Once Upon a Sculptor: New Publication Chronicles KS Radhakrishnan’s Sculptural Journey

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Chawla Art Gallery has announced the release of Once Upon a Sculptor, a self-authored book by noted Indian sculptor KS Radhakrishnan. Published to mark the artist’s 70th birthday, the book presents a reflective and scholarly account of his personal and artistic journey, situating his work within the broader narrative of modern Indian sculpture.

Tracing an Artistic Evolution

The publication follows Radhakrishnan’s trajectory from his early years as an aspiring artist to his formal education at Kala Bhavan, Santiniketan. It documents how his engagement with drawing, form, and material developed into a sustained sculptural practice shaped by mentorship and institutional exposure. The book offers insight into the formation of his artistic language and conceptual concerns.

Sculptural Language and Key Series

Radhakrishnan is widely recognised for his work in bronze and for sculptural compositions that combine emotional depth with technical precision. The book examines major bodies of work, including the Maiya and Musui series, alongside recurring motifs such as small human figures emerging from boats and box-like structures.

Key Highlights of the Book:

  • Exploration of the Maiya and Musui series
  • Recurring motifs of human figures in transitional spaces
  • Engagement with themes of migration, identity, and resilience
  • Contextual placement within Indian contemporary sculpture

Context and Cultural Engagement

The volume situates Radhakrishnan’s practice within larger artistic and cultural frameworks. It also documents his interactions with galleries, collectors, and institutions that have contributed to shaping his career over decades. Additionally, the book discusses the foundation supported by the artist and its cultural objectives.

Artist’s Perspective

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Reflecting on his experiences, Radhakrishnan notes the influence of migration and urban transformation on his work, drawing from his own journey from Kerala to Santiniketan and later to Delhi. His observations on the emergence of modest urban dwellings and the lives within them inform the symbolic vocabulary seen in his sculptures.

Association with Chawla Art Gallery

The publication also reflects the long-standing association between the artist and Chawla Art Gallery. The gallery has previously presented his works in group exhibitions and showcased a solo presentation at the India Art Fair in 2015. It also houses important sculptures in its private collection, reinforcing its ongoing engagement with his practice.

Book Details and Availability

Once Upon a Sculptor is authored by KS Radhakrishnan and published by Chawla Art Gallery. The book is priced at INR 3,500 and will be available on Amazon and select bookstores shortly.

Aspects Details
Event Once Upon a Sculptor (Book Release)
Artist KS Radhakrishnan
Venue Chawla Art Gallery
City New Delhi
Opening Date On the occasion of artist’s 70th birthday
Organiser Chawla Art Gallery
Entry / Tickets Book priced at INR 3,500
Website / Registration Available on Amazon and select bookstores

 

About the Artist

Born in 1956 in Kerala, KS Radhakrishnan is a prominent contemporary Indian sculptor known for his sustained engagement with bronze. A graduate of Kala Bhavan, Santiniketan, he completed his MFA in 1981 and later received a research grant from the Lalit Kala Akademi, New Delhi. With over fifteen solo exhibitions and participation in major international shows, his work has gained wide recognition.

Takeaway

Once Upon a Sculptor offers both visual and intellectual insight into KS Radhakrishnan’s oeuvre, bringing together personal reflection and critical analysis. As a self-authored account, it contributes to the documentation of contemporary Indian art history while offering readers a deeper understanding of the artist’s evolving practice and cultural context.

Mapped by Tide and Time: Vishakha Apte’s Solo Exhibition to Open in Mumbai and New Delhi

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Exhibition Overview

Gallery Ragini presents Mapped by Tide and Time, a solo exhibition of works by Vishakha Apte, curated by Ina Puri. Opening in April 2026, the exhibition will be held at Jehangir Art Gallery, Mumbai from 14th to 20th April 2026, before travelling to Gallery Ragini, New Delhi from 25th April to 30th May 2026. The show brings together a wide selection of Apte’s works across mediums, offering insight into her evolving artistic language.

A Practice Rooted in Material Inquiry

Spanning over three decades, Vishakha Apte’s practice is grounded in a sustained engagement with material and process. Working across painting, printmaking, paper constructions, and ceramics, her approach emphasises tactile depth and quiet intensity. Rather than following a linear trajectory, her work unfolds as a continuum where each medium becomes a space to explore form and presence.

Themes of Form, Presence, and Memory

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Central to the exhibition is Apte’s exploration of figuration, which departs from conventional representation. Her works often present fragments—feet, limbs, and traces—that suggest presence without defining it fully. Everyday objects and interior forms appear animated, blurring the boundary between subject and environment, and reflecting a deep connection between material and lived experience.

Curatorial Perspective

Curated by Ina Puri, the exhibition assembles works from different phases of Apte’s career to highlight the continuity and transformation within her practice. Puri notes that Apte’s work redefines figuration through subtle traces and textures, focusing on persistence rather than spectacle. The curatorial framework emphasises the artist’s movement from isolated forms toward relational structures.

Evolution Across Mediums

The exhibition highlights the artist’s transition from early printmaking, characterised by restraint, to more layered and sculptural forms. Her use of recycled paper introduces an ecological dimension, transforming fragments of textual material into tangible surfaces. In her ceramic works, form and weight come together to create structures that occupy space with a quiet physical presence.

Highlights of the Exhibition

  • Paintings exploring tactile surfaces and abstraction
  • Printmaking works reflecting early explorations
  • Paper constructions using recycled textual fragments
  • Ceramic sculptures emphasising form and spatial presence

About the Artist

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Vishakha Apte (b. 1966, Nashik) graduated from Sir J.J. School of Art, Mumbai in 1987. She has received several awards, including recognition at the National Exhibition, New Delhi, and fellowships from the Department of Culture, Government of India. Her work has been exhibited internationally in biennials and triennials across Japan, China, Poland, and India. Apte’s works are part of major collections, including the National Gallery of Modern Art and Lalit Kala Akademi, New Delhi.

Venue and Visitor Information

Aspects Details
Exhibition Mapped by Tide and Time
Artist Vishakha Apte
Curator Ina Puri
Venue (Mumbai) Jehangir Art Gallery, Kala Ghoda, Fort. Google Map
Mumbai Dates 14th – 20th April 2026
Venue (New Delhi) Gallery Ragini, F 208, Ground Floor, Lado Sarai
New Delhi Dates 25th April – 30th May 2026
Timings 11:00 AM – 7:00 PM
Organiser Gallery Ragini

The exhibition will be held at Jehangir Art Gallery in Mumbai’s Kala Ghoda district, followed by Gallery Ragini in New Delhi’s Lado Sarai. Visitors can attend between 11:00 AM and 7:00 PM during the exhibition dates. Entry details have not specified ticketing, suggesting open access during gallery hours.

Organiser and Gallery Context

Gallery Ragini, known for its engagement with contemporary Indian art, continues its programme of showcasing artists with sustained and evolving practices. The exhibition reflects the gallery’s focus on presenting works that engage deeply with material, context, and artistic inquiry.

Takeaway

Mapped by Tide and Time offers a considered look into Vishakha Apte’s artistic journey, emphasising process, material, and subtle expression. By bringing together works across time and medium, the exhibition creates a space for reflective viewing and deeper engagement. It contributes to ongoing conversations in contemporary art around form, memory, and the lived experience of making.

प्रक्रिया / Process to Open Shrine Empire’s New Defence Colony Space in New Delhi

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Shrine Empire will inaugurate its new gallery space in Defence Colony, New Delhi, on 21 April 2026 with प्रक्रिया / Process, a group exhibition featuring artists from its roster. The exhibition will remain on view until 23 May 2026 and will reflect on process as both method and meaning, bringing together diverse practices rooted in the South Asian context.

A New Chapter for Shrine Empire

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Left: Anahita-Taneja, Right: Shefali Somani – Shrine-Empire

Founded in 2008 by Anahita Taneja and Shefali Somani, Shrine Empire has established itself as a platform for contemporary South Asian art with a focus on research-driven and process-oriented practices. The opening of the new space marks a continuation of its commitment to expanding dialogues around art and material experimentation.

Exhibition Focus: Process as Practice

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प्रक्रिया / Process explores the idea of process not only as a technical approach but also as a conceptual framework. The exhibition brings together multiple artistic voices, encouraging dialogue across mediums and methodologies while situating them within a broader South Asian perspective.

Participating Artists

The exhibition features works by a wide range of artists, including:

  • Amitava
  • Anoli Perera
  • Arun Dev
  • Awdhesh Tamrakar
  • Baaraan Ijlal
  • Divya Singh
  • Hema Shironi
  • Moonis Ijlal
  • Nandita Kumar
  • Neerja Kothari
  • Paribartana Mohanty
  • Ranjana Thapalyal
  • Renuka Rajiv
  • Sajan Mani
  • Samanta Batra Mehta
  • Sangita Maity
  • Sarker Protick
  • Shruti Mahajan
  • Tayeba Begum Lipi

Architecture and Spatial Design

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The new 2,400 square foot gallery has been designed by Vritima Wadhwa, founder of Project 810. Conceived as a space rooted in essentialism, the design moves away from the conventional white cube model. It incorporates layered experiences including a reading salon, coffee corner, mezzanine, and viewing lounge.

Wadhwa describes the gallery as a “curated silence,” where adaptable lighting and material warmth create an environment that supports the evolving nature of contemporary art practices.

Rethinking the Gallery Experience

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According to the founders, the new space is envisioned as a discursive and immersive environment. Visitors are encouraged to engage with art beyond passive viewing through spaces designed for reading, reflection, and conversation.

Key features of the space include:

  • A dedicated reading salon
  • Coffee collaboration area
  • Viewing lounge and private meeting spaces
  • Flexible exhibition layout

About the Designer

Vritima Wadhwa is an AD100 designer and recipient of the EDIDA Designer of the Year award. Her studio, Project 810, founded in 2013–14, is based in New Delhi and focuses on contemporary design approaches informed by both local and global influences.

Institutional Context and Outreach

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Over the years, Shrine Empire has participated in major international art fairs such as Art Basel Hong Kong, Art SG, Artissima, Asia Now Paris, and Art Dubai. The gallery also runs outreach initiatives through the Prameya Art Foundation, contributing to discourse around contemporary art and its social and political contexts.

Event at a Glance

Aspects Details
Event प्रक्रिया / Process – Group Exhibition (Multiple Artists)
Venue Shrine Empire, B-24, Defence Colony
City New Delhi
Opening Date 21 April 2026
Exhibition Dates 21 April – 23 May 2026
Organiser Shrine Empire
Entry / Tickets Not specified
Website / Registration Not specified

The exhibition will be open to the public at Shrine Empire’s new venue in Defence Colony, New Delhi, from 21 April to 23 May 2026. Visitors are encouraged to spend time within the space, engaging with both artworks and the environment designed to support reflection and dialogue.

Takeaway

With प्रक्रिया / Process, Shrine Empire opens its new space not just as a gallery but as a site for sustained artistic engagement. The exhibition reflects a broader commitment to process-driven practices and positions the space as a platform for dialogue within the South Asian art landscape.

Unity in Harmony – Season 5 Returns to AIFACS with Contemporary Art Showcase

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Introduction

“Unity in Harmony – Season 5,” curated by Devika Verma, will be held at the All India Fine Arts and Crafts Society in New Delhi from 29 March to 2 April 2026. The fifth edition of the exhibition brings together artists, collectors, and art enthusiasts to celebrate contemporary artistic expression and cultural dialogue.

Event at Glance 

Aspects Details
Title Unity in Harmony – Season 5
Artist Group Exhibition (Featuring M.F. Husain)
Venue All India Fine Arts and Crafts Society (AIFACS) Google Map
City New Delhi
Opening Date 29 March 2026
Exhibition Dates 29 March – 2 April 2026
Organiser La Art Convention
Curator Devika Verma
Entry / Tickets Open to Public

A Platform for Collective Expression

The exhibition continues its focus on presenting diverse artistic voices under a unifying theme. “Unity in Harmony” positions itself as a platform where individuality and collaboration coexist, encouraging dialogue across artistic styles and practices.

Curatorial Vision

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Curator Devika Verma emphasises the role of art as a universal language that connects communities. The exhibition aims to foster meaningful engagement between artists and audiences, offering an inclusive space for appreciation and interpretation.

Exhibition Highlights

Season 5 will present a wide range of contemporary works across mediums and styles. A notable highlight this year is the display of a work by M. F. Husain, one of India’s most influential modern artists.

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Key highlights include:

  • Contemporary artworks across painting, mixed media, and experimental formats
  • Participation from emerging and established artists
  • A special display featuring M.F. Husain

Venue and Setting

Hosted at AIFACS, one of India’s longstanding cultural institutions, the exhibition benefits from a space known for supporting visual arts and fostering artistic exchange. The venue has historically hosted significant exhibitions and continues to be a hub for artists and audiences.

Opening and Visitor Information

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The exhibition will open with a grand inauguration on 29 March 2026 at 5:00 PM onwards. Visitors, including collectors, media, and the general public, are invited to attend throughout the exhibition period until 2 April 2026.

Engaging Art and Audience

The exhibition is designed to create an immersive and thoughtful experience. By presenting varied perspectives and mediums, it encourages audiences to engage with contemporary art in a reflective and accessible manner.

Takeaway

“Unity in Harmony – Season 5” reflects the evolving landscape of contemporary art in India, bringing together diverse voices under a shared vision. Through its curated approach and inclusive platform, the exhibition contributes to cultural dialogue and strengthens connections between artists and audiences.

Portraits in Time Brings a Cross-Century Dialogue on Portraiture and Identity

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A new exhibition titled Portraits in Time: Power, Presence, and Identity Across Centuries will be presented by Great Banyan Art at LTC, Bikaner House, New Delhi, from 8th to 15th April 2026. Curated by Sonali Batra, the exhibition brings together fifty works spanning centuries and geographies, examining portraiture as a dynamic and evolving exploration of identity. 

A Chronological Journey Through Portraiture

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The exhibition is structured as a chronological journey, tracing the transformation of portraiture from early academic realism to contemporary interpretations. Moving across time periods, the works highlight how portraiture has shifted from formal representation to psychological and conceptual explorations of the self. 

From Authority to Expression

Historically, portraiture functioned as both a record and a symbol of authority. In Indian court traditions, portraits reinforced dynastic continuity and were largely confined to elite spaces. In Europe, academic traditions elevated both the sitter and the artist, establishing portraiture as a marker of prestige and cultural capital. 

Modernism and Psychological Depth

By the mid-twentieth century, artists began to move beyond likeness toward emotional and psychological depth. Figures such as F. N. Souza, Krishen Khanna, and Anjolie Ela Menon redefined portraiture through distortion, colour, and expressive line. Their works foreground inner states rather than outward appearances, reflecting broader social and cultural shifts. 

Contemporary Reinterpretations

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Contemporary artists in the exhibition—including Shobha Broota, Tom Vattakuzhy, and Terry Turrell—extend this trajectory further. Their works explore identity as fluid and shaped by memory, migration, and cultural hybridity, offering layered interpretations of presence and selfhood in a globalised world. 

Featured Artists and Highlights

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The exhibition includes works by a wide range of artists across periods and geographies.

Featured artists include:

  • Krishen Khanna, Anjolie Ela Menon, F. N. Souza
  • K. R. Ravi Varma, Abalal Rahiman, M. F. Pithawalla
  • Rabin Mondal, Maniklal Banerjee, Rasik Raval
  • Tom Vattakuzhy, Shobha Broota, Terry Turrell
  • Jean François Portaels, Hugues Merle, Rose Bonnor

Suggested Story: Top Indian Artists Every Indian Should Know About

About the Organiser

Great Banyan Art, established in 2004 in New Delhi, has developed one of India’s largest private art collections, with over 2,000 artworks. Under the direction of Sonali Batra, the organisation has collaborated with major auction houses and continues to promote research, education, and public engagement with art. 

Visitor Information

Event Details
Title Portraits in Time: Power, Presence, and Identity Across Centuries
Artist Group Exhibition (Multiple Artists)
Curator Sonali Batra
Venue LTC, Bikaner House, Pandara Road
City New Delhi
Opening Date 8th April 2026
Exhibition Dates 8th – 15th April 2026
Organiser Great Banyan Art
Timings 11 AM – 7 PM

The exhibition will be open from Monday to Sunday, between 11 AM and 7 PM, at LTC, Bikaner House, Pandara Road, New Delhi. Entry details have not specified ticketing requirements.

Takeaway

Portraits in Time presents a layered examination of portraiture as both an artistic and cultural practice. By bringing together works across centuries and geographies, the exhibition highlights how identity is shaped through shifting contexts of power, memory, and representation. It offers viewers an opportunity to reflect on how the human image continues to evolve, bridging historical traditions with contemporary perspectives.

OTT Releases This Week: March 24 to 30, 2026: Full List of Movies and Series Streaming Now

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The final week of March 2026 brings a diverse mix of content across major streaming platforms, with the OTT Releases This Week: March 24 to 30, 2026 featuring over a dozen new titles. Across Netflix, Amazon Prime Video, JioHotstar, Apple TV+, and ZEE5, audiences can explore films and series in Hindi, Tamil, English, Korean, and several regional languages, reflecting a wide range of genres and storytelling styles.

The week features the Indian digital debut of Shahid Kapoor’s crime drama O’Romeo, the Netflix streaming premiere of Rani Mukerji’s Mardaani 3, the return of Marvel’s street-level superhero in Daredevil: Born Again Season 2, a long-awaited BTS documentary, and one of the most ambitious Tamil web series of the year in Vijay Sethupathi’s Kaattaan. International additions include the satirical dark comedy Bait starring Riz Ahmed on Prime Video, the horror miniseries Something Very Bad Is Going to Happen on Netflix, and the fifth season of Apple TV+’s alternate-history sci-fi saga For All Mankind.

For viewers across genres and languages, the week offers a broad range of content from mainstream Bollywood and Hollywood to regional Indian cinema and global documentary film.

Weekly OTT Releases Overview

This week’s streaming slate covers approximately 13 major titles across Hindi, Tamil, English, and Korean. Genre coverage is wide: crime thriller, action drama, dark comedy, rural mystery, horror, sci-fi, and music documentary. Platforms active this week include Netflix, Amazon Prime Video, JioHotstar, Apple TV+, ZEE5, and Chaupal. The week is notable for the simultaneous arrival of three high-profile Indian titles one each from Bollywood, Tamil cinema, and the Yash Raj franchise.

Detailed List of OTT Releases – March 24 to 30, 2026

OTT Releases Details
Daredevil: Born Again S2 Language: English (Hindi/Tamil/Telugu dubs)
Genre: Superhero Action Drama
Platform: JioHotstar (India) / Disney+ (Global)
Release Date: March 24/25, 2026
Bait Language: English
Genre: Dark Comedy / Satire
Platform: Amazon Prime Video
Release Date: March 25, 2026
Homicide: New York S2 Language: English
Genre: True Crime Documentary
Platform: Netflix
Release Date: March 25, 2026
Panchhi 2 Language: Punjabi
Genre: Psychological Thriller
Platform: Chaupal
Release Date: March 25, 2026
Jo Nesbø’s Detective Hole Language: Norwegian (Subtitled)
Genre: Crime Drama
Platform: Netflix
Release Date: March 26, 2026
Something Very Bad Is Going to Happen Language: English
Genre: Horror / Thriller
Platform: Netflix
Release Date: March 26, 2026
Bhanupriya Bhooter Hotel Language: Bengali
Genre: Horror Comedy
Platform: ZEE5
Release Date: March 26, 2026
O’Romeo Language: Hindi
Genre: Romantic Crime Drama
Platform: Amazon Prime Video (Rental)
Release Date: March 27, 2026
Mardaani 3 Language: Hindi
Genre: Crime Thriller
Platform: Netflix
Release Date: March 27, 2026
Muthu Engira Kaattaan (Kaattaan) Language: Tamil (7 languages)
Genre: Rural Mystery / Action
Platform: JioHotstar
Release Date: March 27, 2026
BTS: The Return Language: Korean (Subtitled/Dubbed)
Genre: Music Documentary
Platform: Netflix
Release Date: March 27, 2026
For All Mankind S5 Language: English
Genre: Sci-Fi Drama
Platform: Apple TV+, Amazon Prime Video
Release Date: March 27, 2026
House of David S2 Language: English
Genre: Historical Drama
Platform: Amazon Prime Video
Release Date: March 27, 2026

1. Daredevil: Born Again – Season 2

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Platform: JioHotstar (India) | Disney+ (Global), Release Date: March 24–25, 2026

The second season of Marvel Television’s Daredevil: Born Again arrived on Disney+ globally on March 24, with Indian audiences gaining access on JioHotstar from the morning of March 25. Directed by Justin Benson and Aaron Moorhead and developed by showrunner Dario Scardapane, the season picks up roughly six months after the events of the first. Wilson Fisk — now serving as Mayor of New York City has imposed an Anti-Vigilante Task Force, effectively criminalising all masked activity in the city. Matt Murdock, stripped of any public standing, is forced to build a quiet resistance from the shadows.

The season runs eight episodes, releasing weekly until May 5, 2026 (May 13 in India). Returning cast members include Charlie Cox as Matt Murdock/Daredevil, Vincent D’Onofrio as Kingpin, Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson, and Wilson Bethel as Bullseye. A significant new addition is Krysten Ritter, reprising her role as Jessica Jones from Marvel’s original Netflix run her first appearance in the MCU. The season carries the tagline “Resist. Rebel. Rebuild.” and holds a 94% approval rating on Rotten Tomatoes based on early reviews. In India, the series streams in English, Hindi, Tamil, and Telugu.

2. Bait

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Platform: Amazon Prime Video, Release Date: March 25, 2026

Created by and starring Riz Ahmed, Bait is a six-episode dark comedy series about Shah Latif, a British-Pakistani actor who has spent years being overlooked by the industry. When word leaks that he has landed an audition to play the next James Bond, his life descends into four days of escalating chaos fame, scrutiny, identity pressure, and systemic bias colliding at once. The series is produced with Guz Khan as co-star and Patrick Stewart in a supporting role. Described by TV Guide as one of March’s top recommendations, the show blends sharp industry satire with personal storytelling. Episodes run approximately 30 minutes each.

3. Homicide: New York – Season 2

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Platform: Netflix, Release Date: March 25, 2026

The second instalment of Netflix’s New York-based true crime docuseries returns with detectives and prosecutors revisiting their most difficult and personally significant homicide cases. The show follows the format of the first season combining reconstruction footage with first-person accounts from the investigators who worked the cases.

4. Panchhi 2

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Platform: Chaupal, Release Date: March 25, 2026

The Punjabi psychological thriller Panchhi 2 arrives on regional OTT platform Chaupal, continuing the story of the original film. The sequel stars Prince Kanwaljit Singh and follows his character as he navigates the psychological aftermath of the first film’s events. The platform has been building its Punjabi-language catalogue steadily, and this release marks another significant addition for regional language audiences.

5. Jo Nesbø’s Detective Hole

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Platform: Netflix, Release Date: March 26, 2026

Based on the internationally bestselling crime novels by Norwegian author Jo Nesbø, Detective Hole introduces Harry Hole a highly effective but self-destructive Oslo homicide detective played by Tobias Santelmann. The Norwegian-language drama brings one of Scandinavia’s most beloved literary detectives to screen, following Hole through a complex case that tests both his investigative ability and personal stability. The series arrives as part of Netflix’s growing investment in Nordic-language content.

6. Something Very Bad Is Going to Happen

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Platform: Netflix, Release Date: March 26, 2026

Produced by the Duffer Brothers (Stranger Things), this atmospheric American horror miniseries follows Rachel (Camila Morrone) and Nicky (Adam DiMarco) in the days leading up to their wedding at his family’s remote estate. What begins as an unsettling pre-wedding visit gradually spirals into something far more dangerous. Jennifer Jason Leigh co-stars. The series runs eight episodes and is available to stream all at once. The show has generated attention for its psychological tension and strong lead performances.

7. Bhanupriya Bhooter Hotel

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Platform: ZEE5, Release Date: March 26, 2026

The Bengali horror-comedy Bhanupriya Bhooter Hotel premieres on ZEE5, offering regional audiences a lighter genre entry this week. The film blends supernatural elements with comedy, targeting family and general audience segments within the Bengali-language streaming space.

8. O’Romeo

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Platform: Amazon Prime Video (Rental fee applicable), Release Date: March 27, 2026 (Rental) | Early April 2026 (Full Subscriber Access — unconfirmed)

Vishal Bhardwaj’s O’Romeo makes its digital premiere on Prime Video on a rental basis from March 27, 2026. Subscribers will need to pay an additional fee to access the film at launch, with a full subscription-based premiere expected in the first or second week of April 2026. The film had a theatrical run beginning February 13, 2026.

Set in 1990s Mumbai and inspired by the non-fiction book Mafia Queens of Mumbai by Hussain Zaidi, the Hindi-language romantic crime drama centres on Hussain Ustara (Shahid Kapoor), a feared contract killer who operates for an intelligence officer. His world shifts when he encounters Afshan (Triptii Dimri), a widow who wants him to eliminate the powerful don responsible for her husband’s death. What starts as a professional arrangement evolves into something far more complicated. The film marks the fourth collaboration between Shahid Kapoor and Vishal Bhardwaj, following Kaminey, Haider, and Rangoon. The cast also includes Nana Patekar, Avinash Tiwary, Tamannaah Bhatia, Disha Patani, and Vikrant Massey in a special appearance. Reviews were mixed on theatrical release, with most critics singling out Kapoor’s performance as the film’s strongest element.

9. Mardaani 3

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Platform: Netflix, Release Date: March 27, 2026

Produced by Yash Raj Films under Aditya Chopra and directed by Abhiraj Minawala who takes over from franchise’s earlier director Gopi Puthran Mardaani 3 brings Rani Mukerji back as Senior Superintendent of Police Shivani Shivaji Roy. The third instalment is the darkest chapter in the franchise. The investigation this time centres on the disappearance of 93 girls between the ages of eight and ten over three months. As Shivani digs deeper, she uncovers a horrifying criminal network orchestrated by a figure known only as Amma. The film introduces the franchise’s first female antagonist, played by Mallika Prasad. Janki Bodiwala and Jisshu Sengupta round out the principal cast. The film had its theatrical premiere on January 30, 2026 and has now completed its standard eight-week theatrical window. It is the strongest-performing film in the Mardaani franchise at the domestic box office.

10. Muthu Engira Kaattaan (Kaattaan)

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Platform: JioHotstar, Release Date: March 27, 2026

One of the most anticipated Tamil OTT originals of 2026, Muthu Engira Kaattaan is a rural mystery-action web series created and directed by National Award-winning filmmaker M. Manikandan, in his first venture into the action genre. The series also marks Manikandan’s third collaboration with Vijay Sethupathi, following Aandavan Kattalai and Kadaisi Vivasayi. Co-directed by B. Ajith Kumar, the show is also produced by Vijay Sethupathi himself.

The story begins with a severed head discovered in a small Tamil Nadu village identified as belonging to a man named Muthu. As police and villagers attempt to find the rest of his body, conflicting testimonies emerge. Some speak of Muthu as a local legend and protector; others describe a dangerous outlaw. The series uses this multi-perspective narrative to peel back layers of myth, morality, and rural life. The ensemble cast includes Milind Soman, Sudev Nair, VJ Parvathy, Risha Jacob, Vadivel Murugan, and Abi Natchathira. Cinematography is by Madhu Neelakandan and Shanmugasundaram; music is composed by Rajesh Murugesan. The series streams in seven languages: Tamil, Hindi, Telugu, Malayalam, Kannada, Marathi, and Bengali.

11. BTS: The Return

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Platform: Netflix, Release Date: March 27, 2026

Directed by Bao Nguyen (The Stringer, The Greatest Night in Pop) and produced by This Machine and HYBE, BTS: The Return is a feature-length documentary chronicling the reunion of the seven-member K-pop group following their completion of South Korea’s mandatory military service. All seven members RM, Jin, Suga, J-Hope, Jimin, V, and Jung-kook had not performed together since September 2022. The documentary was filmed in Los Angeles in August 2025 as the group gathered to record their fifth studio album, ARIRANG, which was released on March 20, 2026 — one week before the documentary’s premiere. The film runs approximately 93 minutes and offers behind-the-scenes footage of the recording process, conversations about identity and pressure, and the personal dynamics of the group’s reunion. The documentary arrives as a companion piece to BTS THE COMEBACK LIVE | ARIRANG, the group’s Netflix live concert streamed from Seoul’s Gwanghwamun Square on March 21, 2026. The mostly Korean-language film is subtitled and dubbed in multiple languages.

12. For All Mankind – Season 5

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Platform: Apple TV+, Amazon Prime, Release Date: March 27, 2026

The alternate-history space drama returns for its fifth season, now set in the year 2012 of its fictional timeline a world where the space race never ended after the Soviets reached the moon first in 1969. Season 5 takes the show beyond its established Mars colony and into newer, more politically fraught territory, as those on Earth begin questioning the cost and future of sustained off-planet settlement. The show is one of Apple TV+’s most consistently reviewed science fiction originals.

13. House of David – Season 2

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Platform: Amazon Prime Video, Release Date: March 27, 2026

The second season of Prime Video’s biblical epic House of David continues its dramatisation of the life of King David in ancient Israel tracing his rise through political conflict, faith, and destiny. The series is one of Prime Video’s international historical drama offerings and returns following a strong debut season.

Key Highlights

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  • Daredevil: Born Again Season 2 marks Krysten Ritter’s first appearance as Jessica Jones in the MCU a reunion more than six years in the making
  • Mardaani 3 introduces the franchise’s first female villain and is officially confirmed by Netflix, making it the week’s highest-profile Bollywood streaming debut
  • O’Romeo arrives in an unusual rental-only format on Prime Video, one of the few major Bollywood films to adopt this release strategy in recent years
  • BTS: The Return is the week’s most globally watched documentary, arriving a week after the group’s album ARIRANG and six days after their live Netflix concert from Seoul
  • Muthu Engira Kaattaan is the week’s most ambitious regional Indian release a ₹60 crore Tamil original from a National Award-winning filmmaker, streaming in seven languages
  • Jo Nesbø’s Detective Hole brings one of Europe’s most popular crime novel series to screen for the first time, expanding Netflix’s Nordic content offering
  • Something Very Bad Is Going to Happen carries the production pedigree of the Duffer Brothers, making it the week’s most anticipated English-language Netflix original
  • For All Mankind Season 5 continues Apple TV+’s strongest long-running science fiction series, now entering its most geographically expanded chapter
  • The week delivers simultaneous major releases across four OTT platforms on March 27 alone an unusually heavy single day for digital streaming in India

Takeaway

The week of March 24–30, 2026 closes out the month of March with one of the most substantive streaming rosters of the first quarter of the year. Viewers across languages and genres have access to a wide mix of content from Bollywood crime drama and South Indian rural mystery to Marvel superhero action, K-pop documentary, Nordic noir, and sci-fi. Netflix, JioHotstar, and Prime Video all deliver significant releases simultaneously on March 27, making Friday the most active streaming day of the week.

For Indian audiences specifically, the week highlights the increasing diversity of OTT content in Tamil and regional languages, with Kaattaan standing out as one of the more ambitious JioHotstar Tamil originals to date. For global audiences, the BTS documentary and the return of Daredevil are likely to draw the widest viewership across demographics.

JASHN-e-QALAM’s Sardaar Ji to be staged at NGMA, New Delhi

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A storytelling performance rooted in Partition history

The Gujral Foundation will present JASHN-e-QALAM’s Sardaar Ji, a storytelling performance based on a short story by Khwaja Ahmad Abbas, on 28 March 2026 at 6:30 PM. The event will take place at the National Gallery of Modern Art, bringing a literary narrative into a performative format.

Revisiting the trauma of Partition

Performed by Vicky Ahuja, the 60-minute solo act revisits the emotional and political turbulence of India’s Partition in 1947. Through a layered narrative, the performance explores themes of fear, prejudice, and human connection during a time when communities were deeply divided.

A symbolic encounter at the core

At the centre of Sardaar Ji is a tense encounter between a Muslim man living in a Hindu-majority locality and a Sikh adversary. As both characters await a defining moment in history, the narrative unfolds as a reflection on harmony, brotherhood, and peace amid escalating distrust.

Themes that resonate in contemporary times

Written nearly 75 years ago, the story continues to address concerns around communalism, rumour-driven conflict, and the concept of “otherisation.” The performance positions itself as a reminder to question ingrained biases and to reflect on shared humanity.

About the writer Khwaja Ahmad Abbas

Khwaja Ahmad Abbas was a prolific writer, filmmaker, and journalist whose work spanned literature and cinema. A recipient of the Padma Shri, he contributed extensively to Indian parallel cinema and is known for films such as Dharti Ke Lal (1946) and Neecha Nagar (1946), the latter winning the Palme d’Or at the first Cannes Film Festival. Abbas also wrote several films for Raj Kapoor, including Awaara (1951) and Shree 420 (1955), and authored numerous books and journalistic pieces.

About the performer Vicky Ahuja

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Vicky Ahuja, associated with Jashn-e-Qalam since its inception, has performed literary adaptations of works by writers such as Premchand and Harishankar Parsai. With a background in theatre in Delhi and Mumbai, he has appeared in over 25 plays and worked with directors including Robin Das and Makarand Deshpande. His film credits include Firaaq and Veer-Zaara, alongside television appearances.

Event highlights

  • Solo storytelling performance based on a classic literary text
  • Exploration of Partition-era narratives and human relationships
  • Adaptation of a short story by Khwaja Ahmad Abbas
  • Performance duration of approximately 60 minutes

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Venue and visitor information

Event Details
Title Sardaar Ji by JASHN-e-QALAM at NGMA, Delhi
Artist Vicky Ahuja
Writer Khwaja Ahmad Abbas
Venue National Gallery of Modern Art (NGMA), New Delhi
City New Delhi
Opening Date 28 March 2026
Time 6:30 PM
Duration 60 minutes
Organiser The Gujral Foundation

The event will be hosted at the National Gallery of Modern Art in New Delhi, a key cultural institution known for showcasing modern and contemporary Indian art. Entry details have not been specified, and attendees are advised to check official channels of The Gujral Foundation for updates.

Organiser and cultural context

The Gujral Foundation has been actively involved in promoting contemporary art and cultural dialogue in India. Its programming often brings together literature, performance, and visual arts, creating platforms for interdisciplinary engagement.

Conclusion

Sardaar Ji brings together literature and performance to revisit a defining moment in Indian history. By foregrounding themes of empathy and coexistence, the production offers audiences an opportunity to reflect on both the past and its continuing relevance in present-day society.

Mardaani 3 Review, Cast, Box Office Collection and OTT Release – Everything You Need to Know

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Rani Mukerji is back as the no-nonsense cop Shivani Shivaji Roy. Mardaani 3, the third installment in Yash Raj Films’ acclaimed female-led franchise, released in cinemas on January 30, 2026, and has since made its way to Netflix for audiences who missed the theatrical run. Directed by Abhiraj Minawala and produced by Aditya Chopra, the Hindi-language action thriller picks up the legacy of one of Bollywood’s most celebrated crime drama series and brings a darker, more unsettling chapter to the screen.

About Mardaani 3

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Yash Raj Films officially announced the project on 13 December 2024, with Rani Mukerji confirmed to reprise her role as Shivani Shivaji Roy. Abhiraj Minawala was roped in to direct the film, replacing Gopi Puthran, the writer and director of Mardaani 2.

The story revolves around the mysterious disappearance of 93 young girls, aged between eight and ten, over a span of three months. As Shivani begins her investigation, she uncovers a horrifying nexus involving a beggar mafia and an illegal medical operation.

Mallika Prasad was cast as the antagonist, becoming the first female villain in the franchise. Janki Bodiwala was cast in a pivotal role. Principal photography began in March 2025 and concluded in November 2025. Filming took place primarily in Delhi and Mumbai, with additional scenes shot in Haryana, Noida, Pondicherry, and Colombo.

The script was written by Aayush Gupta, fresh off the international success of Netflix’s “The Railway Men.” The music was composed by Sarthak Kalyani, with cinematography by Artur Żurawski.

“Mardaani” stands as Hindi cinema’s most successful solo female-led franchise, earning both commercial success and critical acclaim over its decade-long run.

Artists Role / Character
Rani Mukerji SSP Shivani Shivaji Roy – Lead Actress
Mallika Prasad Amma (Antagonist) – Lead Actress / Villain
Janki Bodiwala Pivotal Role – Supporting Actress
Mikhail Yawalkar Supporting Role – Supporting Actor
Jisshu Sengupta Supporting Role – Supporting Actor
Jimpa Sangpo Bhutia Supporting Role – Supporting Actor

Mardaani 3 Review & Rating

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Mardaani 3 drew a range of responses from critics, with most acknowledging the strength of its lead performance even when divided on the film’s script and second-half execution.

Bollywood Hungama – 3.5/5: A critic from Bollywood Hungama described the film as a powerful, intense, and hard-hitting thriller that stays true to the soul of the franchise, highlighting Mukerji’s performance, the direction, screenplay, and background score — while criticising the twists in the second half. (Source: bollywoodhungama.com)

NDTV – 3.5/5: Saibal Chatterjee of NDTV praised Rani Mukerji’s performance as a power-packed, unblemished star turn that should rank among the finest of her 30-year acting career. (Source: ndtv.com)

The Indian Express – 2/5: Shubhra Gupta of The Indian Express felt that Rani Mukerji could not do much with the degree of over-writing and predictable plot-points in the film. (Source: indianexpress.com)

Times of India – 3.5/5: Dhaval Roy of The Times of India wrote that while Mardaani 3 isn’t without flaws, it still holds as a solid franchise outing anchored by Rani Mukerji’s performance. (Source: timesofindia.com)

Firstpost – 4/5: Lachmi Deb Roy of Firstpost praised the performances of both Rani Mukerji and Mallika Prasad. (Source: firstpost.com)

On the review aggregator Rotten Tomatoes, 60% of 10 critics’ reviews are positive, with an average rating of 6.4/10. On IMDB, the film holds a user rating of 7.5/10.

Mardaani 3 Box Office Collection

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According to reports, Mardaani 3 was made with a budget of ₹60 crore. Overall, Mardaani 3 collected ₹78.73 crore at the worldwide box office. In India, it collected ₹52.99 crore net (₹64.7 crore gross), and in overseas markets it grossed ₹14.03 crore.

Despite almost a 50-day-long run in India and competition from Border 2, O’Romeo, and other releases, the film could only recover 88% of its total investment, concluding its domestic journey with a deficit of around ₹7 crore.

That said, Mardaani 3 has successfully surpassed the collections of the original film in the franchise. While the first Mardaani (2014) concluded with an India Net of ₹35.65 crore and a worldwide gross of ₹59.30 crore, Mardaani 3 outperformed it by earning ₹50.78 crore Net in India and reaching a worldwide gross of ₹75.10 crore making it the highest-grossing entry in the franchise.

Mardaani 3 OTT Release

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After its theatrical run, Mardaani 3 arrived on OTT platform Netflix on March 27, 2026. Following the widely adopted eight-week theatrical-to-digital window, the film transitioned to OTT after its release in cinemas on January 30, 2026.

Aspects Details
Theatrical Release Date January 30, 2026
OTT Release Date March 27, 2026
OTT Platform Netflix
Watch Link netflix.com/in/title/mardaani-3
Production House Yash Raj Films
Language Hindi
Genre Action Thriller / Crime Drama
Runtime Approx. 140 minutes
Budget ₹60 crore
India Net Collection (Lifetime) ₹52.99 crore
Worldwide Gross (Lifetime) ₹77–78 crore (approx.)
IMDB Rating 7.5/10
Rotten Tomatoes 60% (6.4/10 avg.)

Key Highlights

Mardaani-3-Key Highlights

  • Franchise record: Mardaani 3 became the highest-grossing film in the entire Mardaani franchise, surpassing both its predecessors.
  • First female villain: Mallika Prasad was cast as the antagonist, becoming the first female villain in the franchise.
  • Rani Mukerji’s performance: Multiple critics singled out her portrayal of SSP Shivani Shivaji Roy as among the best of her career.
  • Grittier direction: Abhiraj Minawala brings a grittier, more procedural tone to the franchise, with storytelling that leans heavily into realism.
  • Socially relevant theme: The film tackles child trafficking and illegal medical operations, making it one of the most socially pointed entries in the series.

Now on Netflix: Available globally from March 27, 2026, making it accessible to a much wider audience beyond its theatrical reach.

Takeaway

Mardaani 3 arrives as a competent, if uneven, addition to one of Hindi cinema’s most consistent franchises. Rani Mukerji’s commanding screen presence remains the film’s greatest asset, and Mallika Prasad’s turn as the first female villain in the series adds a fresh dynamic to the franchise formula. While critics were divided on the script’s execution particularly in the second half most agreed that the film delivers on its core promise: a gripping crime thriller rooted in real social concerns.

With a worldwide box office gross of approximately ₹77 crore, the Mardaani 3 box office collection makes it the highest-earning film in the franchise, though it narrowly fell short of recovering its ₹60 crore production budget theatrically. Now streaming on Netflix, the film is poised to find a significantly larger audience beyond its cinematic run. For fans of the Mardaani series, female-led Indian crime dramas, and socially conscious thrillers, it remains a worthwhile watch.

Top Jewellery Trends Featuring Charms for Bracelets

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The trends in jewellery keep on changing with the incorporation of personal expression in the styling. Accessories have become not just selected to appear attractive but also to have a meaning. Charms for bracelet designs have attracted interest in this regard as they are said to be both stylish and also unique.

These minor, but significant, components give the wearers an opportunity to create jewellery based on personal experiences, likes and accomplishments. Due to the changing trends of more personalised jewellery, charm-based jewellery is gaining prominence in the current jewellery collections.

1. Personalised Storytelling Through Jewellery

Personalised-Storytelling-Through-Jewellery

Among the most apparent trends is the use of jewellery to narrate stories about various individuals. The charms for bracelet mark a memory, symbol or even emotional mark. This will make an out-of-nothing accessory something meaningful and distinctive. The bracelet becomes more of a large bundle of experience over time as opposed to merely a piece of jewellery.

2. Discovering New Ways to Curate Charm Combinations

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When individuals are seeking various jewellery alternatives, they start to observe how charms for bracelet can be mixed in innovative patterns in order to create an integrated design. Attentive spacing of shapes, textures and subjects are used to assist in producing harmony. The fashion allows experimentation and at the same time keeps the style elegant. It also enables people to make jewellery that can be described as belonging to them.

3. Mixing Materials for a Contemporary Look

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Contemporary designs tend to entail the use of contrasting materials to allow the visual contrast. The innovative use of metal finishes, enamel elements, and minor decorations is also being combined. Charms for bracelet that are painted on bracelet and have mixed material make it interesting when worn with care. Such a stratification renders the bracelet to be more dynamic and interesting to the eye.

4. Minimal Charm Arrangements

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Even though most people insist on advanced designs, minimal charm arrangements are gaining popularity. Rather than numerous pieces, there are only covering items well selected to make it clean and refined. This method has charms for bracelet and gives every charm a unique appearance. It also makes sure that the bracelet is not too fancy but convenient to use.

5. Theme-Based Jewellery Styling

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The other emanating trend is the theme jewellery, which revolves around certain things like traveling, nature, or individual milestones. The choice of charms  for bracelet corresponding to a theme makes the design more unified and striking. This means that the bracelet can depict an evident conception or narrative. It is also a feature of the total styling.

6. The changing Jewellery Which Grows With Time

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Jewellery which is charm-based is special since it allows no design fixation. New additions are capable of being added as the experiences and preferences evolve. The charm for bracelet will over time help change the bracelet into an item that is changed as well as the wearer. Such a continuous procedure contributes to the fact that the jewellery will seem more personal and permanent.

A Trend That Celebrates Individual Expression

The jewellery tends to be more of a fashion towards designs that embrace individuality and literally have a personal meaning in the design. Naturally, accessories that provide customisation opportunities will be identified as more distinctive since they resonate with the wearer.

The jewellery made with charm pieces reflects this change with a creative and emotional value. It enables every individual to make something special and the jewellery becomes not only fashionable but meaningful to an individual.

Dhurandhar 2 OTT Release Date, Streaming Platform, Box Office Records and Review Roundup

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Aditya Dhar’s Dhurandhar: The Revenge opened in cinemas across India and worldwide on March 19, 2026, arriving on the triple festive occasion of Gudi Padwa, Ugadi, and Eid al-Fitr. The Hindi spy action-thriller serves as the concluding chapter of the Dhurandhar duology, a two-part espionage saga that Dhar shot back-to-back with Ranveer Singh in the lead role. As the film continues its strong theatrical run, a growing number of viewers are looking ahead to its digital release.

Here is a complete breakdown of everything known so far from the OTT platform and expected streaming date to box office figures, cast details, and critical reviews.

About the Film

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Dhurandhar: The Revenge picks up directly from the events of the first film, released in December 2025. The story follows Jaskirat Singh Rangi, who operates under the alias Hamza Ali Mazari, as he goes deeper into Karachi’s criminal underworld. Embedded within a terror network targeting India, he assumes the identity of a powerful crime figure while simultaneously working to dismantle the operation from within. As his double life grows increasingly dangerous, he must navigate betrayal, psychological strain, and a final reckoning with the forces behind the 26/11 attacks.

The film’s narrative draws loosely from several real geopolitical events in South Asia, including Operation Lyari, the 2014 Indian general election, and the 2016 demonetisation. Both parts of the duology were shot together between July 2024 and October 2025, primarily across Punjab, Chandigarh, Maharashtra, Ladakh, Himachal Pradesh, and Bangkok, Thailand. Additional photography for the second part extended into early 2026.

The film was certified A (Adults Only) by the Central Board of Film Certification due to its intense violence, with a final runtime of 229 minutes for Indian screenings. International prints ran slightly longer, at approximately 235 minutes. Music was composed by Shashwat Sachdev, with lyrics by Irshad Kamil and Kumaar. The soundtrack was distributed by T-Series.

OTT Release: Platform and Expected Date

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After its theatrical run, Dhurandhar: The Revenge will stream exclusively on JioHotstar, a shift from the first film, which was available on Netflix. JioHotstar acquired the digital rights for a reported ₹150 crore, nearly double the ₹85 crore paid for the original film’s streaming rights.

No official OTT premiere date has been announced as of March 25, 2026. However, given the standard 45-to-60-day theatrical window followed by major Bollywood productions, the digital release is broadly anticipated sometime between late May and the second week of June 2026. Some industry sources have pointed to May 22 as a possible date, though this remains unconfirmed.

Given the film’s exceptional box office performance in its opening week, the makers may extend the theatrical run before committing to an OTT launch. Fans who want to watch both films digitally will now need subscriptions to two different platforms Netflix for the first part and JioHotstar for the sequel.

Release and OTT Details Information
Theatrical Release Date March 19, 2026
Languages Available Hindi, Telugu, Tamil, Malayalam, Kannada
Certification A (Adults Only) — CBFC
Runtime (India) 229 minutes (~3 hrs 49 min)
Production Houses Jio Studios, B62 Studios
OTT Platform JioHotstar
OTT Deal Value ₹150 crore (reported)
Expected OTT Release Late May–June 2026 (unconfirmed)
Satellite Premiere Star Gold (post-OTT window)
First Part Streaming Netflix
Official Streaming Link jiohotstar.com

Note: The television premiere, once the OTT window concludes, is expected on Star Gold.

Box Office Performance

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Dhurandhar: The Revenge has set several records since its release:

  • Day 0 (Paid Previews, March 18): ₹43 crore
  • Day 1 (Opening Day, March 19): ₹102.55 crore, the highest ever for a Hindi-language film
  • Day 2 (March 20): ₹80.72 crore
  • Day 3 (March 21): ₹113 crore
  • Day 4 (March 22): ₹114.85 crore
  • Day 5 (March 23): ₹65 crore, setting the record for the largest non-holiday Monday collection in Hindi cinema history at ₹60 crore (Hindi only)

The film’s five-day cumulative domestic net collection stood at approximately ₹519 crore, with a worldwide gross of around ₹844 crore including overseas earnings of ₹225 crore.

Globally, the film grossed approximately $82 million (₹761 crore) in its opening weekend across all territories, the highest-ever opening for a Hindi-language film worldwide. In North America, it collected $14 million over five days, surpassing the previous Bollywood record held by Pathaan. In the United Kingdom and Ireland, the film debuted at number two in the overall chart with approximately $2.8 million in its opening weekend.

The sequel benefited from a clear solo release after its potential competition, Toxic: A Fairytale for Grown-Ups starring Yash, was pushed to June 2026.

Critical Reception

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Reviews have been broadly positive, with near-unanimous praise for Ranveer Singh’s central performance. Some critics raised reservations about the film’s political framing and its extended runtime.

Hindustan Times: 4/5 – The review described the film as a thriller that might not possess the same precision as its predecessor, but credited Ranveer Singh’s commanding screen presence and a gripping second half for carrying the experience.

123telugu.com: 3.75/5 – The publication praised director Aditya Dhar for elevating the franchise to a new standard, calling Ranveer Singh’s work one of the most memorable performances in recent Indian cinema and noting strong contributions from Arjun Rampal.

Bollywood Hungama: 4.5/5 – The review concluded that the film justifies the enormous expectations built up by its predecessor, describing it as a lengthy but consistently engaging watch, and hailing Ranveer Singh’s portrayal as possibly the finest of his career.

GreatAndhra: 3.5/5 – The review acknowledged a slow opening stretch and the challenge of sustaining audience attention across a nearly four-hour runtime, but noted that the film finds its rhythm from the second chapter onward and delivers considerable patriotic fervour.

The Telegraph (India) – A more critical appraisal, noting that the sequel amplifies the first film’s tendencies toward graphic content and political messaging, while lacking some of the storytelling finesse of the original.

The Independent (UK) – The review reflected a divided critical response, observing that the film functions effectively as an immersive patriotic thriller for many audiences while raising questions for others about the line between dramatised history and nationalist narrative.

IMDb User Rating: 8.6/10 – (based on approximately 13,000 early user votes, subject to change)

The film was also notably banned in several Gulf Cooperation Council countries, following a similar restriction imposed on the first instalment.

Key Highlights

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  • Record-breaking opening weekend: ₹761 crore worldwide in five days, the highest-ever for a Hindi-language film globally
  • Ranveer Singh’s acclaimed performance: widely considered among the best of his career by multiple reviewers
  • Major OTT platform shift: from Netflix (Part 1) to JioHotstar (Part 2), with a ₹150 crore streaming deal
  • Nearly four-hour runtime: one of the longest mainstream Hindi films ever released theatrically
  • Strong North American debut: $14 million in five days, breaking Bollywood’s previous North American record set by Pathaan
  • Banned in GCC countries: following a similar restriction on the first instalment
  • Dual language requirement for digital viewers: Netflix for Part 1, JioHotstar for Part 2
  • Inspired by real events: storyline draws from Operation Lyari, the 2016 demonetisation, and other documented geopolitical episodes
  • Music highlight: features a remix of the 2003 Bombay Rockers track “Aari Aari” and an original track by Jasmine Sandlas

Takeaway

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Dhurandhar: The Revenge has delivered one of the strongest theatrical performances in Indian cinema history, completing Aditya Dhar’s two-part spy narrative on a large and commercially formidable scale. Critical reception has been positive overall, with Ranveer Singh’s performance receiving particular recognition, though the film’s ambitious runtime and political content have drawn varying responses from reviewers and audiences alike.

For viewers who caught the first film on Netflix, the shift to JioHotstar for the sequel marks a notable change in how to follow the franchise digitally. The OTT release expected sometime between late May and June 2026, pending official confirmation, will make both parts of the duology accessible to home audiences across India and internationally. Until then, the film continues its theatrical run across multiple languages and geographies.

Article written as of March 25, 2026. OTT release date and box office figures are subject to change. Readers are advised to check the official JioHotstar platform for confirmed streaming announcements.