Chawla Art Gallery Hosts Artist-Led Walkthrough for “Once Upon a Sculptor” Exhibition

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Chawla Art Gallery in New Delhi recently hosted an exclusive artist-led walkthrough for its ongoing exhibition “Once Upon a Sculptor”, featuring eminent sculptor K. S. Radhakrishnan. The session offered attendees a close engagement with the artist’s work, guided by his personal reflections and insights into his long-standing practice.

An Immersive Walkthrough Experience

The walkthrough was designed as an immersive experience, allowing visitors to engage directly with the sculptures while hearing the artist speak about his creative journey. Radhakrishnan traced his evolution from early works to more recent pieces, discussing the conceptual and emotional layers that inform his practice.

Exploring the Artist’s Journey

During the session, the artist elaborated on the development of his visual language, highlighting recurring figures and themes. His narration provided context to the forms and gestures seen in his sculptures, offering audiences a deeper understanding of his artistic philosophy.

Exhibition Overview

“Once Upon a Sculptor” brings together a curated selection of works spanning several decades of Radhakrishnan’s career. The exhibition reflects shifts in form, expression, and philosophical inquiry, presenting a cohesive overview of his artistic trajectory.

Highlights of the exhibition include:

  • Key sculptures representing different phases of the artist’s career
  • Works that explore movement, duality, and human emotion
  • A focus on the evolution of recurring forms and figures

Signature Forms and Practice

S. Radhakrishnan is widely recognised for his iconic Maiya and Musui figures. These sculptural forms are known for their dynamic movement and expressive posture, often reflecting themes of duality and the human condition. His work continues to hold a significant place in contemporary Indian sculpture.

Notable Attendees

The walkthrough was attended by a distinguished gathering of guests from diverse fields, including Amitabh Kant, Justice Sanjay Kishan Kaul, Dr Anupam Bhargava, Alok Shriram, and K. S. Mehta. The event also saw participation from collectors, members of the art community, and cultural enthusiasts.

Curatorial Perspective

Shibani Chawla, Director of Chawla Art Gallery and curator of the exhibition, noted that the show brings together works that trace the artist’s journey from early explorations to his later iconic forms. The exhibition reflects varied emotional and philosophical states that define Radhakrishnan’s evolving practice.

Continuing Engagement

The exhibition underscores the gallery’s ongoing association with the artist, including previous showcases and his solo presentation at India Art Fair 2015. It continues to attract interest from collectors, scholars, and wider audiences, offering a focused insight into one of India’s leading sculptors.

Event at a Glance 

Event Details
Event Name Once Upon a Sculptor
Artist K. S. Radhakrishnan
Venue Chawla Art Gallery
City New Delhi
Exhibition Ongoing
Organiser Chawla Art Gallery
Entry Open to visitors (details not specified)

Takeaway

“Once Upon a Sculptor” presents not only a retrospective view of K. S. Radhakrishnan’s work but also an opportunity to engage with the ideas shaping contemporary Indian sculpture. The artist-led walkthrough adds depth to the viewing experience, encouraging audiences to reflect on form, movement, and human expression within a cultural context.

Hamari Virasat Exhibition in Mumbai Celebrates 75 Years of Indian Constitution with Craft

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An exhibition titled Hamari Virasat will open at 47-A, Khotachi Wadi in Mumbai from April 25 to May 10, 2026. The show brings together textile artworks inspired by the Indian Constitution, marking 75 years of its legacy through the language of craft and design. Open daily from 11:00 am to 7:00 pm, except Mondays, the exhibition is accessible to the public and combines art with social and cultural reflection.

A Tribute to the Indian Constitution

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A 29 Tisser Artisans Trust

Timed to coincide with April, the birth month of Dr. B. R. Ambedkar, the exhibition acknowledges his role in shaping the Indian Constitution. The show reflects on the document’s guiding principles—liberty, equality, justice, and fraternity—and explores how these ideas continue to influence creative practices across the country.

Textile Art as Collective Expression

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A 63 Ambika Agnihotri Magtora

The exhibition features 75 handmade textile artworks, each measuring 1 × 1 metre. Created by members of the Hand for Handmade Foundation, the works draw from the visual language of the Preamble to the Constitution. Together, they present a collective interpretation of constitutional values through material, pattern, and form.

Supporting Artisans Across India

The handmade and craft sector in India includes nearly 200 million artisans. The exhibition highlights their contribution to cultural identity and economic livelihoods. It also foregrounds the role of women in the sector and emphasises the importance of sustaining traditional practices through contemporary platforms.

Highlights of the Exhibition

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A 16 Porgai Artisans Association
  • 75 textile artworks inspired by the Constitution’s Preamble
  • Contributions from artisans across diverse regions of India
  • Each artwork sized at 1 × 1 metre
  • Exhibition and sale supporting artisan livelihoods

From Museum Circuit to Public Sale

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A 21 Vidushini Prasad

According to information in the exhibition dossier, the collection has previously travelled to museums across India and is now being presented for public acquisition. This transition allows audiences not only to engage with the works but also to directly support the artists through purchase.

The Venue: 47-A, Khotachi Wadi

The exhibition is hosted at 47-A Khotachi Wadi, a gallery space located in a 19th-century Portuguese-style house in Girgaum. Khotachi Wadi is one of Mumbai’s historic neighbourhoods, known for its architectural heritage and cultural diversity, providing a fitting backdrop for a show centred on identity and tradition.

Organiser and Concept

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A 10 Aame Artisan Producer Company

The exhibition has been conceptualised by the Hand for Handmade Foundation, founded by Shibani Dasgupta Jain. The initiative aims to draw attention to the artisan sector and its connection to the broader idea of India as articulated through the Constitution.

Visitor Information

Aspects Details
Event Name Hamari Virasat
Artist Members of Hand for Handmade Foundation
Venue 47-A, Khotachi Wadi
City Mumbai
Opening Date April 25, 2026
Exhibition Dates April 25 – May 10, 2026
Organiser Hand for Handmade Foundation
Entry / Tickets Open to all

Takeaway

Hamari Virasat brings together craft, history, and contemporary reflection through textile art. By linking constitutional values with everyday artistic practices, the exhibition offers a way to engage with India’s democratic ideals through material culture. It also creates a platform for artisans to sustain their work while contributing to a wider cultural dialogue.

Dual Exhibitions at Emami Art Kolkata Explore Memory, Materiality, and City Life

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Emami Art in Kolkata will open two exhibitions on 20 March 2026 Nothing Twice and Chance Remains of Another Time bringing together contemporary artistic approaches that engage with memory, impermanence, and urban life. Both exhibitions will run until 9 May 2026 at the gallery’s ground-floor spaces.

Exhibition Overview

Presented by Emami Art, a contemporary art space located at the Kolkata Centre for Creativity, the exhibitions reflect the gallery’s ongoing focus on socially engaged and experimental practices. Established in 2017, the gallery has built a programme that supports emerging and established artists across South Asia through curated exhibitions, residencies, and public programmes.

Nothing Twice: A Study of Impermanence

Nothing-Twice

Curated by Ushmita Sahu, Nothing Twice brings together nine young women artists working across painting, textiles, photography, video, drawing, and ceramics. The exhibition takes inspiration from Nobel laureate Wisława Szymborska’s reflections on the fleeting nature of life, translating everyday experiences into artistic expressions.

The works explore how materials associated with domestic and craft practices can function as contemporary visual languages. Themes of labour, care, and lived experience are foregrounded, offering a nuanced reflection on the passage of time and emotional memory.

Highlights of Nothing Twice

  • Works across multiple mediums including textiles, ceramics, and video
  • Focus on everyday experiences and domestic materiality
  • Exploration of memory, perception, and impermanence
  • Participation of nine emerging women artists

Suman Dey’s “Chance Remains of Another Time”

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Nature IV (Series: Nature)

Running concurrently in Gallery 1, Chance Remains of Another Time is a solo exhibition by Suman Dey, marking his second presentation at the gallery following his 2023 solo show.

Dey, a Kolkata-based self-taught artist known for his abstract practice, presents a new body of polyptych works. These compositions assemble fragmented visual elements—images, signs, and impressions into layered structures that reflect the complexities of contemporary urban life.

Exploring Urban Memory Through Form

The exhibition examines the shifting nature of city life through fragmented imagery and layered compositions. Dey’s works bring together ideas of celebration and decay, memory and loss, mirroring the transformation of urban environments shaped by rapid expansion.

Key Features of the Exhibition

  • Introduction of polyptych format in Dey’s practice
  • Abstract compositions reflecting urban fragmentation
  • Interplay of colour as a structural element
  • Themes of memory, loss, and urban transformation

Curatorial and Institutional Context

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According to CEO Richa Agarwal, the exhibitions highlight new directions in contemporary practice, with Nothing Twice focusing on emerging voices and Chance Remains of Another Time marking a shift in Dey’s artistic approach. Curator Ushmita Sahu emphasises the role of abstraction and materiality in capturing both natural rhythms and urban realities.

Emami Art continues to position itself as a platform for critical engagement, supporting artists through exhibitions, film festivals, and educational initiatives.

Venue and Visitor Information

Event Name Details
Exhibitions Nothing Twice; & Chance Remains of Another Time
Artist Group Exhibition (9 women artists); Suman Dey
Venue Emami Art, Kolkata Centre for Creativity
City Kolkata, India
Opening Date 20 March 2026
Exhibition Dates 20 March – 9 May 2026
Organiser Emami Art
Entry / Tickets Open to public
Website https://www.emamiart.com

Both exhibitions will be held at Emami Art, located at 777 Anandapur, EM Bypass, Kolkata.

Conclusion

With Nothing Twice and Chance Remains of Another Time, Emami Art presents two distinct yet interconnected explorations of time, memory, and lived experience. Together, the exhibitions offer insights into how contemporary artists engage with personal and collective histories, contributing to broader conversations in today’s cultural landscape.

Dvaita (द्वैत) or Dualities Exhibition Explores Philosophical Contrasts at The Lexicon Art

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The Lexicon Art in New Delhi will present Dvaita (द्वैत): Dualities, a group exhibition curated by Ankon Mitra, opening on 18 April 2026 and continuing until 18 May 2026. The exhibition brings together 11 artists to explore the philosophical concept of dualism through a range of contemporary artistic practices.

Exploring Dualism Through Art

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Artwork by Pratap C. Chakraborty

The exhibition draws from the idea of dualities contrasting elements such as black and white, gold and silver, or geometric and amorphous forms. Through these juxtapositions, the show aims to reflect on how opposites coexist and eventually resolve into a sense of oneness, referred to as Advaita in Indian philosophy.

Curatorial Approach by Ankon Mitra

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Unboxed 10 (A series of 12 works) by Meenakshi Jha Banerjee

Curator Ankon Mitra, trained as an architect and known for his work across sculpture, installation, and landscape design, has developed the exhibition over four years. His approach reflects India’s layered realities, where contrasts are embedded in everyday life. The exhibition positions these dualities as both visual and conceptual experiences for viewers.

Artists and Works on Display

The exhibition features a diverse group of artists working across mediums such as painting, sculpture, installations, and murals.

Participating artists include:

  • Ankon Mitra
  • Divyendu Anand
  • Keshari Nandan
  • Meenakshi Jha Banerjee
  • Naman Mahipal
  • Neerja Chandna Peters
  • Nimesh Patel
  • Pratap Chandra Chakraborty
  • Shovin Bhattacharjee
  • Vinod Daroz

The works collectively engage with contrasts in material, form, and perception.

Gallery Space as Conceptual Extension

The exhibition extends beyond individual artworks to the spatial design of the gallery itself. The Lexicon Art’s space is arranged to reflect a “dance of dualities,” moving away from the conventional white cube format. This approach encourages viewers to engage with complexity rather than isolated works.

About The Lexicon Art

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Divine Rhythm by Neerja Chandna Peters

Founded as an initiative of Delhi Press Magazines, The Lexicon Art has worked for over a decade to make art more accessible. Located in Connaught Place, the gallery is known for its curated exhibitions and efforts to connect audiences with diverse artistic practices both in India and internationally.

Visitor Information

Aspects Details
Event Dvaita (द्वैत) or Dualities
Artist Group Show (11 Artists)
Venue The Lexicon Art, M-12, Connaught Place
City New Delhi
Opening Date 18 April 2026
Exhibition Dates 18 April – 18 May 2026
Organiser The Lexicon Art
Entry / Tickets Not specified

The exhibition will be open from Monday to Saturday between 11:00 AM and 7:00 PM at The Lexicon Art, M-12, Connaught Place, New Delhi. Entry details have not specified ticketing requirements.

Takeaway

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Gab Di Ki Goosa by Nimesh Patel

Dvaita (द्वैत): Dualities positions itself as an exploration of contrast and coexistence, drawing from philosophical and lived realities in India. By bringing together multiple artistic voices and mediums, the exhibition invites viewers to reflect on complexity and harmony. It offers a space to consider how opposites shape perception and meaning within contemporary cultural discourse.

Origin of Desire: Japanese Artist Mari Ito Debuts in India at Bikaner House Exhibition

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Japanese artist Mari Ito presents her first solo exhibition in India with Origin of Desire, opening from 24 April to 1 May 2026 at The Ballroom, Bikaner House, New Delhi. Presented by GEEK/ART New Delhi, the exhibition introduces Ito’s distinctive visual language through a series of sculptural works and paintings that explore organic forms and surreal imagery.

A Debut Exhibition in India

Origin of Desire marks Mari Ito’s first solo presentation in India. Currently based in Barcelona, the artist brings together a body of work that reflects her evolving practice across mediums. The exhibition is hosted at The Ballroom, Bikaner House, a prominent cultural venue in New Delhi known for showcasing contemporary art and design.

Exploring Organic and Surreal Worlds

Ito’s works depict a vivid landscape of surreal flowers, biomorphic structures, and human-like forms. Her compositions feature seeds, pods, and cellular motifs that evoke growth and transformation. Through luminous colour fields and layered textures, the exhibition constructs a world where desire appears as a generative and constantly shifting force.

Rooted in Nihonga Traditions

Ito’s practice draws from traditional Nihonga techniques, a classical Japanese painting method. She works with pigments, sumi ink, and nikawa applied on Oguni washi paper. This approach maintains the precision of Japanese craftsmanship while allowing her to expand its visual possibilities into contemporary contexts.

Themes of Desire and Transformation

The exhibition positions desire as a primal and expansive force. Ito’s imagery resists fixed boundaries, presenting hybrid forms that mutate and evolve. Her work suggests a fluid interplay between the erotic, psychological, and biological, offering a layered interpretation of inner and external realities.

Feminist and Avant-Garde Influences

Ito’s work engages with Japanese surrealism and folkloric animism, while also reflecting post-war avant-garde movements. Her approach reclaims decorative and floral motifs, often associated with femininity, as spaces of transformation and political meaning. This perspective aligns her practice with broader feminist discourses in contemporary art.

Highlights of the Exhibition

  • Sculptural works alongside large and small-format paintings
  • Use of traditional Nihonga materials in contemporary compositions
  • Recurring motifs of seeds, pods, and cellular forms
  • Exploration of desire through surreal and biomorphic imagery

A New Chapter for GEEK/ART in India

The exhibition also marks the launch of GEEK/ART’s independent programming in India. Known for presenting interdisciplinary artistic practices, the platform aims to bring diverse voices from across Asia into dialogue with Indian audiences through exhibitions and cultural initiatives.

Visitor Information

Aspects Details
Event Name Origin of Desire
Artist Mari Ito
Venue The Ballroom, Bikaner House
City New Delhi
Opening Date 24 April 2026
Exhibition Dates 24 April – 1 May 2026
Organiser GEEK/ART New Delhi
Entry / Tickets Not specified

Takeaway

Origin of Desire introduces Indian audiences to Mari Ito’s distinctive exploration of form, material, and emotion. By merging traditional techniques with contemporary themes, the exhibition creates a space for reflection on identity, desire, and transformation. It also signals a growing exchange between Asian artistic practices and local cultural contexts in India.

Where the Sky Remembers: Ashish Kushwaha’s Solo Exhibition to Open at Palette Art Gallery

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Palette Art Gallery in New Delhi presents ‘Where the Sky Remembers’, a solo exhibition of paintings by artist Ashish Kushwaha. The exhibition brings together a body of recent works that explore landscape as a site of memory, ecological reflection, and quiet resistance. It will be on view from 23 April to 23 May 2026. 

Exhibition Overview

The exhibition features watercolours on paper and acrylic paintings on canvas, highlighting Kushwaha’s engagement with expansive terrains and atmospheric skies. His works depict landscapes where human presence is minimal, allowing nature to take visual and conceptual precedence. 

Artist Background

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Born in 1987 in Chhattisgarh, Kushwaha grew up in a farming family, shaping his early relationship with land and environment. He studied painting at Indira Kala Sangit Vishwavidyalaya, Khairagarh, and later spent time at Bharat Bhavan, Bhopal. He currently lives and works at the Kaladham Artist Colony in Greater Noida. 

Landscape as Memory and Ecology

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Kushwaha’s paintings expand the idea of landscape beyond representation. His compositions include distant horizons, mountains, and water bodies, often set under expansive skies. These works reflect concerns around urbanisation and environmental change, with subtle signs of human presence embedded within the terrain. 

Visual Language and Themes

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The artist’s use of luminous colours—pinks, blues, and greens—creates dreamlike environments that balance realism with imagination. Animals frequently appear in his works, reinforcing a shared ecological space where humans are not central but part of a larger system. 

Key Elements in the Exhibition

  • Watercolour and acrylic landscapes
  • Minimal human presence with symbolic traces
  • Recurring motifs of animals and natural habitats
  • Vivid colour palette creating atmospheric depth

Influence of Travel

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Travel to Himalayan regions such as Himachal Pradesh, Uttarakhand, and Kashmir informs Kushwaha’s visual language. His paintings translate these experiences into emotional and atmospheric impressions rather than literal depictions. 

About the Gallery

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Founded in 2001 by designers Rohit Gandhi and Rahul Khanna, Palette Art Gallery has played a significant role in supporting contemporary Indian artists. The gallery has presented several notable exhibitions and continues to foster emerging artistic practices within India’s art landscape. 

Visitor Information

Aspects Details
Artist Where the Sky Remembers
Artist Ashish Kushwaha
Venue Palette Art Gallery, 14, Golf Links, New Delhi – 110003
City New Delhi
Opening Date 23 April 2026
Exhibition Dates 23 April – 23 May 2026
Organiser Palette Art Gallery
Entry / Tickets Free Entry

The exhibition will be held at Palette Art Gallery, Golf Links, New Delhi. It will run from 23 April to 23 May 2026, with visiting hours from 11 am to 7 pm.

Takeaway

Where the Sky Remembers presents a contemplative body of work that reflects on the relationship between humans and the natural world. Through layered landscapes and atmospheric compositions, the exhibition invites viewers to reconsider ecological balance and their place within it. The show contributes to ongoing conversations in contemporary Indian art around environment, memory, and visual storytelling.

Two-Men Exhibition Featuring Roy and Cazalet Opens at Shridharani Gallery New Delhi

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A two-men exhibition featuring artists Indrapramit Roy and Mark Cazalet will open at Shridharani Gallery, located within Triveni Kala Sangam. The exhibition will run from 20th April to 28th April 2026, with a preview scheduled on 19th April, and will be open daily from 11am to 7pm.

A Dialogue Between Two Artistic Practices

Curated by Jyotirmoy Bhattacharya, the exhibition brings together two distinct artistic voices. The show presents a layered visual experience, exploring varied narratives, techniques, and sensibilities. It reflects both the individuality of the artists and a shared dialogue within contemporary art practices.

Concept and Curatorial Framework

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The exhibition’s conceptual framework, as outlined in the curator’s note, offers a structured lens through which the artworks can be interpreted. The works engage with themes of form, memory, and perception, encouraging viewers to reflect on the evolving nature of artistic expression.

About the Artists

Indrapramit Roy is known for his evocative and layered compositions that often explore psychological and social landscapes. His works frequently engage with themes of identity, urban life, and human relationships.

Mark Cazalet, a British painter, is recognised for his expressive figurative works and interest in spiritual and philosophical themes. His paintings often draw from classical influences while maintaining a contemporary sensibility.

Venue and Institutional Context

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Shridharani Gallery, housed within Triveni Kala Sangam, has long been a significant space for modern and contemporary art exhibitions in New Delhi. The venue has hosted numerous important exhibitions and continues to support artistic exchange and dialogue.

Exhibition Highlights

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  • Works by two internationally recognised artists
  • A curated dialogue between Indian and international perspectives
  • Exploration of themes such as memory, perception, and form
  • Diverse techniques and visual languages

Visitor Information

Event Details
Event Name Two-Men Exhibition
Artists Indrapramit Roy & Mark Cazalet
Venue Shridharani Gallery, Triveni Kala Sangam
City New Delhi
Opening Date 20th April 2026
Exhibition Dates 20th – 28th April 2026
Preview 19th April 2026
Curator Jyotirmoy Bhattacharya
Organiser Triveni Kala Sangam
Entry Open to public

The exhibition is open to art enthusiasts, collectors, critics, and the general public. Visitors can attend the preview on 19th April or visit the exhibition between 20th and 28th April 2026 during gallery hours from 11am to 7pm. Entry details have not specified ticketing, suggesting open access to visitors.

Conclusion

This exhibition presents an opportunity to engage with two distinct yet intersecting artistic practices. By bringing together Indrapramit Roy and Mark Cazalet, the show contributes to ongoing conversations in contemporary art. It offers audiences a space to reflect on shared human experiences through varied visual interpretations.

Continuum Brings Immersive Art Into Domestic Spaces at Gurgaon’s Art Hub Gallery

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Continuum Reimagines Art Within Living Environments

Continuum, an immersive art exhibition curated by Gauri Minocha, will preview on 11 April 2026 and run from 12 April to 1 May 2026 at The Art Hub Gallery, Gurgaon. The exhibition presents a distinctive approach by placing artworks within a domestic setting, encouraging audiences to experience art as part of everyday life rather than within conventional gallery formats.

A Curatorial Approach Rooted in Everyday Spaces

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The exhibition unfolds across rooms, hallways, stairways, terraces, and lawns, transforming each area into an active site of interaction. This spatial arrangement mirrors daily routines and invites visitors to move through the exhibition in a natural, unstructured manner. The setting encourages reflection, conversation, and a slower engagement with artworks.

Intergenerational Dialogue Through Art

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Featuring nearly 100 artworks, Continuum brings together South Asian artists across generations. The exhibition departs from a linear curatorial narrative, instead fostering dialogue between modern masters and contemporary practitioners. By juxtaposing diverse artistic styles and time periods, it creates intersections between tradition and experimentation.

Participating Artists Across Disciplines

The exhibition includes works by a wide range of artists such as:

  • Francis Newton Souza
  • Ram Kumar
  • Jamini Roy
  • Jogen Chowdhury
  • Vivan Sundaram
  • Ganesh Haloi
  • Kumari Nahappan
  • Simran KS Lamba
  • Avijit Roy and others

This diverse roster reflects multiple artistic disciplines and geographies, contributing to the exhibition’s layered narrative.

Blurring Boundaries Between Interior and Exterior

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By situating artworks within both indoor and outdoor environments, Continuum dissolves traditional distinctions between private and public spaces. The exhibition positions art as part of a continuous, evolving environment rather than as isolated objects, encouraging viewers to imagine living with the works.

Curator’s Vision for a Lived Experience of Art

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Curator Gauri Minocha describes the exhibition as an attempt to integrate art into everyday life. She envisions artworks existing in constant dialogue with space, light, and daily routines, allowing visitors to experience art in a more personal and immersive way.

Event Details and Visitor Information

Aspects Details
Artist Continuum
Artist Group Exhibition (Multiple South Asian Artists)
Venue The Art Hub Gallery, B-5/7, DLF Phase 1
City Gurgaon
Opening Date 11 April 2026 (Preview)
Exhibition Dates 12 April – 1 May 2026
Organiser Curated by Gauri Minocha
Entry / Tickets Not specified

Conclusion

Continuum offers an alternative way of experiencing art by embedding it within lived environments. By bringing together artists across generations and placing their works within domestic and open spaces, the exhibition encourages a more reflective and personal engagement. It highlights the potential for art to become part of everyday life, expanding its role beyond gallery walls into shared cultural and personal spaces.

Points of Cont(act): Sehaj Malik’s Solo Exhibition Explores Body and Space at Method Delhi

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Method Delhi presents Points of Cont(act), a solo exhibition by Sehaj Malik, curated by Sahil Arora. On view from 29 March to 19 April 2026, the exhibition examines the relationship between the human body, labour, and architectural space through an immersive, process-driven approach to drawing.

A Spatial System Rooted in the Body

Conceived as a spatial system, the exhibition positions the body as both an instrument and an active agent. Malik’s practice investigates how physical movement interacts with and reshapes built environments. The gallery becomes a responsive site where gestures, resistance, and repetition continuously redefine space.

The Central Work: Time, Labour, and Repetition

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At the core of the exhibition is To the Cosmos and Back in 29 Steps, a site-specific, instruction-based durational work. Structured like a factory routine, Malik worked within fixed daily shifts, transforming the act of drawing into a disciplined temporal process. The repetition of actions, regulated by time and physical endurance, becomes integral to the creation of the work rather than incidental.

Drawing as Residue and Process

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Working primarily with charcoal, Malik treats drawing as residue rather than representation. Marks emerge from bodily movement arcs shaped by the swing of an arm and lines determined by reach and breath. The resulting compositions circular, elliptical, and accumulative record force, friction, and interruption, turning the gallery into a field of physical traces.

Intersections of Machine and Organism

Malik’s work draws from early experiences of her father’s factory, where mechanical systems informed her understanding of rhythm and production. In Points of Cont(act), industrial metaphors such as valves and chambers intersect with organic processes like breathing and fatigue. This overlap collapses distinctions between machine and body, creating a hybrid visual language.

About the Artist

 

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Sehaj Malik (b. 2001) is an artist based between Delhi and Paris, currently pursuing her Master’s at the École Nationale Supérieure des Beaux-Arts, Paris. Her practice explores interconnected systems through instruction-based drawing and embodied processes. This exhibition marks her debut solo presentation, following recent projects including Asia Now Art Fair, Paris (2025), and exhibitions at Looloolook Gallery and Théâtre des Expositions.

Exhibition Highlights

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  • To the Cosmos and Back in 29 Steps, a durational, instruction-based work
  • Large-scale charcoal drawings created through bodily measurement
  • Exploration of labour, repetition, and endurance in artistic production
  • Transformation of gallery space into an interactive, process-driven environment

Venue and Visitor Information

The exhibition is hosted at Method, a contemporary art space in Defence Colony, New Delhi. Known for supporting emerging practices, the gallery continues its focus on experimental and process-led work through this presentation.

Aspects Details
Exhibition Points of Cont(act)
Artist Sehaj Malik
Venue Method, D Block, Basement, D-59, Defence Colony
City New Delhi
Opening Date 29 March 2026
Exhibition Dates 29 March – 19 April 2026
Organiser Method Delhi
Entry / Tickets Not specified

Takeaway

Points of Cont(act) positions drawing as an evolving, time-bound process shaped by the body’s interaction with space. Through repetition, endurance, and movement, Sehaj Malik redefines artistic production as both physical and conceptual labour. The exhibition offers a compelling reflection on how space is experienced, measured, and transformed through human presence.

World Health Day 2026: WHO Unites the World Under a Call to Stand With Science

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Every year on 7 April, the world pauses to acknowledge the state of global health and in 2026, the World Health Organization is framing that pause as a call to arms. This year’s theme, “Together for health. Stand with science,” launches a year-long campaign celebrating the power of scientific collaboration to protect the health of people, animals, plants, and the planet. WHO The message is deliberate, and its timing is anything but coincidental.

At a moment when public trust in institutions has eroded, when misinformation circulates faster than peer-reviewed research, and when health systems in many regions are under sustained financial pressure, the WHO’s 2026 World Health Day campaign is both a celebration and a defence  of evidence, of expertise, and of the collaborative architecture that underpins modern public health.

A Day Rooted in History, With a New Urgency

7 April marks the anniversary of the World Health Organization, a department of the United Nations. Since 1950, the WHO Director-General has chosen a new topic for World Health Day each year, based on submissions from member nations and WHO personnel. Over 50 years, World Health Days have thrown light on various health issues such as mental health, maternal and child care, and climate change.

The 2026 edition arrives as the organisation enters its 78th year of existence. The anniversary brings with it an institutional reckoning: the science that has guided public health for decades is facing political headwinds in several nations, with funding withdrawals, vaccine hesitancy, and climate denial creating significant obstacles to evidence-based policymaking. In this context, the WHO’s decision to anchor World Health Day around science and solidarity reads less as a celebration and more as a reaffirmation of first principles.

The 2026 Theme: Science as a Shared Project

World-Health-Day-2026-Theme

The 2026 campaign serves as a global call to choose evidence over misinformation and to ensure that scientific knowledge is shared equitably across all nations. This extends well beyond laboratories and health ministries. Good health decisions are built on evidence, not misinformation. From everyday tips to essential facts, science helps us understand how to protect our health and well-being.

The One Health approach is central to this year’s framing. The Summit will highlight the interdependence of human, animal, plant and ecosystem health, and the need for coordinated, science-based approaches to address shared health threats. This framework, which recognises that the health of people cannot be separated from the health of animals and ecosystems, is increasingly seen as the only viable model for managing zoonotic disease outbreaks, antimicrobial resistance, and climate-linked health risks.

At a time marked by misinformation, declining trust in institutions, and widening health inequalities, this theme is both urgent and necessary.

The One Health Summit: Lyon Takes Centre Stage

The operational heart of this year’s World Health Day is a landmark event taking place on French soil. Hosted by the French Government as one of the flagship events of the G7 French Presidency, the Summit will convene Heads of State and government, international organizations, scientists, civil society, youth and local actors to advance global action on One Health. WHO

Around the Summit, the One Health Festival will take place from 16 The Global Forum of WHO Collaborating CentresMarch to 15 May 2026 in France and internationally, bringing together events curated following a call for proposals. Oneplanetsummit The festival reflects a broader ambition not simply to convene experts in a conference hall but to embed the One Health conversation within communities, schools, and civic life across France and beyond.

With WHO assuming the Chair of the Quadripartite on 8 April 2026, the Summit represents a key moment to translate political commitment into concrete, multisectoral action on prevention, preparedness, antimicrobial resistance, sustainable food systems and environmental health, helping to build more resilient and equitable health systems for humans, animals and the planet.

The Global Forum of WHO Collaborating Centres

 

Running alongside the One Health Summit is a second milestone event that reflects the scale of the 2026 ambitions. The inaugural Global Forum of WHO Collaborating Centres, taking place from 7 to 9 April, gathers nearly 800 scientific institutions from over 80 countries together forming the largest scientific network ever convened around a United Nations agency, underscoring how science-driven partnerships can build a healthier, safer future for all.

These institutions work across specialised fields from radiation and influenza surveillance to nursing, bioethics, and occupational health. The Forum’s inaugural gathering represents a significant step toward making WHO’s scientific network more visible, accountable, and connected. In many respects, it is an attempt to demonstrate, in concrete terms, what the phrase “standing with science” actually looks like in practice.

Key Highlights

  • World Health Day 2026 is observed on 7 April, marking WHO’s 78th anniversary
  • The 2026 theme is “Together for health. Stand with science”
  • The campaign emphasises the One Health approach linking human, animal, plant, and ecosystem health
  • The International One Health Summit takes place in Lyon, France, from 5 to 7 April 2026, under the French G7 Presidency
  • The inaugural Global Forum of WHO Collaborating Centres runs from 7 to 9 April, convening nearly 800 institutions from over 80 countries
  • Hashtags for public engagement: #StandWithScience and #WorldHealthDay

Misinformation as a Public Health Threat

One of the less visible but increasingly urgent concerns animating World Health Day 2026 is the spread of health misinformation. WHO’s campaign argues that embracing science and collaboration can create a healthier, safer, and more sustainable future for everyone especially at a time when health misinformation, climate risks, zoonotic diseases, and ecosystem pressures continue to affect communities worldwide.

The role of the media has come under sharp scrutiny in this context. On 8 April, the French media development agency CFI will host a roundtable in Lyon’s CIRC space exploring how misinformation threatens the One Health approach and what the media can do to counter it. This event has been labelled the “One Health Summit Festival” by the Ministry for Europe and Foreign Affairs. The inclusion of media actors and civil society in the Summit’s ecosystem signals a broader understanding that science communication is as critical as the science itself.

What the Campaign Asks of Different Stakeholders

The 2026 campaign does not direct its message at a single audience. It distributes responsibility clearly. For governments, the campaign calls for strengthening investments in science and embedding evidence in decision-making for health, climate, and food. For health workers, it asks them to act as ambassadors of science by showing patients how evidence guides their care and saves lives. For the public, the call is to “Ask, Share, and Stand with Science” by asking health questions and sharing how facts improve well-being using the hashtag #StandWithScience.

Campaign Goals

  • Celebrate scientific achievements in public health over the past century
  • Advocate for evidence-based policy across governments and multilateral institutions
  • Strengthen the global scientific network through the WHO Collaborating Centres
  • Counter health misinformation by promoting accessible, equitable access to scientific knowledge
  • Promote the One Health approach as a framework for addressing complex, interconnected health threats

A Century of Progress, and What Comes Next

scientific innovations

Our health has improved substantially over the past 100 years thanks to scientific innovations. The future will be shaped based on how we develop and practice science-led approaches for the health of all not only humans, but also animals, plants, ecosystems and the entire planet through the One Health approach.

The World Health Organization has consistently used April 7 as an opportunity to make the case for collective action. In 2026, that case is framed around the defence of science itself and the recognition that trust in evidence is not a given but something that must be cultivated, protected, and extended to every community on earth.

The One Health Summit in Lyon represents perhaps the most ambitious expression of this effort yet, gathering political leaders, scientists, and civil society under a shared conviction: that the health of the planet and the health of its people are, ultimately, the same question.

Aspects Details
Event World Health Day 2026
Theme “Together for health. Stand with science.”
Date 7 April 2026 (Annual observance)
Category Global Health / Science Advocacy / Public Awareness
Key Location Lyon, France (One Health Summit); Global (WHO campaign)
Key Organisations WHO, FAO, UNEP, WOAH, French Government (G7 Presidency), WHO Collaborating Centres
Major Events International One Health Summit (5–7 April, Lyon); Global Forum of WHO Collaborating Centres (7–9 April)
Key Highlights Largest scientific network ever convened around a UN agency; One Health approach at centre; fight against health misinformation
Campaign Hashtags #StandWithScience #WorldHealthDay
Current Status Active — Year-long campaign launched on 7 April 2026
Source / Reference WHO World Health Day 2026

 

Takeaway

World Health Day 2026 marks a defining moment for global public health not simply as an awareness event, but as a coordinated stand for the principles that have underpinned health progress for decades. By anchoring the campaign around science, solidarity, and the One Health framework, the WHO is addressing the deeper crisis beneath today’s health challenges: a fracturing of trust in evidence and expertise. Whether through the landmark summit in Lyon, the global forum of scientific institutions, or the call for everyday citizens to share their own experiences with science, the 2026 campaign asks the world to participate not as passive observers of health systems, but as active defenders of the knowledge that sustains them.