of nature.
Alleppey
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Ever wondered or dreamt of gliding through tranquil waters on houseboats? Well, Alleppey is the place where this dream can come true. It is famous for the vast network of backwaters, which is lined with coconut palms and lush paddy fields. You can opt to spend a weekend on the traditional kettuvallam, which is a houseboat, you can experience the rural heritage, fishermen at work, try the authentic Kerala dishes, no matter who you are travelling with or even if solo, Alleppey offers a true escape.
Wayanad
For those nature seekers who like adventure wrapped in nature, this can be your best weekend getaway, mainly due to the thick forests, stunning waterfalls, spice plantation and the wildlife.
While here, you can trek to Chembra Peak, quite popular for its heart-shaped lake, and explore the Edakal Caves with the stunning rock engravings. The Soochipara and Meenmutty waterfalls are the best places to dip after the hike. Hence, this can be perfect for outdoor enthusiasts.
Varkala
If beaches are your thing, Varkala offers beautiful beaches with its unique coastal experience in a cliffside setting. The cliffs overlook the Arabian Sea and have various cafes, yoga retreats and small shops.
The Varakala beach, also known as the Papanasm Beach, has holy water that is known to wash away sins. You can relax on the beach, watch the sunsets, and visit the 2000-year-old Janardanaswamy Temple if you like. Varakala is perfect for solo travellers who are on a spiritual journey.
Thekkady
Thakkady is located in the Idukki district and is also home to the Periyar Wildlife Sanctuary. For anyone looking for wildlife, this is the best place to spend your weekend in Kerala. The best part about this place is the boat ride at Periyar Lake, where you can spot elephants, deer, and different species of birds in their natural habitat. But that’s not it; you can even explore spice plantations, take up bamboo rafting, or go on a guided jungle trek. Thekkady is a perfect escape from the wifi to wildlife and nature. Suppose you are planning your trip during the rainy season. In that case, you can also check out the best places to visit during monsoon season in Karnataka for travel inspiration. Both locations offer stunning landscapes and a unique experience during the monsoon.
Kumarokam
Kumarokam is another gem in Kerala’s backwaters. It is situated on the banks of the Vembanad Lake and is mainly famous amongst the bird watchers. The bird sanctuary also hosts migratory species like Siberian cranes and herons. You can experience your life by kayaking through the canals and enjoying the lakeside resorts’ seafood, or just relaxing in the peaceful surroundings. Kumarokam is an ideal place to visit if you want a more slowed-down, backwater experience.
Kovalam
Last but not least, Kovalam is just 16km away from Thiruvananthapuram for a more coastal vibe. The beach destination is famous for its crescent-shaped coastline, lighthouses, and water sports. Every place, including Lighthouse Beach, Hawa Beach, or Samudra Beach, has its beauty. No matter what you are looking for, surf, swim, or relax by the shore. These beachside restaurants serve delicious seafood, and the Ayurvedic Spas can be a great way to relax and unwind during your weekend here. Kovalam is an excellent place for family trips, groups of friends and even solo travellers.
Final Thoughts
Kerala has something for everyone: serene backwaters of Alleppey, cool hills with vibrant views of Munnar, and beautiful beaches in Kovalam. As you explore these destinations, you will see how rich and diverse South India. While planning your trip, don’t be disheartened if it is expensive; these places are within budget for a weekend getaway, and you can also check popular travel booking websites like Agoda, MakeMyTrip etc. You can get exclusive discounts and coupons on hotel and flight bookings through platforms like CouponzGuru. Comparing various travel sites can help you save more while enjoying a weekend getaway.