Foodstories Launches The Autorickshaw Project Ahead of Mumbai Debut

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June 6, 2026

Ahead of the opening of its flagship destinations in Bandra and Lokhandwala, Foodstories has introduced a city-wide public art initiative that transforms Mumbai’s iconic auto-rickshaws into moving canvases. The project, titled The Autorickshaw Project, brings together food, art and storytelling as part of the premium food lifestyle platform’s entry into Mumbai.

Foodstories Expands into Mumbai

Founded by sisters Avni and Ashni Biyani, Foodstories positions itself as a platform operating at the intersection of food, wellbeing and community. The concept moves beyond the traditional grocery store model by combining curated products, culinary experiences and cultural programming. The Mumbai expansion includes stores in Bandra and Lokhandwala, with an additional dark store planned for Powai.

The founders are also known for their earlier work in India’s premium food retail sector through Foodhall, a gourmet retail format launched in 2011. Following the closure of Foodhall, the sisters launched Foodstories in 2024 as a new experiential food platform focused on discovery, sourcing and food culture.

Turning Mumbai Autos into Moving Art Galleries

The Autorickshaw Project was conceived as a way to introduce Foodstories to Mumbai before the stores officially open. Inspired by the city’s everyday rhythms, the initiative uses auto-rickshaws as mobile art spaces that travel through Bandra’s streets and neighbourhoods.

According to co-founder Avni Biyani, the auto-rickshaw was chosen because it reflects Mumbai’s character—familiar, democratic and constantly in motion. The project seeks to bring stories usually found on store shelves into public spaces where people encounter them during their daily routines.

Artists Reimagine Food Through Street Art

The project features artworks by a collective of Indian artists who have interpreted ingredients and products associated with Foodstories through playful and surreal visual narratives.

Participating artists include:

Ankita Dsouza – exploring the journeys of coffee-infused pecans, Vietnamese purple cashews and Korean tissue bread through layered collage works.
Sarah Kaushik – creating whimsical scenes featuring erupting hot sauce volcanoes and oversized Parmesan cheese wheels.
Seema Surana – transforming white asparagus into “white gold” treasure and draft lattes into immersive fantasy landscapes.
Manvi Vakharia – highlighting heirloom tomatoes, ecological systems and adaptogenic mushroom networks.

Food, Memory and Everyday Culture

Beyond the imagery of ingredients, the artworks also draw from everyday Mumbai experiences. References to cutting chai, neighbourhood food stops, grocery shopping, seafood lunches and family recipes connect the project to the city’s social and culinary life.

The initiative reflects Foodstories’ broader belief that food is not only about consumption but also about memory, identity and cultural exchange. Co-founder Ashni Biyani said the project aims to encourage conversations and connections through food-related stories and experiences.

Connection to Mumbai’s Street Art Culture

The project also arrives in a neighbourhood already known for public art. Bandra has become one of Mumbai’s most recognised street-art districts, with murals and creative interventions spread across areas such as Chapel Road and Veronica Street. Organisations including ST+ART India have played a significant role in developing this urban art culture.

One version of the project notes that Foodstories collaborated with ST+ART India and Guerrilla to bring the painted autos into Bandra’s streets, further linking the initiative to the area’s established public-art landscape.

Highlights of The Autorickshaw Project

Fleet of food-themed art autos travelling through Bandra.
Public art inspired by ingredients sourced and curated by Foodstories.
Contributions from four contemporary Indian artists.
Focus on food, culture, memory and community.
Launch campaign preceding Foodstories’ Mumbai store openings.

Looking Ahead

As Foodstories prepares to open its Mumbai locations, The Autorickshaw Project serves as an introduction to the platform’s wider vision of connecting food with culture, creativity and everyday life. By taking art beyond gallery walls and into public streets, the initiative offers a new way for residents to engage with food stories while moving through the city. It also highlights how contemporary retail concepts are increasingly using public art and cultural programming to build community engagement and encourage conversations around food, identity and local culture.

MAP Bengaluru Invites Applications for New Volunteer Docent Programme Cohort

By

Nagaraj

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June 5, 2026

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The Museum of Art & Photography (MAP), Bengaluru, has announced applications for its next Volunteer Docent Programme cohort. The museum is inviting individuals interested in art, storytelling and public engagement to apply before July 13. The programme is designed to help make MAP’s exhibitions and collections more accessible to visitors through guided tours, conversations and audience engagement activities.

Building Connections Through Art

According to the museum, volunteer docents play an important role in enhancing visitor experiences. Participants conduct exhibition walkthroughs, facilitate discussions and gather feedback from audiences about their museum visits. The programme welcomes applicants from diverse backgrounds and does not require formal training in art history or museum studies.

Training for Museum Engagement

MAP’s Volunteer Docent Programme includes structured training focused on museum practices, visitor engagement and communication skills. The programme is intended for individuals interested in history, art and education who wish to contribute to museum experiences while developing their own understanding of cultural heritage.

About the Museum

The Museum of Art & Photography is one of India’s leading private museums dedicated to visual arts and culture. Founded by Abhishek Poddar, the institution houses a collection of more than 20,000 works spanning modern and contemporary art, photography, textiles, craft, design and popular culture. The museum first launched as a digital platform in 2020 before opening its physical space to the public in 2023.

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Volunteer Responsibilities

Successful applicants will be expected to support visitor engagement activities across the museum.

Key responsibilities include:

Conducting exhibition walkthroughs
Facilitating discussions with visitors
Encouraging dialogue around artworks and exhibitions
Collecting visitor feedback and reflections
Supporting accessibility and audience engagement initiatives

These activities help the museum understand audience needs while creating more inclusive experiences for visitors.

No Art Background Required

MAP has emphasised that curiosity and a willingness to engage with people are more important than formal qualifications in art. The programme is open to individuals who enjoy sharing stories and fostering conversations around culture and creativity. Participants receive training that helps them develop confidence in public engagement and museum interpretation.

Application Details

Applications for the new cohort are currently open through the museum’s official channels. Interested candidates are required to submit their applications by 13 July. The volunteer opportunity is listed among current openings at the museum, with the next cohort expected to commence later in the year.

Volunteer Programme	Details
Organiser	Museum of Art & Photography (MAP)
Venue	Museum of Art & Photography
City	Bengaluru, Karnataka
Programme Type	Volunteer Museum Docent Programme
Application Deadline	13 July
Eligibility	Open to individuals interested in art, storytelling and visitor engagement; no art background required
Entry / Registration	Application required
Website	https://map-india.org

Expanding Public Access to Culture

The Volunteer Docent Programme reflects MAP’s broader educational mission of connecting audiences with art and cultural heritage. By training volunteers to facilitate conversations and guided experiences, the museum continues to explore new ways of making its collections accessible to a wider public while encouraging community participation in the arts.

Colours of MAATI Brings Contemporary Mithila Art and Craft Traditions to Bengaluru

By

Nagaraj

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June 4, 2026

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A two-day exhibition titled Colours of MAATI will take place on 5 and 6 June 2026 at the historic Flat Roof Building, SABHA, Bengaluru. Supported by Tata Trusts and presented by MAATI – The Crafts School, the showcase will bring together contemporary Mithila art, handmade textiles and artisan-led craft practices from Bihar’s Mithila region. The event aims to create dialogue between traditional artistic knowledge and contemporary design while highlighting sustainable livelihoods for artisan communities.

A Platform Beyond Exhibition

Organisers describe the event as more than a conventional craft exhibition. Designed as a space for socio-economic exchange, the showcase focuses on direct engagement between artisans, collectors, architects, designers and the public. The initiative seeks to strengthen market access for craft practitioners while encouraging conversations around cultural sustainability and creative entrepreneurship.

Women Artisans at the Centre

A key feature of this edition is the participation of four women artisans travelling from Madhubani and Darbhanga in Bihar. Their presence allows visitors to engage directly with makers and learn about the lived experiences behind the artworks. The interaction also offers artisans an opportunity to present their work firsthand and participate in discussions about design, production and evolving markets.

Reimagining Mithila Art for Contemporary Spaces

Mithila painting, often associated with intricate line work and symbolic narratives, has traditionally been created using natural and organic pigments. At Colours of MAATI, visitors will encounter works that reinterpret these traditions for contemporary homes and interiors while retaining their cultural roots. The showcase highlights how craft practices can adapt to changing lifestyles without losing their identity.

Exhibition Highlights

Contemporary Mithila paintings created with natural pigments
Handmade textile collections inspired by Mithila visual traditions
Direct interaction with women artisans from Bihar
Opportunities for custom commissions and bespoke orders
Conversations around sustainable craft livelihoods and design mentorship

About MAATI – The Crafts School

According to the organisers, MAATI works with more than 150 women artisans across the Mithila region through artisan-led learning, design mentorship and enterprise development initiatives. The organisation focuses on strengthening economic independence while supporting the continued evolution of traditional craft practices. Natural materials such as turmeric, indigo, flowers, leaves, rice paste and soot are frequently used in the making process.

Venue and Visitor Information

The exhibition will be hosted at the Flat Roof Building within SABHA, a heritage cultural venue in Bengaluru. The first day, 5 June 2026, is reserved as an invitation-only preview for architects, interior designers, hospitality professionals, retailers and collectors. On 6 June, the exhibition will be open to the public, providing visitors an opportunity to view the collections, meet artisans and place custom orders.

Event	Details
Title	Colours of MAATI
Artist / Participants	Women artisans from Madhubani and Darbhanga, Bihar
Venue	Flat Roof Building, SABHA
City	Bengaluru
Opening Date	5 June 2026
Exhibition Dates	5–6 June 2026
Organiser	MAATI – The Crafts School
Support Partner	Tata Trusts
Entry / Tickets	5 June: Invite-only Preview \| 6 June: Open to Public
Website	https://www.sabhablr.in

The Growing Relevance of Handmade Futures

As conversations around sustainability, ethical production and cultural preservation continue to gain momentum, initiatives such as Colours of MAATI offer a platform for regional craft traditions to engage with contemporary audiences. By connecting artisans directly with buyers and design communities, the exhibition demonstrates how traditional knowledge systems can remain relevant within today’s cultural and economic landscape.

Conclusion

Colours of MAATI presents an opportunity to explore the richness of Mithila art while engaging with the people who continue to sustain and evolve the tradition. Bringing together artisans, designers, collectors and the public, the exhibition highlights the role of craft in preserving cultural heritage and creating sustainable livelihoods. Through direct exchange and contemporary interpretation, the event contributes to broader conversations about art, identity and community-led development in India.

Serendipity Arts Launches London Programme with Science Museum and Great Exhibition Road Festival

By

Nagaraj

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June 4, 2026

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Serendipity Arts will present two major public projects in London in June 2026, marking a new phase in the organisation’s international expansion. Developed in partnership with the Science Museum and as part of the Great Exhibition Road Festival, the programme will include an immersive performance inside the museum and a large-scale puppet procession on Exhibition Road. The initiatives coincide with the 175th anniversary of the Great Exhibition of 1851 and reflect Serendipity Arts’ ongoing focus on cross-cultural exchange and public engagement.

International Expansion Through Cultural Partnerships

The London programme represents the latest step in Serendipity Arts’ growing international presence. The not-for-profit cultural organisation supports artistic practice, research, education and cultural dialogue across South Asia and internationally. Its work spans grants, residencies, commissions and collaborations, alongside the annual Serendipity Arts Festival in Goa.

According to the organisation, the initiative builds on collaborations across Europe and the United Kingdom and follows its participation in international projects including the India Pavilion at the Venice Biennale.

Additional information from Serendipity Arts notes that the organisation operates one of South Asia’s largest multidisciplinary arts festivals, bringing together visual arts, music, theatre, film, literature and culinary arts.

Eyes Shall Deceive to Premiere at the Science Museum

Film-Stills-from-Eyes-Shall-Deceive-directed-by-Sudarshan-Shetty-and-Sneha-Khanwalkar — Film Stills from Eyes Shall Deceive directed by Sudarshan Shetty and Sneha Khanwalkar

The first project, Eyes Shall Deceive (ननै न की ठगी), will premiere on 5 June 2026 during Innovation Lates at the Science Museum in London. Commissioned and produced by Serendipity Arts, the work is a collaboration between composer Sneha Khanwalkar and contemporary artist Sudarshan Shetty.

Presented as an immersive multidisciplinary performance, the project combines live music, sound, visual storytelling and performance. Inspired by musical folklore and street performance traditions from contemporary Indian cities, the work explores themes of memory, illusion and collective experience.

The performance will take place at IMAX: The Ronson Theatre within the Science Museum from 21:00 to 21:40.

Giants on the Move Brings Puppetry to Exhibition Road

The second project, Giants on the Move, will be staged on 6 and 7 June 2026 as part of the Great Exhibition Road Festival. Directed by renowned puppeteer Dadi Pudumjee, the work transforms Exhibition Road into a site of public participation and performance.

The street parade will feature:

Giant handcrafted puppets
Live percussion performances
Moving sculptural elements
Interactive public participation

Drawing on India’s longstanding puppetry traditions, the project reimagines the urban street as a shared civic space where audiences become part of the artistic experience.

Festival Context and Public Access

The Great Exhibition Road Festival is a free annual celebration of science and the arts held in South Kensington. The 2026 edition commemorates 175 years since the Great Exhibition of 1851 and will take place on 6–7 June. The festival is led by Imperial College London in collaboration with major cultural institutions across the district.

Visitors can expect:

Free arts and science programmes
Public performances and installations
Workshops and talks
Activities for audiences of all ages

About the Science Museum and Venue

The Science Museum, located in South Kensington, is part of the Science Museum Group and houses internationally significant collections documenting scientific, technological and medical achievements. The museum has become known for exhibitions that connect science with wider social and cultural themes.

The partnership with Serendipity Arts reflects a broader interest in interdisciplinary programming that brings together artistic and scientific perspectives.

Serendipity Arts Festival Continues in Goa

The London programme follows a milestone year for Serendipity Arts. In December 2025, the Serendipity Arts Festival marked its tenth anniversary in Panjim, Goa. Over the past decade, the festival has welcomed more than one million visitors and participants from over 50 countries and has become one of the region’s most significant multidisciplinary cultural events.

The eleventh edition of the festival is scheduled to take place in Panjim, Goa, from 13–20 December 2026.

Visitor Information

Events	Details
Event Name	Serendipity Arts London 2026 Programme
Key Projects	Eyes Shall Deceive (ननै न की ठगी) and Giants on the Move
Artists	Sneha Khanwalkar, Sudarshan Shetty, Dadi Pudumjee
Venue	Science Museum and Exhibition Road
City	London, United Kingdom
Opening Date	5 June 2026
Exhibition / Event Dates	5–7 June 2026
Organiser	Serendipity Arts
Partners	Science Museum and Great Exhibition Road Festival
Entry / Tickets	Public festival events are free; registration may be required for selected programmes.
Website	Serendipity Arts Great Exhibition Road Festival Science Museum London

Eyes Shall Deceive (ननै न की ठगी)

Date: 5 June 2026
Time: 21:00–21:40
Venue: IMAX: The Ronson Theatre, Science Museum, London
Commissioned and Produced by Serendipity Arts

Giants on the Move

Dates: 6–7 June 2026
Times: 12:45–13:15 and 15:15–15:45
Venue: Exhibition Road, South Kensington, London
Part of the Great Exhibition Road Festival

Takeaway

The London 2026 programme positions Serendipity Arts within a wider international conversation about culture, public space and interdisciplinary collaboration. Through immersive performance and participatory public art, the projects aim to connect audiences across cultural backgrounds while highlighting contemporary South Asian artistic practices. By bringing together artists, institutions and communities, the initiative contributes to ongoing dialogue around creativity, accessibility and cultural exchange in global public spaces.

Sacred Rhythms, Living Histories Explores the Jogappa Tradition at MAP Bengaluru

By

Nagaraj

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June 4, 2026

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The Museum of Art & Photography (MAP) in Bengaluru will host “Sacred Rhythms, Living Histories of the Jogappa Community” on June 6, 2026. Organised in collaboration with Solidarity Foundation and Jogappa artists, the event will offer audiences an opportunity to engage with one of South India’s enduring cultural and spiritual traditions through music, storytelling, and dialogue.

A Living Tradition Rooted in Devotion

The Jogappas are a traditional transgender community whose identity and spiritual practices are closely linked to the worship of Goddess Yellamma. For generations, members of the community have preserved devotional traditions through oral histories, ritual practices, and performances that continue to shape cultural life across parts of Karnataka, Maharashtra, Telangana, and Andhra Pradesh.

Music, Stories and Cultural Memory

The programme will feature devotional compositions, oral narratives, and handmade musical instruments used within the Jogappa tradition. Through personal stories and performance, participating artists will share insights into their lived experiences and the cultural knowledge passed down through generations.

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Highlights of the Event

Devotional songs dedicated to Goddess Yellamma
Storytelling sessions based on oral histories
Demonstrations of traditional handmade instruments
Conversations on identity, faith, and cultural heritage
Interactive audience engagement and discussion

Collaboration Between Community and Cultural Institutions

The event is presented by Museum of Art & Photography (MAP) in partnership with Solidarity Foundation. According to the organisers, the programme seeks to bring together community knowledge and historical perspectives while encouraging meaningful conversations around gender diversity, cultural memory, and living traditions.

Visitor Information

The event will take place on June 6, 2026, from 6:00 pm to 7:30 pm at the Museum of Art & Photography, Bengaluru. Registration is required and can be completed through the official event page. The listing currently indicates free registration for attendees.

Event	Details
Title	Sacred Rhythms, Living Histories of the Jogappa Community
Artist / Participants	Jogappa Artists
Venue	Museum of Art & Photography (MAP)
City	Bengaluru, Karnataka
Date	June 6, 2026
Event Time	6:00 pm – 7:30 pm
Organiser	Museum of Art & Photography (MAP) in collaboration with Solidarity Foundation and Jogappa artists
Website / Registration	https://map-india.org

Takeaway

“Sacred Rhythms, Living Histories” offers audiences an opportunity to engage with a living cultural tradition through the voices of the Jogappa community itself. By bringing together performance, storytelling, and dialogue, the programme highlights the importance of preserving oral histories and community knowledge. The event also contributes to broader conversations around cultural diversity, inclusion, and the role of museums as spaces for public learning and exchange.

Rowing to the Rhythm: Immersive VR Installation Brings Kerala’s Vallamkali to Bengaluru

By

Nagaraj

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June 3, 2026

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Visitors to the Indian Music Experience Museum can now explore Kerala’s iconic Vallamkali boat race tradition through a new immersive virtual reality installation on view at the museum’s Songs of People Gallery until 7 June 2026. The experience places audiences in the midst of Kerala’s celebrated snake boat races, guided by the rhythms and collective energy of traditional Vanchipaatu boat songs.

Bringing Kerala’s Boat Races into the Museum

The installation recreates the atmosphere of Vallamkali, a long-standing cultural tradition associated with Kerala’s backwaters. Through virtual reality technology, visitors experience the synchronized movement of rowers, the sound of traditional songs, and the teamwork that defines the races. According to the museum, the installation focuses on the role of Vanchipaatu, the rhythmic songs that help coordinate rowing while reflecting local cultural traditions.

Focus on Music and Community

The exhibition connects with the broader mission of the Indian Music Experience Museum, which documents and presents diverse musical traditions from across India. The museum is known for using interactive and multimedia formats to explore music as a cultural and social practice. Established in Bengaluru in 2019, it is widely regarded as India’s first interactive music museum.

Songs of People Gallery

The VR installation is being presented in the museum’s Songs of People Gallery, a space that explores music emerging from communities, traditions, and everyday life. By focusing on Vanchipaatu, the project highlights how music functions not only as performance but also as a tool for coordination, storytelling, and collective participation.

Exhibition Highlights

Immersive virtual reality experience based on Kerala’s Vallamkali tradition
Audio environment built around traditional Vanchipaatu songs
Interactive exploration of rowing rhythms and synchronized movement
Cultural interpretation of Kerala’s backwater communities
Presented at the Songs of People Gallery until 7 June 2026

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About the Indian Music Experience

The museum spans multiple galleries dedicated to Indian musical traditions, from classical and folk forms to contemporary genres. It also includes a Sound Garden and educational programmes designed to engage visitors with India’s musical heritage. The institution was developed as a cultural initiative to make music history and traditions accessible to wider audiences through interactive experiences.

For more information, visitors can explore the museum through Indian Music Experience Museum. Ticket information is also available through BookMyShow – Indian Music Experience Museum.

Visitor Information

The Vallamkali VR experience can be viewed during designated time slots:

Event Name	Details
Title	Rowing to the Rhythm: Vallamkali VR Experience
Venue	Indian Music Experience Museum, Bengaluru
City	Bengaluru, Karnataka
Gallery	Songs of People Gallery
Exhibition Dates	On view until 7 June 2026
Organiser	Indian Music Experience Museum
Entry / Tickets	Museum tickets required
Viewing Times	10:30 AM–12:30 PM (weekdays), 1:45 PM–3:30 PM, 4:30 PM–6:00 PM; First slot Weekends starts at 11:00 AM.
Website	https://indianmusicexperience.org

Takeaway

By combining virtual reality technology with traditional musical practices, the Vallamkali installation offers visitors a new way to engage with Kerala’s cultural heritage. The project demonstrates how museums are increasingly using immersive media to interpret living traditions while introducing audiences to the sounds, stories, and collective experiences that continue to shape regional cultures across India.

Paresh Hazra’s ‘Between the Sacred and the Everyday’ to Open at Artisera, Bengaluru

By

Nagaraj

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June 2, 2026

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A new solo exhibition by Indian artist Paresh Hazra, titled Between the Sacred and the Everyday, will open at Artisera in Bengaluru on Saturday, 6 June 2026. The exhibition will be inaugurated with a preview evening from 6 pm to 9 pm and will remain on view until 30 June 2026. Bringing together a selection of recent works, the exhibition explores the intersections of spirituality, ritual, memory and ordinary life.

A Reflection on the Sacred and the Familiar

The title Between the Sacred and the Everyday points to an artistic inquiry into moments where the spiritual and the ordinary coexist. Through symbolic imagery, layered textures and narrative compositions, Hazra examines how faith, devotion, tradition and personal experience continue to shape contemporary life. The exhibition invites viewers to reflect on the presence of the sacred within everyday rituals and human relationships.

About the Artist

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Born in 1952 in Tamluk, West Bengal, Paresh Hazra is one of India’s distinguished contemporary painters known for his mythological and spiritually inspired works. A graduate and postgraduate of the Government College of Art & Craft, Kolkata, Hazra has developed a distinctive visual language that combines traditional storytelling with contemporary artistic expression. His paintings often draw from Indian mythology, folk traditions and cultural memory, rendered through richly textured surfaces and intricate detail.

Over a career spanning more than four decades, Hazra has exhibited widely in India and internationally. His works are part of important public and private collections, including the National Gallery of Modern Art, New Delhi.

A Practice Rooted in Storytelling

Hazra’s artistic practice is deeply connected to storytelling and Indian cultural traditions. He is particularly recognised for his use of natural pigments, egg tempera techniques and textured surfaces incorporating materials such as jute and gauze. His figures often possess a theatrical quality, creating visual narratives that bridge mythology, spirituality and contemporary experience.

Many of his works revisit themes of devotion, family, folklore and collective memory, positioning ancient narratives within present-day contexts. This approach has made Hazra’s work both accessible and reflective, appealing to audiences interested in the continuing relevance of cultural traditions.

Presented by Artisera

Artisera has established itself as one of Bengaluru’s prominent platforms for contemporary and modern Indian art. Founded in 2015, the gallery and online platform works with established and emerging artists, presenting exhibitions that encourage dialogue between artists, collectors and the public. Through its exhibitions and programmes, Artisera has contributed significantly to the city’s growing visual arts ecosystem.

Exhibition Highlights

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New solo exhibition by Paresh Hazra
Recent works exploring spirituality and everyday life
Themes of ritual, mythology, memory and human connection
Preview evening with the artist on 6 June 2026
Exhibition on view until 30 June 2026
Presented at Artisera’s Indiranagar gallery in Bengaluru

Visitor Information

Event	Details
Title	Between the Sacred and the Everyday
Artist	Paresh Hazra
Venue	Artisera
City	Bengaluru
Exhibition Dates	6 June – 30 June 2026
Preview Timing	6:00 PM – 9:00 PM
Organiser	Artisera
Venue Address	3rd Floor, B.K.N. Ambaram Estates, #648/L, 1st Main, Indiranagar Stage 1, Bengaluru
Website	https://www.artisera.com

Contemporary Art and Cultural Memory

Hazra’s work occupies a unique position within contemporary Indian art by connecting traditional narratives with modern visual expression. His paintings often function as meditations on cultural identity, spirituality and the enduring influence of mythology in everyday life. In Between the Sacred and the Everyday, these concerns continue to unfold through works that encourage contemplation and dialogue.

Takeaway

Between the Sacred and the Everyday offers audiences an opportunity to engage with the artistic vision of Paresh Hazra, whose practice has long explored the connections between spirituality, tradition and contemporary life. Through its focus on the sacred dimensions of ordinary experience, the exhibition highlights the continuing role of art in preserving cultural memory while fostering reflection on shared human values. As part of Bengaluru’s evolving cultural landscape, the exhibition contributes to ongoing conversations about identity, heritage and the relevance of artistic expression in contemporary society.

Guardians of the Threshold Brings Kaisang Padma’s Himalayan Paintings to New Delhi

By

Nagaraj

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June 1, 2026

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Contemporary artist Kaisang Padma will present Guardians of the Threshold, a solo exhibition of acrylic paintings inspired by the landscapes, cultural atmosphere, and spiritual sensibilities of Ladakh. Opening on 5 June 2026 at Bikaner House, the exhibition will remain on view until 9 June 2026 and feature a series of large-format works that examine silence, contemplation, and the relationship between human presence and the Himalayan environment.

Landscapes as Spaces of Reflection

The exhibition explores the psychological and spiritual dimensions of Himalayan mountain passes. Drawing from Ladakh’s vast terrains, Padma presents landscapes not as documentary views but as contemplative environments where memory, mythology, and inner experience intersect.

Through layered compositions and restrained palettes, the paintings evoke a sense of stillness and suspended time, inviting viewers to engage with the emotional and symbolic qualities of the place.

Symbolic Figures and Thresholds

At the centre of the exhibition are recurring figures that appear as guardians, watchers, and solitary travellers. These presences inhabit transitional spaces such as cliffs, bridges, mountain pathways, and architectural structures.

Rather than acting as narrative characters, the figures function as symbolic markers between the visible and the unseen, suggesting states of reflection, observation, and spiritual awareness.

Influences from Ladakh’s Cultural Landscape

Padma’s practice is deeply informed by the geography and cultural traditions of Ladakh. Her paintings draw on Himalayan visual symbolism and the atmosphere of remote mountain settlements, where architecture, landscape, and ritual often exist in close dialogue.

Several works reference ideas of guardianship and watchfulness associated with mountain passes and sacred routes, while others focus on the landscape itself as a powerful presence.

From Film Production to Painting

Before pursuing painting full time, Padma worked in film production for more than a decade and later trained as a pilot. These experiences continue to influence her artistic language, particularly her treatment of scale, atmosphere, framing, and spatial perception.

The cinematic quality of her compositions can be seen in the way vast landscapes are balanced with solitary figures and architectural elements, creating scenes that appear both familiar and dreamlike.

Highlights of the Exhibition

Large-format acrylic paintings inspired by Ladakh
Explorations of silence, solitude, and contemplation
Symbolic figures representing guardians and observers
Mountain passes, bridges, and architectural forms as recurring motifs
Works informed by Himalayan cultural and spiritual traditions
Themes of memory, presence, and the relationship between humans and nature

Bikaner House as a Contemporary Art Venue

The exhibition will be hosted at Bikaner House, one of New Delhi’s prominent cultural venues. The institution regularly hosts contemporary art exhibitions, cultural programmes, performances, and interdisciplinary events while supporting emerging and established artists.

Located near India Gate, the venue has become an important platform for contemporary artistic dialogue, presenting solo and group exhibitions by artists from across India and abroad. Recent exhibitions at the venue have explored themes ranging from landscape and memory to cultural heritage and archival practices.

Visitor Information

Event	Details
Title	Guardians of the Threshold
Artist	Kaisang Padma
Venue	Bikaner House
City	New Delhi
Opening Date	5 June 2026
Exhibition Dates	5 June 2026 – 9 June 2026
Organiser	Independent Solo Exhibition
Medium	Acrylic on Canvas
Entry / Tickets	Not Specified
Website	https://bikanerhouse.rajasthan.gov.in/

Visitors will have the opportunity to encounter works that transform landscapes into spaces of meditation and observation, reflecting the artist’s ongoing exploration of the visible and symbolic dimensions of the Himalayan world.

Takeaway

Guardians of the Threshold presents a thoughtful engagement with landscape, memory, and spiritual presence through the lens of contemporary painting. By drawing from the cultural and environmental realities of Ladakh, Kaisang Padma creates works that encourage slow looking and reflection. The exhibition contributes to ongoing conversations around place, identity, and the role of art in exploring relationships between human experience and the natural world.

bAlllAd Brings Immersive Public-Space Performance to India for Fête de la Musique 2026

By

Cscope Staff

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June 1, 2026

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As part of Fête de la Musique 2026 and the larger Month of Music celebrations, French performance company bAlllAd is bringing an innovative public-space musical experience to India this June. Created by French artist Bertrand Devendeville, the immersive production transforms everyday urban environments into living stages where audiences become active participants rather than passive spectators. The initiative is being presented by the French Institute in India in collaboration with the wider cultural network promoting artistic exchange between France and India. The New Delhi performance is scheduled for 4 June 2026 at Social, DLF Mall Saket.

Reimagining the City as a Stage

Fête de la Musique, the internationally celebrated festival that began in France in 1982, has long championed the idea that music should be accessible to everyone. In 2026, the celebration expands into a Month of Music with a focus on bringing artistic experiences into public spaces rather than limiting them to conventional performance venues. Streets, parks, plazas and community spaces become sites for creativity, interaction and cultural exchange.

The concept encourages audiences to encounter music in unexpected ways. Through immersive performances, participatory events and roaming artistic interventions, the festival seeks to blur the boundaries between performers and spectators while encouraging people to engage more deeply with their surroundings.

What Makes bAlllAd Unique?

At the heart of bAlllAd lies a deceptively simple concept. Participants wear wireless headphones and move together through public spaces while being guided by a carefully designed sonic landscape. Music, spoken word, live recordings, beat-boxing, improvisation and audience interaction combine to create a constantly evolving performance.

Unlike traditional concerts where audiences remain seated and detached from the action, bAlllAd invites people to become part of the artistic experience. What begins as a guided walk gradually transforms into a collective journey shaped by the atmosphere of the city, the sounds of the environment and the responses of participants themselves.

The result is a performance that is both personal and communal, allowing individuals to experience music intimately through headphones while simultaneously sharing the experience with a larger group.

Bertrand Devendeville’s Artistic Vision

French artist Bertrand Devendeville developed bAlllAd as a mobile and adaptable performance format capable of responding to different urban contexts. Because the production is technically autonomous and lightweight, it can be staged in a variety of locations, including streets, parks, public squares and indoor venues.

A defining feature of the project is that no two performances are identical. Each edition evolves through spontaneous interactions with local audiences and the unique character of the host city. This flexibility enables the performance to create authentic connections with communities while reflecting local energy and culture.

Speaking about the India tour, Devendeville noted that his first visit to the country inspired a deep curiosity about its cultural diversity and vibrant public life. He expressed enthusiasm about returning to discover the distinct atmosphere of each city and creating moments where the distinctions between artist, audience and passer-by dissolve.

A Celebration of Contemporary French Music

The 2026 Month of Music programme showcases the diversity of contemporary French musical expression through three touring projects across India.

Alongside bAlllAd, audiences will also encounter Alright Mela, which channels the energetic spirit of Mediterranean electro-trance, and Kelly ou Moi, an intimate musical experience rooted in storytelling and emotion. Together, these projects present varied artistic approaches ranging from collective participation and immersive performance to personal narrative and experimental sound.

The initiative reflects the French Institute in India’s commitment to fostering cultural dialogue and artistic exchange between the two countries through innovative contemporary practices.

Strengthening Cultural Connections Between France and India

According to H.E. Dr Thierry Mathou, Ambassador of France to India, Fête de la Musique has, since its inception, celebrated music as a universal language capable of bringing people together across cultures.

This year’s edition, spanning fifteen Indian cities, highlights the vitality of the contemporary French music scene while creating opportunities for engagement between French and Indian artists, institutions and audiences. Through immersive performances, eclectic musical styles and creative experimentation, the programme seeks to strengthen the long-standing cultural relationship between the two nations.

New Delhi Performance Details

For audiences in the capital, bAlllAd offers an opportunity to experience public space through a completely different lens. Combining movement, sound and participation, the performance invites attendees to become co-creators of a shared artistic journey.

Event Details

Aspect	Details
Event	bAlllAd – Immersive Public-Space Performance
Artist	Bertrand Devendeville (France)
Festival	Fête de la Musique 2026 – Month of Music
Date	4 June 2026
Time	6:30 PM
Venue	Social, DLF Mall Saket, New Delhi

Takeaway

By transforming ordinary public spaces into sites of collective artistic exploration, bAlllAd offers a refreshing perspective on how music can be experienced in contemporary cities. As part of Fête de la Musique 2026, the performance exemplifies a growing global interest in participatory and immersive cultural experiences that bring communities together beyond traditional venues. For Indian audiences, the tour presents a rare opportunity to engage with an innovative French artistic practice while becoming active participants in the creative process itself.

7 Signs Your Chandelier is Ceiling Jewelry and a True Design Statement

By

Nagaraj

-

May 30, 2026

0

When you walk into a room, what catches your eye first? Often, it is that stunning fixture hanging overhead. But it is much more than just a light source to help you see. Think of it as the ultimate accessory that ties everything together. Just like a beautiful necklace completes an outfit, an eye-catching fixture acts as jewelry for your ceiling, adding sparkle, personality, and charm to any room.

Let’s look at why your hanging light fixture has become much more than a simple bulb holder. Here are the seven signs your chandelier is truly the statement piece of your home.

1. The Design Tells a Unique Story

Every space has its own vibe, and your overhead lighting should match that energy perfectly. When you are looking for the perfect luxury chandeliers in kolkata addition, you notice how the curves, finishes, and materials reflect personal taste and style. It is all about bringing art and daily living together in one harmonious space. A well-chosen fixture bridges the gap between classic charm and modern utility, giving your home an exclusive, high-end, and artistic feel. It transforms a standard living or dining area into an art-filled haven that speaks volumes about your personality and taste.

2. It Acts as the Room’s Main Statement Piece

A true centerpiece will always be something that grabs attention but does not overwhelm the space. As soon as your guests come through the door, they should immediately feel at home and get a taste of the character of your place.

Regardless of whether you go for a statement fixture with broad arms made from metals or a more delicate tiered crystal pendant, your objective is to have a proper focal point. You do not want any simple lighting that can illuminate the space during the night, but instead, you need something that decorates the ceiling.

3. It Perfectly Complements Your Existing Furniture

A ceiling fixture should never look out of place or as though it was dropped into the room by accident. It needs to flow naturally with the items in the room. If you place a beautiful piece above your dining table or right in the center of your living area, it anchors the space and makes the entire area feel complete and well-thought-out.

The proper sizing, height, and style of the lighting fixture ensure that it is in perfect harmony with the dimensions of the room. It provides a smooth connection from your floor mats to your sofas and other centerpieces within the room.

4. The Light Plays Beautifully with Texture and Shadows

Beautiful lighting involves more than just simple brightness. It provides you with beautiful patterns on the walls and floor in your home. The way that light is refracted by the fixture creates an inviting and warm ambiance to make daily activities unique.

From modern chandeliers in Kolkata designs with clean, sharp lines to more elaborate vintage shapes, the interplay of light and shadow turns plain white ceilings into vibrant canvases of creativity. The shadows dance across the room, adding depth and dimension to your furniture and wall art.

5. It Brings Vibrant Energy and Life to the Space

Apart from aesthetics and functionality, a quality fixture infuses vitality in a room. The moment the light becomes evenly distributed, people are comfortable and at ease. By using complementary materials in the room, you create a welcoming atmosphere that creates a positive impression among your guests.

The feeling of walking into a beautifully designed room is incomparable. It transforms the room from ordinary to one full of life.

6. It Adapts Easily to Different Seasons and Events

A great piece of ceiling jewelry is versatile enough to change the mood depending on the occasion. You do not need to change the entire room’s decor to make things feel fresh. With a simple change in the brightness level or by using warm-toned bulbs, your fixture can transition a space from a bright, energetic daytime workspace to an intimate, relaxed dining setting in seconds. This flexibility allows your space to feel responsive and alive, shifting with the rhythm of your day and the seasons.

7. It Draws People Together and Sparks Conversation

The best statement pieces have a magnetic pull. When friends or family gather, a remarkable lighting installation often becomes the first topic of conversation. It shows that you care about the small details in your home.

By choosing an eye-catching modern living room chandelier in Kolkata, you create a natural focal point that encourages people to sit back and enjoy the beautiful environment you have created. It acts as the perfect icebreaker and the crown jewel of your home’s interior decor.

Conclusion: Your Ceiling Deserves Its Own Jewelry

Bringing an artistic fixture into your home is one of the easiest ways to upgrade your interior decor. Just like a beautiful necklace or a classic watch completes an outfit, a stunning ceiling light acts as the perfect finishing touch. It brings people together, sets a beautiful mood, and turns an ordinary, simple room into an extraordinary space. The next time you look up, make sure what you see is a true work of art that tells your personal story and brightens your everyday life.

So, what do you think? Is your chandelier a jewelry for your living or dining room ceiling?

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