Ethos Foundation Announces Arcause Writers Collective in Bengaluru

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The Arcause Writers Collective – Bengaluru Edition will take place on March 23–24, 2026, at RV College of Architecture, Bengaluru. The two-day intensive workshop is organised by the Ethos Foundation and focuses on architectural writing and documentation. 

The programme aims to build a network of architects, researchers, students, and journalists who are interested in documenting responsible design practices in India and expanding conversations around the built environment. 

Event in a Glance

Aspects Details
Event Name Arcause Writers Collective – Bengaluru Edition
Organizer Ethos Foundation
Dates March 23–24, 2026
Venue RV College of Architecture, Bengaluru, India
Event Type Architecture Writing and Documentation Workshop
Participants 40 participants including architecture students, faculty and researchers
Key Speakers Arup Ghosh and Subhro Saha
Workshop Themes Architecture writing, sustainability, heritage, labour in construction, urban realities
Registration https://ethosfoundation.in/arcause-writers-collective/

Building a Platform for Architecture Writing

The Arcause Writers Collective (AWC) is an initiative that encourages research-driven and field-informed writing about architecture. Rather than treating architecture only as visual culture, the collective focuses on the social, environmental, and cultural contexts that shape buildings and cities. 

Through workshops and collaborative discussions, the programme promotes deeper engagement with architecture as a subject connected to everyday life, labour, and urban realities.

Themes Explored During the Workshop

Participants in the Bengaluru session will explore several key themes that reflect current debates in architecture and urban development:

  • Labour and dignity in construction
  • Affordable and inclusive design
  • Sustainability and material cultures
  • Heritage and conservation
  • Urban realities and everyday infrastructure
  • Regional and vernacular narratives in architecture

These themes encourage participants to examine architecture through the lens of society, economy, and environment rather than purely design aesthetics. 

Participants and Learning Format

The first in-person Bengaluru edition of the workshop will bring together around 40 participants, including architecture students, young faculty members, and alumni from RV College of Architecture and other institutions. 

During the programme, participants will develop story ideas and writing frameworks while engaging in discussions, collaborative exercises, and documentation methods.

Sessions Led by Media Professionals

The workshop will feature sessions led by experienced media and communications professionals who will share insights on writing, storytelling, and publishing.

Key contributors include:

  • Arup Ghosh, who spent nearly three decades working in corporate communications at ITC
  • Subhro Saha, a journalist with more than 26 years of experience across publications including The Telegraph, The Statesman, Business Standard, and The Asian Age

Additional sessions will include a photography-led module on documentation and photo-essay development, as well as discussions on regional language writing in architecture, highlighting the importance of expanding architectural discourse beyond English. 

Opportunities for Publication

Participants will develop article ideas and writing frameworks during the workshop. Selected works will be refined for publication across architecture, design, and urban platforms, helping emerging writers share stories about India’s built environment. 

More information and registration details are available on the official Arcause Writers Collective page.

Takeaway

The Arcause Writers Collective – Bengaluru Edition reflects a growing interest in documenting architecture beyond visual representation. By focusing on field research, storytelling, and critical writing, the initiative aims to build a community of practitioners who can contribute thoughtful narratives about design, cities, and everyday infrastructure in India.

Masters Legacy Auction by AstaGuru Showcases Icons of Modern Indian Art

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AstaGuru is set to host Masters Legacy, a landmark auction dedicated to the pioneers and torchbearers of Modern Indian art. Scheduled for March 10-11, 2026, the sale brings together an exceptional selection of works by some of the most influential artists who shaped India’s modern visual language.

Rare Works by Leading Artists

At the heart of the auction are rare and important works by icons such as M F Husain, S H Raza, F N Souza, Krishen Khanna, Nandalal Bose, Bikash Bhattacharjee and G R Santosh, each representing distinct stylistic evolutions from lyrical abstraction and metaphysical geometry to social realism and sculptural experimentation. Extending the narrative into the late twentieth century and beyond, Masters Legacy also spotlights important works by practitioners such as Prabhakar Kolte, Akkitham Narayanan, and Shail Choyal. Their works underscore the enduring impact of modernist thought while articulating fresh formal and conceptual concerns. The auction also includes sculptural works by important artists, including Ramkinkar Baij, Somnath Hore, Himmat Shah. Three paper works by artist V S Gaitonde are also featured in the upcoming auction.

Event in a Glance

Event Detail Information
Auction Title Masters Legacy
Organizer AstaGuru Auction House
Dates March 10–11, 2026
Category Modern Indian Art Auction
Featured Artists M. F. Husain, S. H. Raza, F. N. Souza, Krishen Khanna, Nandalal Bose, Bikash Bhattacharjee, G. R. Santosh
Additional Artists Prabhakar Kolte, Akkitham Narayanan, Shail Choyal
Sculptural Works By Ramkinkar Baij, Somnath Hore, Himmat Shah
Special Works Three works on paper by V. S. Gaitonde
Catalogue Available at www.astaguru.com

Curatorial Vision Behind the Auction

Commenting on the significance of the upcoming sale, Mr. Manoj Mansukhani, Director, Marketing, AstaGuru, remarked, “Carefully curated, the auction traces the arc of Indian art from the nationalist revivalism of the early twentieth century to the bold experimentation of the Progressive era and the contemplative abstractions that followed. Together, these works embody a legacy of innovation, intellectual rigour, and artistic courage.” He further adds, “With a focus on quality, rarity, and provenance, Masters Legacy presents collectors and connoisseurs with an opportunity to acquire works that are not only aesthetically significant but also historically pivotal. It reaffirms AstaGuru’s continued commitment to presenting art that defines and enriches the canon of Modern Indian art.”

Highlight Lot: Bikash Bhattacharjee’s Untitled Works

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Lot-27 – Untitled’ by Bikash Bhattacharjee

Appearing in the auction is Lot No. 27, an ‘Untitled’ by Bikash Bhattacharjee,a set of three works that presents women and children, two recurring protagonists in his oeuvre. They are seen on a balcony that opens onto a dreamlike, almost unanchored natural landscape. The architectural setting recalls the decaying aristocratic mansions of Bengal, which the artist was known to observe at length, absorbing their quiet desolation and translating it into his pictorial language.

Raza’s ‘Kundalini’ and the Bindu Philosophy

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Lot 35 – S H Raza Kundali

Another lot that equally leads this auction is Lot No. 35, Titled as ‘Kundalini’, it belongs to Raza’s late engagement with the bindu, a phase in which the motif is no longer static but suggestive of movement and awakening. The work reflects the artist’s enduring commitment to abstraction as a means of accessing universal truths, synthesising modernist form with indigenous philosophy. In Raza’s bindu paintings, geometry becomes meditation, and the act of seeing becomes an inward journey. Colour plays an equally crucial role in this language. Raza’s high-chroma reds, blacks, blues, and yellows are invested with elemental resonance, intensifying the spiritual charge of the composition. Applied with deliberation and restraint, these hues transform the canvas into a site of concentrated energy rather than an expressive gesture.

Husain’s Dynamic Horse Motif

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Lot 49 – M-F Husain Untitled (Horses)

Lot No. 49 titled ‘Untitled (Horses)’ by M F Husain, presents a charged and emblematic variation of his horse motif, where colour, symbol, and movement converge with striking immediacy. Two horses dominate the composition, their bodies rendered in fiery reds and acidic yellows, locked into a tense diagonal thrust across the surface. Husain fractures their anatomy into jagged planes outlined with thick black contours, heightening the sense of urgency and physical strain. The open mouths, wide eyes, and sharply angled limbs suggest not grace but exertion and confrontation, as though the animals are locked in a moment of relentless forward drive. The background showcases stormy blues and greys, swirling above an earthen brown ground, creating a dramatic contrast. This turbulent setting amplifies the psychological intensity of the scene, transforming the space into an arena of conflict rather than a natural landscape.

Souza’s Vision of Urban Turbulence

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Lot 29 – F N Souza Garden City

Lot No. 29 by F N Souza titled ‘Garden City’, conjures a turbulent vision of urban life pushed to the brink, shaped by Souza’s deeply sceptical view of modern civilisation. Painted during a personally and historically fraught decade of the sixties, the work transforms the idea of a city into a site of moral and existential collapse rather than order or growth. The garden here is anything but pastoral; instead, it is a charged terrain where human ambition and spiritual failure. Souza’s handling of paint is central to the work’s psychological force. Thick impastos and urgent, slashing brushstrokes charge the surface with kinetic energy. Colour is deployed abrasively— greens, searing reds, inky blacks, and electric blues collide without harmony. The result is a chaotic accumulation of houses, structures, and vegetal forms that appear to lurch and scatter.

Key Highlights of the Auction

Some of the notable aspects of the Masters Legacy sale include:

  • Works by major modernists such as M. F. Husain, S. H. Raza, and F. N. Souza
  • Sculptures by Ramkinkar Baij, Somnath Hore, and Himmat Shah
  • Rare works on paper by V. S. Gaitonde
  • Important paintings representing diverse modernist movements in India

Collectors and art enthusiasts can explore the complete list of works through www.astaguru.com

Takeaway

With its focus on historically important works and influential artists, Masters Legacy offers a rare glimpse into the evolution of modern Indian art across several decades. By bringing together paintings and sculptures that reflect key artistic movements, the auction highlights the enduring influence of modernist ideas and the artists who shaped India’s visual culture.

Ticket Tika Chaap Exhibition Opens at Bhau Daji Lad Museum in Mumbai

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Exploring Colonial-Era Textile Branding

The Dr. Bhau Daji Lad Museum, Mumbai, in collaboration with the Museum of Art & Photography (MAP), Bengaluru, is presenting the exhibition “Ticket Tika Chaap: The Art of the Trademark in Indo-British Textile Trade.” The exhibition runs from 1 March to 7 June 2026 at the museum’s Special Project Space. Curated by Nathaniel Gaskell and Shrey Maurya, the show brings together a collection of historic textile tickets that reveal how imagery was used to promote cloth in colonial-era markets.

Visitors can learn more about the organisers and the exhibition through the official pages of the Museum of Art & Photography and the Dr. Bhau Daji Lad Museum.

Event in a Glance

Aspects Details
Event Name Ticket Tika Chaap: The Art of the Trademark in Indo-British Textile Trade
Dates 1 March – 7 June 2026
Venue Special Project Space, Dr. Bhau Daji Lad Museum, Mumbai
Organisers Dr. Bhau Daji Lad Museum in collaboration with the Museum of Art & Photography (MAP), Bengaluru
Curators Nathaniel Gaskell and Shrey Maurya
Exhibition Focus Historic textile tickets and branding imagery used in Indo-British textile trade
Key Themes Early branding, chromolithography, colonial trade, visual culture of textile markets
Location Byculla East, Mumbai, Maharashtra, India

A Visual Language of the Bazaar

The exhibition focuses on brightly coloured paper labels that were attached to bolts of cloth sold in bustling Indian bazaars during the 19th and early 20th centuries. Known by several names, textile tickets, shippers’ tickets, tika, tikat, chaap, or mark, these labels were printed using chromolithography and featured elaborate images designed to attract buyers.

These labels accompanied cloth imported from British mills as well as Indian factories, becoming an early form of branding and visual marketing in the textile trade.

Highlights of the Exhibition

The exhibition presents these labels not just as commercial tags but as objects that reflect historical trade and culture. Key aspects explored in the show include:

  • The role of textile tickets as trademarks and early advertising tools in colonial markets.
  • How colourful images of deities, rulers, animals, ships, and mythological scenes were used to appeal to local buyers.
  • The influence of Manchester’s printing industry, which produced many of these labels for global textile trade.
  • The connection between art, commerce, and colonial economic systems during the period.

Research shows that thousands of these labels circulated across markets, helping merchants build brand recognition and trust in a multilingual environment where imagery communicated more effectively than text.

 

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When Labels Became Art Objects

Many of these tickets were small, postcard-sized prints that carried vivid imagery and decorative borders. Over time they were valued not only as advertising material but also as visual artefacts reflecting changing social and political contexts. Some were even collected and used as decorative or devotional images in homes.

The exhibition draws attention to how these labels helped shape the visual culture of consumer goods and influenced the development of branding in the textile industry.

What Visitors Can Expect

Visitors to the exhibition will encounter:

  • Historic labels printed in rich colours through chromolithography
  • Images inspired by mythology, royal portraits, and modern technology of the time
  • Archival material showing the global reach of Indo-British textile trade
  • Insights into how visual imagery shaped consumer perception and brand identity

Through these objects, the exhibition reveals how trade, art, and communication intersected during a period of intense economic and cultural exchange.

Takeaway

“Ticket Tika Chaap: The Art of the Trademark in Indo-British Textile Trade” offers a detailed look at how simple paper labels became powerful tools of marketing and storytelling. By examining these colourful tickets, the exhibition highlights the complex relationship between colonial trade networks, visual culture, and the rise of modern branding. For visitors, the show provides a rare opportunity to see how design and commerce interacted in India’s textile markets more than a century ago.

Mado Studio Kochi Presents Curated Art Pop Up with Works from Across India

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Art Pop Up Opens in Kochi

Mado Studio in Kochi will host a curated art pop up from 13th to 15th March. The exhibition will run daily from 11 am to 7 pm at the studio space in the city. The show is curated by Srila Chatterjee and will feature original artworks available from Rs 3000 onwards.

Event at a Glance

Event Detail Information
Event Name Curated Art Pop Up at Mado Studio
Curator Srila Chatterjee
Dates 13th to 15th March 2026
Time 11 am to 7 pm
Venue Mado Studio Kochi
Artwork Price Range From Rs 3000 onwards
Featured Art Forms Thangka, Pichwai, Pattachitra, Gond, Ajrakh, Sohrai prints watercolours contemporary paintings

Architecture Studio Hosts Art Event

The event is being presented at Mado Studio, an architectural and interior design practice based in Kochi that works across residential commercial and hospitality spaces. The studio was founded by architects Shreya Mathew and Siddharth Dominic and focuses on creating thoughtful design environments.
Visitors can learn more about the venue at the official website of Mado Studio.

Artworks from Across India

The exhibition brings together artworks from artists working across different regions of India. The collection includes works inspired by artistic traditions from Ladakh, Rajasthan, Bengal, Central India, Gujarat and Kochi. The exhibition also features a mix of mediums and visual styles that reflect the diversity of Indian art practices.

Folk and Contemporary Art Together

Visitors will find traditional and contemporary forms displayed together in one space. The collection includes Thangka, Pichwai, Pattachitra, Gond, Ajrakh, and Sohrai artworks along with hand pulled limited edition prints, watercolours, contemporary canvases and art objects.

Artists Featured in the Show

The exhibition includes works by well known artists such as Venkat Raman Singh, Shyam and Jogen Chowdhury. Alongside them the show features contemporary practitioners including Ruchi Bakshi Sharma, Zainab Tambawalla and Tushar Tanwar among others. This mix of artists reflects both established traditions and emerging voices in Indian art.

Making Art Accessible

The curatorial approach behind the exhibition focuses on accessibility and everyday engagement with art. All artworks on display are original and certified. By keeping the price range accessible the exhibition aims to encourage new collectors and audiences to experience art in a more approachable way.

Takeaway

The art pop up at Mado Studio offers visitors in Kochi an opportunity to explore artworks drawn from different regions and traditions of India. By bringing together folk masters and contemporary artists the exhibition highlights the continuing dialogue between heritage and modern artistic practices.

Atta Galatta Celebrates 30 Years of Tulika Books with Tulika Day Children’s Festival

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A Celebration of Children’s Literature and Imagination

Atta Galatta is set to host Tulika Day, a vibrant children’s festival celebrating 30 years of Tulika Books. Scheduled for Saturday, 21 March 2026, from 10:00 AM onwards, the event promises a day filled with stories, imagination, laughter, and interactive activities designed especially for young readers.

Honouring Three Decades of Tulika Books

Tulika Books, known for its engaging and diverse children’s literature, marks its 30th anniversary with this special celebration. Over the years, the publisher has played a significant role in promoting multilingual storytelling and culturally rich narratives for children across India.

A Day Filled with Stories and Creative Fun

Tulika Day aims to create an immersive environment where children can explore the magic of books through storytelling sessions, playful learning, and imaginative activities. The festival encourages young participants to discover the joy of reading while engaging with stories in a lively and interactive setting.

Bringing Families Together Through Books

The event is designed as a family-friendly experience where children and parents can share moments of creativity and discovery. While the festival focuses on children’s participation, two parents are allowed to accompany each child, making it an inclusive celebration of literature and learning.

Flexible Passes for Festival Access

Visitors can choose between day passes and half-day passes to attend the event. While individual session tickets are not available, the day pass offers access to all sessions throughout the festival, while the half-day pass provides entry to morning and evening sessions.

Event at a Glance

Event Detail Information
Event Name Tulika Day – Children’s Festival
Occasion 30 Years of Tulika Books
Date Saturday, 21 March 2026
Time 10:00 AM onwards
Venue Atta Galatta
Access Day Pass or Half-Day Pass
Entry Policy Only children require tickets; two parents can accompany each child

Conclusion

As Tulika Books celebrates three decades of inspiring young readers, Tulika Day at Atta Galatta promises to be a joyful gathering of stories, creativity, and community. By bringing children, families, and books together, the festival highlights the enduring power of storytelling to spark imagination and nurture a lifelong love for reading.

Asian Women’s Film Festival 2026 Brings Powerful Cinema to New Delhi

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The 21st edition of the Asian Women’s Film Festival (AWFF) 2026, organized by the International Association of Women in Radio and Television (IAWRT), is set to bring three powerful days of cinema to New Delhi. The festival will take place from March 13 to March 15, 2026, at the India International Centre (IIC), celebrating women’s voices, stories, and perspectives from across Asia.

Event Detail at a Glance

Aspects Details
Event Asian Women’s Film Festival 2026
Edition 21st Edition
Dates March 13, 14, 15, 2026
Venue India International Centre (IIC), New Delhi
Organizer International Association of Women in Radio and Television (IAWRT)
Collaboration India International Centre, New Delhi
Focus Celebrating women’s voices, stories, and cinematic perspectives from across Asia

A Platform for Women Storytellers

Held in collaboration with the India International Centre, the festival continues its long-standing commitment to amplifying the voices of women filmmakers. Over the years, the Asian Women’s Film Festival has emerged as a significant platform for showcasing narratives that challenge dominant perspectives while highlighting diverse experiences of women in cinema.

Films That Inspire and Transform

The festival promises an engaging lineup of films that explore themes of identity, resilience, creativity, and social change. Through powerful storytelling and unique cinematic styles, filmmakers from across Asia present narratives that inspire audiences and encourage reflection on contemporary realities.

 

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Conversations Beyond the Screen

Beyond film screenings, AWFF 2026 will create opportunities for dialogue and exchange. Filmmakers, storytellers, and audiences will come together to discuss ideas, share experiences, and reflect on how cinema can question conventions and spark meaningful conversations.

Building Community Through Cinema

For over two decades, the Asian Women’s Film Festival has fostered a community that connects creators, critics, and viewers passionate about women-led storytelling. The festival continues to celebrate the collective spirit of creativity and resistance, bringing together voices that shape the evolving landscape of Asian cinema.

Takeaway

As the festival marks its 21st year, AWFF 2026 stands as a testament to the enduring power of women’s stories in film. By creating space for diverse perspectives and transformative narratives, the Asian Women’s Film Festival continues to inspire audiences and strengthen the cultural dialogue around women in cinema.

Delhi Kala Utsav 2026 Concludes at Rabindra Bhavan with Grand Celebrations

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New Delhi, March 2, 2026: The two-day Delhi Kala Utsav 2026, organized by Sanskar Bharati, Delhi Prant, with the support of the Government of Delhi, concluded successfully at Rabindra Bhavan, Mandi House, New Delhi. The festival attracted a large number of art enthusiasts across both days and was widely appreciated for its high-quality cultural presentations.

Dignitaries Grace the Inaugural Ceremony

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The inaugural ceremony was marked by the presence of Shri Harsh Malhotra, Minister of State for Road Transport & Highways, Government of India; Shri Vijender Gupta, Speaker, Delhi Legislative Assembly; Shri Vijay Kumar, All India Sah-Vyavastha Pramukh & Regional Organization Minister, Sanskar Bharati; and Shri Ashok Tiwari, National Executive Member, Sanskar Bharati. The dignitaries emphasized the importance of initiatives that preserve and promote India’s rich artistic and cultural heritage.

A Confluence of Classical and Folk Traditions

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The festival presented a vibrant blend of classical music, dance, folk performances, theatre, poetry, and traditional art forms. Renowned santoor maestro and composer Pandit Abhay Rustam Sopori delivered a special presentation of Raag Bharati, a newly composed raga, earning immense appreciation. Ms. Vidhi Sharma captivated audiences with her melodious rendition of traditional Holi songs.

Theatre, Poetry and Holi Traditions Take Centre Stage

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The theatrical production “Besahara Aurat”, directed by Shri Pradeep Kukreja, received notable acclaim. The poetry symposium remained a major highlight, with eminent poets moving audiences through their compositions. A distinctive cultural moment came with Vrindavan Ki Phoolon Ki Holi, presented by Charkula Arts Academy, which connected spectators deeply with Holi traditions.

A Collaborative Cultural Platform

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Delhi Kala Utsav 2026 was organized with the support of the Government of Delhi, alongside participation from Maithili-Bhojpuri Academy, Lalit Kala Akademi, and various cultural institutions. Held ahead of the Holi festival, the event provided visitors an immersive experience of India’s folk traditions and cultural vibrancy. Several distinguished personalities from the fields of art and culture attended the program.

A Cultural Initiative Beyond Commercial Motives

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Curated by noted playwright Shri Jaiprakash Singh, the festival stood out as a non-commercial initiative dedicated to the preservation and promotion of India’s artistic traditions. Alongside established performers, the platform offered valuable opportunities to emerging talents who may otherwise lack exposure.

Gratitude and Future Vision

Shri Prabhat Kumar, President, Sanskar Bharati, Delhi Prant, expressed gratitude to artists, guests, collaborators, and attendees for contributing to the festival’s success. He stated that such initiatives reinforce Indian cultural values in society and shared plans to make the festival more expansive and grand in the coming year.

Folk Art, Artisans and Community Participation

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Visitors experienced folk art displays, traditional artisans at work, puppet shows, handicraft exhibitions, and traditional delicacies from Old Delhi (Delhi-6). The enthusiastic participation of families, students, and art lovers added vibrancy to the two-day cultural celebration.

Takeaway

The Grand Finale of Delhi Kala Utsav 2026 reaffirmed its position as a significant cultural platform in the capital. By bringing together classical excellence, folk vibrancy, theatre, poetry, and community participation, the festival celebrated India’s living heritage while strengthening its commitment to preserving artistic traditions for future generations.

Threads of Solidarity at Gallery Pradarshak Celebrates 115 Years of Women’s Day

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Gallery Pradarshak presents Threads of Solidarity, a curated group exhibition celebrating womanhood in the 115th year of International Women’s Day. The exhibition will be on view from 5th to 14th March 2026 at Gallery Pradarshak, Khar West, Mumbai 

Event at a Glance

Aspects Details
Exhibition Title Threads of Solidarity
Occasion 115th Year of International Women’s Day
Dates 5th – 14th March 2026
Timings 11 am – 7 pm (except Sundays)
Venue Gallery Pradarshak, Khar West, Mumbai
Artists Nalini Joshi, Madhavi Joshi, Hema Mhatre, Prof. (Dr.) Kavita Singh, Satwant Singh,
Monali Khatale, Surabhi Gulwelkar, Gayatri Mehta, Yalda Ostwar, Sunil Tambe,
Pradnya More, Yashashree Sutar, Vishal Phasale
Entry Open to All | Artworks Available for Purchase

A Collective of Diverse Artistic Voices

The exhibition brings together artists Nalini Joshi, Madhavi Joshi, Hema Mhatre, Prof. (Dr.) Kavita Singh, Satwant Singh, Monali Khatale, Surabhi Gulwelkar, Gayatri Mehta, Yalda Ostwar, Sunil Tambe, Pradnya More, Yashashree Sutar, and Vishal Phasale. By consciously including both women and men artists, the exhibition reinforces solidarity as a shared social consciousness rather than a gendered discourse.

Exploring Strength, Resilience and Adaptability

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Through layered visual narratives, the exhibition foregrounds strength, resilience, patience, perseverance, and adaptability as enduring human virtues. The works span figurative interpretations, symbolic imagery, and explorations of colour, texture, and narrative form.

Personal Memory and Cultural Reflection

Several artists draw from lived experiences and cultural memory, transforming everyday objects, urban landscapes, and natural metaphors into reflections on continuity, connection, and self-realisation. Themes range from intimate domestic spaces and personal identity to psychological journeys and mythic symbolism.

An Experiential Engagement

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Extending beyond passive viewing, the exhibition introduces an experiential element hinted at through an ongoing social media campaign. Visitors are invited to discover a surprise within the gallery space, encouraging personal reflection and deeper engagement with the theme of womanhood.

Takeaway

Through thoughtful curation and an intimate setting, Threads of Solidarity positions art as a space of recognition and connection. The exhibition celebrates womanhood not as a singular narrative, but as an interwoven continuum sustained by collective kinship. Open to all, with artworks available for purchase, the show offers both reflection and dialogue in the heart of Mumbai.

Woman Power Market at The Quorum Gurgaon Celebrates Sustainable Creativity

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The Woman Power Market is set to take over The Quorum Club, Two Horizon Centre, Gurgaon, from March 13 to March 15. Curated by Srila Chatterjee, known for her inimitable style and flair for beautiful things, this vibrant pop-up promises a powerful showcase of women-led brands and sustainable creativity.

Event at a Glance

Aspects Details
Event Name Woman Power Market
Dates & Timings March 13 – 3 PM to 8 PM
March 14 & 15 – 11 AM to 8 PM
Venue The Quorum Club, Two Horizon Centre, Gurgaon
Entry Free Entry

Three Days of Art, Design and Community

This electrifying three-day extravaganza will unfold from March 13th to 15th, bringing together decor pieces, apparel, jewellery, unique art, crafts and more. The market celebrates not just products but culture, craftsmanship, and the unbreakable bonds within the women-led creative community. Entry is free, inviting visitors to champion female talent and experience conscious consumption firsthand.

Spotlight on Sustainable Fashion

Among the participating brands is The Kefi House, specializing in sustainable cotton clothing for girls. With a focus on durability and timeless charm, its limited-edition designs feature fine materials, enduring prints, lacework and embellishments crafted with emotional artistry.

Bageeya, meaning ‘a small garden’ in Hindi, presents eco-conscious apparel created using temple flowers, medicinal roots for natural dyes, and real leaves for distinctive prints and textures. Crafted by local artisans, the brand counters fast fashion pollution with textiles inspired by nature.

Jewellery Rooted in Heritage and Nature

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MELO celebrates the heritage and artistry of Gujarat, drawing from founder Sanika Shah’s roots in Ahmedabad. From silver to beadwork, MELO’s creations balance modern aesthetics with deep cultural influences.

Dookdi, founded by Jinal Patel in Ahmedabad, transforms inspiration from butterflies, beetles and moths into wearable art. Using non-precious metals, the brand emphasizes sustainable and ethical jewellery practices.

Conscious Living and Artisanal Flavours

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Pacha Life brings sustainable home décor into focus with bamboo bookshelves and curtain ties inspired by water lilies and tulips. The brand blends India-made craftsmanship with style and functionality for distinctive interiors.

Adding a gourmet dimension is Käse Cheese, established in 2016 in Chennai. The award-winning fromagerie produces over 40 preservative-free artisanal cheese varieties using ethical, grass-fed cow milk and adapted Western methods.

Pop-up Highlights

Brand Highlight
THE KEFI HOUSE Specializes in sustainable cotton clothing for girls, offering limited-edition designs crafted with durable materials, enduring prints, lacework, embellishments, and timeless charm.
BAGEEYA Creates sustainable apparel using temple flowers, medicinal-root dyes, and real leaves for unique prints and textures, crafted by local artisans to counter fast fashion pollution.
MELO Inspired by Gujarat’s heritage, MELO blends silver and bead artistry with modern aesthetics, reflecting founder Sanika Shah’s cultural roots in Ahmedabad.
DOOKDI Founded by Jinal Patel in Ahmedabad, Dookdi transforms butterflies, beetles, and moths into sustainable, ethical jewellery crafted from non-precious metals.
PACHA LIFE Offers India-made sustainable décor including bamboo bookshelves and floral-inspired curtain ties, blending craftsmanship, functionality, and style.
KÄSE CHEESE Established in 2016 in Chennai, this award-winning fromagerie produces 40+ preservative-free artisanal cheeses using ethical, grass-fed cow milk and adapted Western techniques.

Takeaway

The Woman Power Market at The Quorum Gurgaon stands as a vibrant platform for celebrating women entrepreneurs, sustainable craftsmanship and creative excellence. Over three days, it promises a dynamic retail and cultural experience—inviting visitors to support female-led brands and embrace mindful, design-driven living.

‘Still I Rise’ 2026 Brings Together 30 Women Artists at Shailja Art Gallery

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Annual Women’s Month Celebration Returns

As International Women’s Day approaches, Shailja Art Gallery returns with its annual, month-long celebration dedicated to women artists. The highlight of the festivities is the third edition of its annual exhibition, Still I Rise…, reaffirming the gallery’s commitment to showcasing women’s creative voices.

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Third Edition of ‘Still I Rise’

Now in its third edition, Still I Rise continues to build on its legacy as a platform for artistic expression rooted in resilience, strength, and identity. The exhibition reflects the evolving narratives of women artists across generations, presenting diverse interpretations of empowerment and lived experience.

Thirty Women Artists from Across India

This year’s edition brings together 30 women artists from across the country, offering a wide spectrum of artistic practices and mediums. The exhibition creates a collective space where individuality meets solidarity, celebrating creativity while highlighting the spirit of perseverance that defines the occasion.

Inauguration by Poet Anamika

The exhibition will be inaugurated by Anamika, Professor at the University of Delhi and the first female poet to win the Sahitya Akademi Award for Hindi poetry. Her presence underscores the cultural significance of the event, bridging literature and visual art in a shared celebration of women’s achievements.

A Platform for Strength and Creativity

Still I Rise is more than an art exhibition—it is a tribute to the strength and creative spirit that International Women’s Day represents. Through painting, sculpture, and mixed media works, the show aims to foster dialogue around representation, identity, and artistic agency.

Celebrating Women Through Community and Art

Shailja Art Gallery’s annual celebration has become a meaningful fixture in the cultural calendar, providing artists a supportive platform while inviting audiences to engage with narratives shaped by courage and conviction. The exhibition continues to grow as a collective moment of recognition and solidarity.

Event at a Glance

Aspects Details
Exhibition Title Still I Rise (Third Edition)
Organised By Shailja Art Gallery, Gurgaon
Date March 14, 2026
Time 5:30 pm
Venue Shailja Art Gallery
Participating Artists 30 women artists from across India
Chief Guest Anamika, Professor, University of Delhi

Takeaway

Opening on March 14, 2026 at 5:30 pm, Still I Rise stands as a vibrant testament to women’s creativity and resilience. By bringing together 30 artists under one roof, Shailja Art Gallery once again reinforces the importance of art as a space for empowerment and shared celebration.