Handicrafts from Gujarat with Strong-rooted Traditional Essence

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Handicrafts-from-Gujarat
Photo by Aaditya Bhatt on Unsplash

Unlike many other countries, India does not have a single language or culture. Each state and region has its own traditions and cultural aspects. All of these together make up the bustling heritage and way of life that is distinctly local, yet a part of the larger mosaic of the Indian landscape.

Gujarat is located on the western coast of India. When one thinks of Gujarat several myriad images of the land are conjured. Gujarat means coastlines and forests. It is also about fun and food-loving people, dandiya and Garba dances, festivals and folklore. However, Gujarat also means a hub of skilled handicrafts and artisans. The artistry of the state is world-renowned and home to some magnificent forms and techniques of embroidery, prints, paints, and woodwork. 

Why Handicrafts from Gujarat are Special?

Handicrafts-from-Gujarat-are-Special
Photo by Hari Nandakumar on Unsplash

The region of Kutch, which is a district of Gujarat, shines a glittering example of some of the best handicrafts of the country. Yet, the true essence of the artists lies in their simplicity. Entire villages are usually attuned to a particular skill that has been passed down from one generation to another. One can very often find the women of the villages seated casually outside engrossed in their embroidery or the men working away at washing or dyeing the fabrics. Thus, handicraft is a way of life, and often the execution of their skill is a humble habit of practice rather than an arrogance of mastery.  

Several handicrafts from Gujarat are special due to their uniqueness and vibrancy. Usually, communities who hold the skill, knowledge, and practice of their art form through generations create the specific handicrafts. Let us take a look at some of the most well-known handicrafts of Gujarat and the communities and regions that practice them. 

Bandhini – Tie and Dye Art

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Image – Andrea Kirkby via Flickr

Also known as the Tie and Dye or Bandhej handicraft, the Bandhini is colourful, vivid, and absolutely stunning. Bandhini came to Gujarat in the 12th century. The Khatri community has been practising this handicraft for generations which have become popular across the globe today. The method involves tying the cloth tightly over small dots and then dyeing the material. After dyeing the knots are opened imparting on the fabric a stark difference in design and colour. The bright hues of the Bandhini and its unique patterns and designs make it a loved handicraft. Bandhini creates magic on various garments, including the saree and dupattas. Some of the different patterns include Gharcholu, Chokidal, and Kambaliya. Some of the best Bandhini garments and patterns are found in Jamnagar, Bhuj, and Mandvi. 

Batik – Block Painting Art

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Image Courtesy – Nazariya.in

Batik is a form of block painting art. Usually done using hand blocks the designs from the blocks are printed on the fabric with detailing and care. Again practised by the Khatri community Batik was extremely popular during the 16th century and was exported to Indonesia etc. Initially, the blocks were dipped in piloo seed oil and later wax was used for printing. However, today chemicals have overtaken natural paints and dyes. Batik is the most popular in Bhujpur, Mandvi and Mundra. 

Ajrakh – A Form of Block Printing

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Image – Wikimedia

Ajrakh is also a form of block printing. It comes from the word ‘azrakh’ which means indigo. This block printing form traditionally used the blue colour from the indigo plant. Also, the designs of the Ajrakh can be traced to the Islamic architecture designs and Jaali works. One of the traditional wears worn, especially during Eid, the Ajrakh involves a sixteen step method. There is washing, dyeing followed by printing and drying. The drying process also is slightly prolonged because the colours used are fast. Ajrakh is most famous in Ajrakhpur and Dhamadka in Kutch. 

Weaving Arts of Gujarat

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Tangaliya weaving

The Maheswari and Marwada community is usually into the weaving business in Gujarat. Kachchhi weaving is a popular weaving art of the region and forms socio-economic connections with other communities of the state. For example, the Rabari community supplied the cotton or yarn for weaving, whereas the Ahirs or agriculturists grew the cotton in the first place. This is also a reason why the communities who wore them the most inspire the designs of Kachchhi weaving. Hence the designs include animal footprints or musical instruments. After the industrialization wave in the 60’s many weavers stopped weaving to look for alternate employment sources. However, in Bhujodi a cooperative was formed that kept the weaving community alive. Similarly, Tangaliya work specializes in weaving shawls and dress materials. The Dangassia community in Surendranagar is the hub of tangaliya weaving work. Some of the other weaving types include camel weaving, Mashru weaving, Kharad weaving, etc. The Patola is a woven sari of Gujarat and is one of the most popular and splendid forms of hand-woven fabrics.

Rogan Painting

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Image Source

The Khatri community practices this fantastic and intricate art form. Also known as Rogan Printing this art form first originated in Iran but is popular, and confined to Gujarat. The technique of painting is very detailed and requires mastery and practice. Castor oil along with natural colours from flowers and vegetables is used to paint the fabric using a special brush. First, a small amount of the castor oil is put in the palm of the artist who twists its images and motifs using the special brush or metal rod. This design is then folded into the fabric creating a mirror image. The Nirona village in Bhuj today is the main epicentre for Rogan paintings. 

Embroidery Art of Gujarat

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Rabari Girl with Traditional Rabari Embroidery Dress by Takuya via Flickr

Primarily a women’s forte, the embroidery handicrafts of Gujarat are mesmerizing, to say the least. Several communities practice different types of embroideries, and each of them adds a distinct characteristic to their art. One of the most famous is the Rabari embroidery made by the Lohanan community. Their embroidery centres on events, occasions, etc. Rabari embroidery uses mirror work giving it a magical and mystical quality. Some of the other types of embroideries are named after the communities that practice them, including Jat, Ahirs, Soof, etc. One of the most notable embroideries is, of course, zari work. Surat is a large producer of zari garments including laces, cords etc.

Pottery of Gujarat

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Image Source

Potters of Gujarat work in close tandem with the other handicrafts of Gujarat. Their earthen wares make for social and household uses. The pottery work is also associated with natural elements, such as clay, stones, leaves etc. The Khavda pottery is one of the famous types of pottery of the state. Besides earthen utility items, the clay and terracotta figures and toys are also well-known handicrafts of Gujarat. Chhota Udaipur is famous for terracotta works. 

Leather handicraft of Gujarat

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Image – Itokri

The Meghwal community has mastered the leather works in the state. Earlier the leather industry catered to making shields, saddles, etc. However, modern-day items include bags, various kinds of beautiful footwear, cushion covers, etc. Kachchhi leather is known for its durability and its ability to hold water. Khavda is most famous for leather handicraft in Gujarat. 

Wood carvings of Gujarat

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Lacquered Wood Crafts – Image Source

Closely related to the woodwork of Rajasthan and Thar Desert, the wood carvings of Gujarat are detailed and exquisite. The Raos or kings of Kutch patronized wood carvings in the area. Sandal wood craft is famous in Surat, whereas, Rajkot and Sankheda are famous for furniture making. Bhavnagar, Pethpur are some other destinations where splendid woodwork items can be found. The woodwork handicrafts include plaques, chests, furniture and other household items. Besides normal woodwork, the lacquered wood craft is a very niche handicraft of Gujarat. Practiced by the Vadha community, lac is the raw material from insect resin. The colored lacquer applied on wood creates various patterns and designs. 

Beadwork of Gujarat

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Beadwork – Image Source

A specialty of Gujarat, beadwork is a unique handicraft. Created usually by the tribal community of Vadodra, Dahod, and Panchmahal bead work enhances and brings a different fervor to the fabrics or base materials on which it is used. Also known as moti bharat, the beadwork is usually found on jewelry, artifacts, accessories, decorative items, etc. Bead work of Rajkot, Khambat, Amreli, Saurashtra, Junagadh is also popular. 

Kutch Utsav

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Image – Pixabay

Gujarat and especially the Kutch region have a rich repository of various handicrafts. One of the best ways to discover the myriad forms of Gujarat handicrafts is to visit the Kutch Utsav. Popularly known as Rann Utsav the event is a yearly festival. A three-month celebration held on the edge of the Rann of Kutch is a wonderful platform for the local artisans to showcase and sell their products and handicrafts. With various cultural programs it is the handicrafts from the region that are the main attraction of this event. Villagers and local artisans from across the state and region make way to the Utsav which becomes a hub of high and vivid energy and cultural exuberance.

Handicrafts-from-Gujarat in Kurtch
Kutch, Gujarat – Saurabh Chatterjee via Flickr

The Rann Utsav has become a leading tourist highlight with travelers from not only the country but also the world making their way to absorb the rustic and skilled local flavors of the regions. 

The handicrafts of Gujarat hold a special place for their variety and strong-rooted traditional essence. We can only hope that with efforts by various NGOs and the government they continue the legacy of yesteryears and take forward the handicrafts for the next many generations to come.

Indian Agriculture – Not just an Economy, But a Culture

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Indian-Agriculture
Image – Kannan via Flickr

‘Jai Jawan, Jai Kisan’ – The slogan by Lal Bahadur Shastri is as much a relevant cry as it was years ago when it stirred the ‘jawans’ at the border to fight off the Pakistani attack and the ‘kisan’ at home to increase the production of food grains. Today of course, our sovereignty is not under attack from any other country, but our farmers are fighting for their rights. Where on one hand, the government insists that the new agriculture laws are for the overall benefit of the sector, the farmers themselves are not convinced. And for days, the nation, especially the capital, has been witness to farmers who have taken to the streets in a peaceful way to protest against these agricultural laws. I am no agriculturist or economists and the facts and details of the bills may seem a bit overwhelming for those who don’t understand how the economy and marketing of the agricultural produces work. But what most of us do understand is that if laws do not make happy or sense to those for whom they are made, then they need to be reviewed and revised. And when farmers themselves are strongly opposing the bills, is another point of view really required?

The Happenings of Today – Now

Indian farmers Protest
Image – Randeep Maddoke via Wikimedia

The proposed new agricultural reforms, are namely the Farmer’s Produce Trade and Commerce (Promotion and Facilitation) Act, Farmers (Empowerment and Protection) Agreement on Price Assurance and Farm Services Act and the Essential Commodities (Amendment) Act. These acts address a number of points but without getting into too many technical explanations the basic and few points of contention are the increased role of the corporates and the concern around MSP or the minimum support price. The government believes that the acts are in fact, means of empowerment and upliftment for the farmer. The farmers obviously think otherwise. The experts are divided, though some agree that the outline and idea of the laws are sensible, however, there are several loopholes and revisions that need to be considered. This debate has been raging for several days, with the country experiencing a stiff protest from its very grass root brethren. The farmers are refusing to comply and the emotions across the country are flying high. And though this essentially is an issue of the farmer, the lines are blurred between rural and urban India. 

The History of Agriculture

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Image – A.Davey via Flickr

India has always been regarded as an agricultural nation. The agrarian society has made its place in our economy, culture and traditional values as well. Looking back, agriculture was a way of life even before the Indus Valley Civilization. Wheat and barley were grown during the Neolithic revolution and irrigation came about in full swing during the Indus Valley Civilization. Agriculture flourished along all ages through the Iron Age and Early and Middle Ages. A variety of crops were grown and India became to be best known for its spices. Trade grew with spices taking center stage and continued through the Mughal Era. The techniques and skill of Indian farmers was advanced and probably one of the best in the world. The peasants adapted to newer crops, such as mulberry, coffee, tobacco, tea over the years and grew new species of different fruits ranging from papaya, pineapple and mangoes. India before British colonization had one of the highest per capita agricultural output and food prices were low. 

Under the British cash crops such cotton, opium, indigo, rice and wheat were regularly exported. The global market was open for Indian agricultural produces but the glitches in the armor became more and more visible. Agriculture trade happened even before the British came but after colonization the shift in commercializing agriculture was exceedingly prominent. The divide between the rich and poor peasants increased drastically with zamindars and landlords taking a lot of control. Overall, the state of agriculture affairs deteriorated and became messy, complicated and complex.

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Image – Kannan via Flickr

Post-independence a lot of changes were implemented to better the state and economy of agriculture. Of course, the zamindari system was abolished and various other reforms were drafted. The Green Revolution brought about considerable changes in the industry however, the agriculture sector never again seemed to find its glory of the distant past. Problems continued in spite of the many reforms, which looked sensible on paper but never were fully executed or returned results as thought. The workforce employed in agriculture began to fall, with poor and landless farmers migrating or finding alternate employment opportunities. Those households that remained were recorded to have the ‘highest incident of poverty’ in the country from 1993-2000. Farmer suicides grabbed headlines and largely remained so. And hence the Indian farmer who has long been the pillar and support of this nation, unfortunately found his social status never exalted to a stage that merited respect and dignity. For years the farmer has suffered and the urban classes have read and re-read stories of their miseries, whether it be farmer suicides, droughts, floods, hording or debts. 

Yet, India continues to be a leading producer in various agricultural outputs, such as coconut, ginger, banana, turmeric, wheat, groundnut, fruits, vegetable etc. This paradox of production vis-a-vis true empowerment of all farmers remains to be a case of complexity, intertwined with years of subjugation, policies, reforms, industrialization etc. The solutions are not simple, simply because the problems are so varied and spread right across all boards. But the Indian farmer and the spirit of agriculture or farming refuse to fade away from the collective imagination of a nation whose traditions and culture is deeply rooted in its villages and farms.

Cultural Influences of Farming

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Image – USAID U.S. Agency via Flickr

Agriculture has been the strongest and the foundational culture of India. Yes, once upon a time more than eighty percent of the population was involved in agriculture and that number has fallen to just about 50% today. However, farming and agriculture has always moved beyond being mere means to livelihood. It has became the essence of cultural existence. From the ‘khet’ and ‘khalyans’ rose the true spirit of a nation that found in it, its most simple and basic ways of living. From festivals being celebrated according to the farming calendar and the monsoon cycle to weddings and marriages in families, agriculture has played a huge role on it all. It has lent its influence in shaping the traditional arts, including those that were drawn on walls and floors of homes. Artistic expressions in its various forms be in painting, dances or also movie making have found a sound stronghold in lush green fields. It has played its part in story-telling, in keeping joint families together, in sharing workload or in animal and wildlife care. The role and empowerment of women in villages largely revolves around agriculture and so do various religious and spiritual impacts. Agriculture and farming has never been only about the finances or the economy. It has its looming presence in social and cultural aspects of villages. In short, it forms the very structure of the nation. 

The Science and Economics of Farming

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Image – sudiptorana via Flickr

In spite of its very strong social and culture impact, the economics of agriculture cannot be ignored. Neither can its study and scientific tenor. Fertilizers, pesticides, insecticides, artificial seeds or the introduction of new species etc. are all scientific studies. There is reason and understanding and a process and method in agriculture. And hence, though it is often relegated a position lower than industrialization, it ideally isn’t. The farmer, if educated and guided in the right way, can with the acumen of his craft create a system that is beneficial for all, including the environment, his finances and the overall development of the economy. But the economics of the agricultural sector have been heavily intertwined with the social stratification as well. Class and caste have played a role in the financial dynamics of the sector too and hence the gap between rich and poor peasants has been stark since long. Even today, as the debate around the three new agricultural reforms or acts brews up intent and emotions, the underlining crux remains the same. These policies yet again will marginalize the already marginalized farmer further. The feasibility or impact of these might be making sense on paper, but the realities on ground hardly match those. And this perhaps, is a fact that is well known and understood by all. Furthered by the multitudes of other elements, such as the mandi system, middle men, corporates, hoarding, MSP the matters have only become a complicated conundrum. Yes, it can all be explained, yet, with the farmers protesting over them, it’s hard to look at it any other way.

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Image – Kannan via Flickr

Finally, all I can say is that agriculture is the heart of this country. Its farmers and their toil is the reason why we not only are able to feed such a huge population but also export food and products. Commercialization or industrialization if implemented with a will to genuinely improve the lives of all, usually bears fruit. But when the stakes are too high, where the emotional and cultural integration so deep seated, then an equal opportunity of dialogue first, implementation later must be employed. Yes, we need reforms, but not at the cost of not listening to those for whom the reforms are supposedly beneficial and made in the first place. The farmer knows better, for once let’s not decide for him.

Kantha Embroidery: An Ornate Craft of Utility

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Kantha-Embroidery
Image – Rup Handicraft

The artform of Kantha embroidery originated in the pre-Vedic period. This ancient practice involves the stitching of patchwork cloth from rags or discarded clothes. The women of the pre-Partition region of rural Bengal further propagated this craft. Kantha became repositories for memories and well wishes that were weaved onto them. The illiterate women thus found in this generational skill, a way to leave a lasting impression of their artistry.

Although not monetized into a profession back in the days, Kantha stitching was indulged in by most women regardless of class and has been passed on from one generation to another. The word ”Kantha” refers to the running style of a stitch as well as the finished product of patched up cloth. The craft of Kantha stitch is practiced today by numerous South Asian women. However, traditional techniques involving layering are not widespread anymore. The modern industry of Kantha is generally known as a set of embroidery techniques.

The History of Kantha Embroidery

Kantha-Embroidery
Image – Itokri

Tracing its history back to the earliest written record, this practice dates back to more than 500 years ago. The poet Krishnadas Kaviraj wrote in his book Sri Sri Chaitanya Charitamrita how Chaitanya’s mother sent a homemade Kantha to her son in Puri. Kantha had humble beginnings in the rural setting of Bengal and almost vanished in the early 19th century. As a part of the rural reconstruction program, the Kantha stitch was revived during the 1940s by Protima Devi.

The Partition of India in 1947 posed a giant hurdle for the Kantha craft. As the conflict between India and Eastern Pakistan (which is now Bangladesh) ensued, the commoners waded through the murkiest waters in the history of the country. Kantha began to experience its rebirth after the Bangladesh Liberation War in 1971. Finally, it was revived as a traditional craft of esteemed heritage and developed into the contemporary industry.

How was Kantha Made

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Image – Faizul Latif Chowdhury via Wikimedia

The labor-intensive textile of Kantha is influenced by several factors, including climate, geography, economy, and material availability. The traditional method involved stitching together old clothes, like cotton sarees, dhotis, and lungis, which had become incredibly soft due to continuous wear. The thread for the Kantha stitch was drawn from the fabric itself, and the design was then embellished. The Kantha, thus, is a brilliant craft engaging with resourcefulness and recycling.

Layering five to seven fabrics together, the lighter coloured clothes were generally used as the outermost fabric to ensure better visibility of the stitch and pattern.

The chosen pieces of layering fabrics were first cut in desired shapes and sizes. Then, they were spread out and ironed. In the beginning, they were given loose stitches about the edges to hold the cloths together. After this, the finer, stronger Kantha stitches are made, starting from one corner and moving in parallel lines.

Kantha on cotton fabric is much easier than on the modern silk layers that many artisans resort to nowadays. The traditional preference of cotton ensures firmer and quicker embroidery as it doesn’t slip, unlike the silk fabrics.

Types of Kantha Stitch

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Image – Arti Sandhu via Flickr

Earlier, the women of most households in rural Bengal were skilled at Kantha. They devoted whatever time they could squeeze out from their daily responsibilities towards stitching the cloth pieces. It often took months or years to complete one Kantha. The craft was much valued and passed down through generations.

Usually, in modern times, ‘Kantha’ specifically refers to the type of stitch used. The earliest style of Kantha stitch is the basic, straight running stitch. ​​The modest embroideries allowed women to incorporate their imagination and beliefs. There were stories and characters of mythology, folklore, and religious themes embroidered into the fabric. The dreams and values of life that are subjective to the individual artisans also found their path into the designs.

Over time, the ‘Nakshi Kantha’ developed, which has fantastic intricate patterns. The name Nakshi comes from the Bengali word, “naksha”, referring to artistic designs. The motifs on Nakshi Kantha are influenced by religious and cultural themes and also derived from the daily lives of these women. There are no stringent rules of design for Nakshi Kantha. However, often a lotus was woven as a focal point, surrounded by birds, fish, plants and other elements of nature.

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Image – Pixabay

The district of Murshidabad, West Bengal, is home to over 1400 Kantha makers today. Most artisans emphasize on a specialized style of Kantha called Par Tola, embossed with fine geometric patterns. The stitching style of this Kantha is looping the threads on one side of the surface. Thus the reverse side remains simple with just the straight running stitch, while the beautiful patterns draw attention on the front side.

Other than the above mentioned forms, Kantha also has other categories based on the type of its stitch:

  • Lik or Anarasi Kantha: The word ‘Anarasi’ is derived from the name of the pineapple fruit called Anaras in Bengali. It is usually practiced in the Chapainawabganj and Jessore areas of northern Bangladesh and has several variations of form.
  • Lahori Kantha or ‘Wave’ Kantha: It is most popular in Rajshahi, Bangladesh. It has three primary forms of stitching: the simple straight stitch, the “kautar khupi”, meaning ‘pigeon coop’, or triangle stitch, and the “borfi” or diamond stitch.
  • Sujni Kantha: It is mainly found in the Rajshahi area of Bangladesh. A popular motif is floral or vine that is stitched in undulated patterns.
  • The Cross-stitch or carpet Kantha was introduced during the British Rule in India.

Kantha Embroidery Techniques

The technique used today in the modern Kantha industry incorporates a variety of stitches. These include darning stitch, loop stitch, satin stitch, and stem or split stitches. The ideal dotted look associated with Kantha is created when the long-running stitches are broken by short stitches on the reverse side.

The artisans decide the ornate patterns and then trace them onto a fabric panel. The design technique of ‘modelling’, for example, uses rows of parallel stitches that are tightly packed to emphasise a central embroidery. Areas of contrast are created by adjusting the density of stitches. While traditional Kantha is inspired by spiritual patterns, like the mandala or the lotus flower, contemporary designs are more symbolic and metaphorical.

Few of the distinct Kanthas sewn across Bengal and Bihar include small bags called ‘archilata kantha’, heavy quilts called ‘lep kantha’, and the decorative ‘sujani kantha’ used during religious ceremonies.

Use of Kantha

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Image – Itokri

In earlier times, Kantha embroidery served as an item for utilitarian purposes. Since it was a tradition of the women to pass it on to the next generation, they made Kantha over a long period. It was used by the entire family, and each household in Bengal had Kanthas for varying personal purposes. Other times, they were given as gifts during occasions, like weddings, from one woman to another.

Usually, Kantha doubled as a quilt for warmth during the mild winters and monsoon nights of Bengal. It was also used as a swaddle for babies. Expectant mothers stitched the quilt by themselves as it was believed to protect the baby and bring good fortune to the family. Kanthas would also be created in specific shapes to use them as satchels and purses. It was used as rugs on the floor and also as prayer mats and pillow covers.

Kantha of Today

Kantha embroidery has seen major commercialization during modern times. It is still used in several households in Bengal but has also found its glamourous way into the fashion trends. Today, shawls, pillow covers, dupattas, and even some home furnishings exhibit the Kantha embroidery.

Majority of the production is centered in the eastern region of India and also aimed for the export market. The Kantha industry has given the rural women of Bengal an important source of income and employment, but the artisans have yet not been released from the exploitation, as it is in every handicraft sector.

Tips Before You Rent A Motorbike In Goa

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Photo by Kundan Bana

Goa is an exciting area in India that is one of the top places to explore on vacation. The best way to explore this beautiful city, especially if you are on a budget, would hire a motorbike. Goa is well-known for its picturesque destinations, beaches, and nightlife, so it attracts so many visitors each year.

Apart from the beautiful scenery and beaches, the cuisine is also fantastic, with many restaurants to choose from. Cars and bikes are some of the best ways to discover this city, allowing you to explore at your leisure. Renting a bike in Goa will enable you to drive on all the main roads and highways, offering an easy way to explore and enjoy the entire city’s sights. 

If you have decided to hire a motorbike in Goa, here are a few tips to ensure your safety and to make the experience more enjoyable:

Make Sure You Have Driving Permit

Before you get a bike on rent in Goa, you must ensure that you have a national driver’s license (valid). The International Driving Permit (the 1949 version) is also a requirement before you can drive in India. It is also important to travel with the insurance documents and the RTO registration of the vehicle. You will be asked to produce these documents if the police stop you. 

A Helmet Is Must

When hiring a non-geared or geared scooter or motorcycle called a bike in Goa, you are also required to wear a crash helmet that is Goa Traffic Police approved before you will be allowed to ride on any of the highways in Goa. Road transport authorities and the police are extremely strict and particular when it comes to riders that don’t wear a helmet when riding on a highway. 

Follow The Traffic Rules

When you are riding your motorcycle, ride as far as you can to the left side. The right-hand and center of the road is dedicated to four-wheel vehicles and is usually used only for overtaking. You also need to be very careful before you turn left at any crossroad since any vehicle that is turning right, which includes buses and lorries, will most likely be on your path. 

Forget about everything that you know or were taught about overtaking abroad. When you ride on Goa’s roads, you will quickly notice how motorists will overtake on both the right and left. They also don’t signal that they are about to overtake, making for dangerous and unnerving situations. Simultaneously, motorists will also turn right or left without using the indicators on their vehicles. 

It is also essential that you know that there is a lot of hooting and honking that goes on while driving on Goan roads. It is the way motorists get the attention of pedestrians or other motorists. For this reason, we encourage that you honk as much as you can since this is used to encourage safety on the roads. It will also alert other drivers and pedestrians of your presence. 

Before you turn right or left on any of the roads in Goa, raise either your left or right arm, and point to the way you wish to turn. This step is suggested since motorists driving behind you might not notice the indicator on your bike (they are also not accustomed to looking for them either). You may feel silly or strange using your arm, but we feel it is far better to be safe than to be sorry. 

The brake lights on many of the vehicles in Goa are usually non-functional. It is essential to keep a lookout for trucks, buses, and other public transport vehicles that will often stop suddenly to drop off or pick-up new passengers. Delivery vehicles also do the same thing to collect or deliver goods. It is also common to see vehicles stopping so that they can chat with friends

When you ride a scooter or motorbike at night in Goa, it is essential to be extremely cautious when it comes to oncoming traffic and vehicles since many only have a single headlight working. In contrast, some have no headlights at all. It is also very common for drivers and riders to not turn on their headlights at night. 

Make Sure Your Petrol Tank Is Full

Make sure you stop at all the petrol stations along the way to keep your fuel tank full. If you do run out, your only option would be to buy contaminated or compromised fuel sold in 1-liter plastic bottles on the side of the road. This often leads to breakdowns. 

When you are riding along a road or even the highway, you should also always be on the lookout for stray and unexpected animals. It is common to encounter cows, dogs, pigs, buffalo, and many ox carts. It is common to see people pushing around ice-cream carts or many people riding with very overloaded and unstable motorcycles, scooters, or pushbikes. 

Final Thoughts

The tips mentioned in this article should not deter you or scare you when riding a bike in Goa. Renting a motorbike or a scooter is still the cheapest, most exciting, and best way to smell, hear, and see Goa. With a bit of caution and common sense, it will be an enjoyable experience exploring the sights and sounds of a beautiful city like Goa.

Tips for Senior Citizens Seeking Home Loan

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Senior Citizens Seeking Home Loan

Most people choose to avail a home loan to purchase the house of their dreams. However, lenders have eligibility clauses and only those borrowers that fulfil these requirements can qualify for the loan. For starters, if you are a salaried individual, you would need to have a good credit score as well as payment history to prove your creditworthiness. But what about individuals who are not actively earning, such as senior citizens? Won’t it become hard for them to avail a home loan? Let’s find out.

Most lenders are hesitant to offer loans to people aged 60 and over, especially if they do not have a regular income. Also, home loan interest rates might be slightly higher for older people and senior citizens than what is available to younger loan applicants. This is based on the lower mortality of the older applicants. But with proper planning and some adjustments, you can surely get the required home loan amount at an affordable interest rate. 

Here are some tips for senior citizens who are planning to avail a home loan.

Have a good credit score

To be eligible for any loan, a borrower needs to have a good credit score. A credit score over 750 can make the home loan application process quite easier. However, you should avoid making multiple loan applications with different lending institutions as it will have a negative effect on your credit score. 

Getting a co-applicant to apply for the loan

A senior citizen can apply for a loan by adding a co-applicant. By doing this, the borrowers’ financial stability increases as the repayment is shared between the two co-applicants. However, ensure that the younger co-applicant has a good credit repayment history to be approved as a co-signee on the loan.

Provide collateral on loans

As senior citizens do not have a regular income, their eligibility for a home loan drops. To qualify for the loan, a senior applicant can pledge a high-value collateral as security, such as equity shares or mutual funds. Doing so will reduce the risk involved for the lenders and improve the chances of loan approval.

Having a low loan-to-value ratio

Paying more towards the down payment (DP) is another way of getting a home loan, which will also result in a shorter loan tenure. This allows lending institutions to be able to trust the borrower as most of the amount is paid in advance despite the applicant’s ‘retired’ status. This method is most effective for those with decent liquid savings at hand. Pairing up with a younger co-applicant will further improve the chances of home loan approval.

Eligibility Criteria

Given below is the basic criteria for home loan eligibility:

  • The applicant must be an Indian citizen.
  • S/he must have a work experience of at least 03 years. 
  • Must have a CIBIL score of over 650.
  • Must be between 23 and 70 years of age to apply for a home loan.

Documents required

Mentioned below are the basic documents one requires to apply for a home loan.

  • Identity proofs, such as Aadhaar card/passport/PAN card/driving license, etc.
  • Address proofs such as Aadhaar card/passport/electricity bill, etc.
  • Form 16 or your latest salary slip.
  • Bank statements for the last 03 months.

While following the above tips and tricks will not ensure that senior (older) citizens get a home loan, it will definitely make it that much easier to avail one. Also, it is advisable to check on your loan eligibility and calculate your EMIs with the help of an eligibility calculator and a home loan EMI calculator. Ensure that you understand the services offered by various lenders before opting for the one that offers favourable home loan terms and benefits.

The Ganjifa Cards: Lost Art of the Mysore Royalty Getting Revived

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The-Ganjifa-art
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Ganjifa is an ancient Indian card game that was played among the post-Medieval kings and nobilities and was especially popularized during the Mughal period. The Ganjifa cards of Mysore have served as sources of artistic expressions. The kings were patrons of the artisans, and thus, the card game could flourish all across the country.

Origin of the Ganjifa Card Game

The original Indian card game known as Kreeda Patra was a popular royal amusement. However, with Persian and Arabic influences during the Mughal era, the Kreeda Patra cards of ancient India came to be known as Ganjifa cards. The word Ganjifa is derived from the Persian word ‘Ganj’, which refers to money and treasures. It was a common, leisurely practice for the aristocrats to involve stakes in the game.

The Ganjifa Cards
Image – Varna Nagari

The cards were primarily circular in shape, although rectangular ones have also been found. Other than the handmade papers which were recently discovered during the Mughal era, Ganjifa was designed on sandalwood and ivory pieces, etched with colours of silver and gold.

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The Mughal Ganjifa cards had paintings of acrobats, warriors, hunters, musicians, animals and birds. The colour and iconography changed as it spread to other regions and the themes were usually devotional. Each region developed its own version of the game. Some of the significant styles include the Sawantwadi Ganjifa from Maharashtra, Navadurga Ganjifa from Orissa, Kashmir Ganjifa and the Mysore Ganjifa which was greatly patronised by the Mysore royal family during their reign.

We explore the secluded world of the Mysore Ganjifa cards which has remained aloof from the mainstream.

Historical Significance of the Ganjifa Card Game

The-Ganjifa-Cards
Image Courtesy – Prathama Srsti

The rise of the Mysore ‘Chada’ Ganjifa cards was brought about in the 19th century, under the rule of the then Maharaja of Mysore, Mummadi Krishnaraja Wadiyar III (1794-1868). The king had helped form the particular niche of Ganjifa to develop and propagate its art and game. He was the primary patron to help devise multiple variations for board and card games. The artists in his court designed the games under the king’s guidance.

The book titled ‘Sritattvanidhi’ is the monumental work of Maharaja Wadiyar III. The names of the card games devised by the Maharaja are mentioned in the last chapter, named ‘Kouthuka Nidhi’. The details, like the number of cards used, significance of each style of iconography, and colour combinations, and the corresponding ‘shlokas’, are all collected and organised.

Krishnaraja Wadiyar had formulated thirteen complex card games which required 36 to 60 numbers of cards. The themes of the art spanned across mythology, astronomy, astrology and the Puranas. Wadiyar incorporated themes inspired from Dashavatara, Navagraha, Pancha Pandava, Saamrajya and Naveena Ramayanam.

Ganjifa Cards in the modern age

The-Ganjifa-Cards-in-modern-age
Image Courtesy – Prathama Srsti

Artist Sudha Venkatesh of Mysore is a diligent follower of the traditional methods of creating and practicing the Ganjifa art form. Her father Ramnarasaiah, an artist and curator at the Mysore Palace, introduced her to the impeccable intricacies of the detailed art of Ganjifa. Venkatesh is of the opinion that the original Mysore style never made use of leather as a canvas for painting the deities. During the days of King Wadiyar, the artisans used stiff paper boards, which were prepared by pasting together sheets of paper with glue.

Renowned artisan and pioneer of Ganjifa, Shri Raghupathi Bhatta was inspired by the original Ganjifa cards of Mysore which were around 200 years old. He was fascinated by these ancient cards had survived through the years and retained their beauty. He began working on them in the early 1980s and developed his unique style of painting. Raghupathi Bhatta is an avid practitioner of the spiritual discipline of painting laid down in the Chitra Sutra of the Vishnudharmottara Purana. In this practice, the painter endeavours to meditate on the subject of their painting until they are able to shape its form and colour. Thereby, the painter showcases their art in its fullest potential.

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Ganjifa Cards: the Making

Tourists and art enthusiasts, who purchase the cards as craft objects, cherish their aesthetic value. All Mysore Ganjifa paintings are painted with natural dyes and the fine, delicate details are etched with squirrel hair brushes. The Ganjifa artists grind and mix all colours by hand. The colours are derived from organic sources to produce the vegetable dyes, and thus, are rich in natural minerals.

Attempts to Revive the Ganjifa Card Game

In the recent years of more modern artistry, the name Ganjifa has lost its familiarity among the masses. However, due to the use of the traditional technique of hand-painting and the rich intricate details which embellish the cards, there have been initiatives to revive the art. Several artists and organisations alike have taken steps to revamp the art form. Bengaluru’s Karnataka Chitrakala Parishath is one such significant organisation. It has recently released a hard-bound book with almost 200-pages titled ‘Splendours of Ganjifa Art’. The book contains twelve detailed chapters of the history and traditional artistry of the Ganjifa art style, written by renowned Ganjifa artists, scholars and historians.

Ganjifa Shri Raghupathi Bhatta
Ganjifa Shri Raghupathi Bhatta – Courtesy TheBetterIndia

Ganjifa Shri Raghupati, born in Udupi district of Karnataka, settled in Mysore once he began his work of reviving the dying art form of Ganjifa. Today, he works on traditional paintings based on the Ramayana, Mahabharata and the Upanishads. Most of his paintings today are specific works on the ancient Hindu scriptures.

Artist Subramanya Raju of the Chitragaar family from Mysore is another significant name who helped revive the Mysore school of paintings. He started a class in the Parishath in the genre in 1971.

What the future holds

The complexity of the game and the dominance of western printed 52-leaf playing cards later numbed the art, craft and the game. It would become easier to propagate if the general people and patrons of art gave more preference to originality, bought and used local art forms like the Ganjifa. Enthusiastic patrons who believe in this cause and have the conviction to support humble and talented local artists should step up their game.

Also Read – Ganjifa – A Royal Deck of Artestic Cards (Sawantwadi)

Simple Lifestyle Changes that Result in Good Health

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Author: Evelyn

What is a lifestyle really? The way we live, our habits, our routine, our behaviors? While most people improve their way of living in different ways, many think of lifestyle in terms of health. When you take health into account, your lifestyle habits affect it more than your genes. Living in a world where everything is a race, i.e., career, education, marriage, kids, etc., giving attention to our lifestyle can be a little tricky. While it doesn’t have to be a huge affair, it does need some effort and mindfulness on our part. Nothing more accurate than the quote “Health is wealth” has ever been said. 

Our habits can make or break us. We need to consciously choose and inculcate specific changes and practices to live a healthy, meaningful life. When the novel Coronavirus hit the world, the vitality of good health started surfacing on everyone’s mind. Being healthy doesn’t need to be a big production; it is always in our lifestyle. Maintaining a healthy lifestyle is the only way to ensure a healthy body and mind. While exercising is the most definitive part of a healthy lifestyle, there are other changes and improvements we can incorporate into our routine. Here are 10 lifestyle changes we can integrate into our lives, easily –

Drink Water

water-bottle

Ask any health enthusiast, and the first thing they’ll recommend is drinking water. Hydration has proven benefits on our body and mind. Our body is made of 60 percent water. Hydrating will promote body functions like regulating body temperature, digestion, etc. It also aids in metabolism. 

While the margin is 8 glasses of water, you don’t have to start gulping a lot of water on the first day itself. Start by finishing a bottle of water every day and slowly make your way up to 2 liters or 8 glasses of water every day. The best way to keep track of your water consumption? Keep a water bottle by your side, if that’s insulated, then you have the option to store a hot or cold beverage that you can sip on! A flask or insulated water bottle works wonders for your coffee, tea, fresh fruit juice and even your protein drinks. Choose a flask that’s trendy and functional, one like Vaya Drynk, and you will need no more water reminders, this stunning water bottle does the trick!

Take Regular Walks and Move More

walking

Walks can be incredibly refreshing and energizing. A 20 minutes’ walk can do you a world of good. You don’t need a gym or run a marathon to stay fit; a few minutes of the brisk walk does a good enough job of keeping you healthy. A walk has a positive impact on your metabolism, reproductive system, and system function. 

If you spend a lot of time at your desk, then make sure you are taking regular walking breaks. A 5-10 minutes stroll in the fresh air will make a huge difference, and your productivity will increase too! You can also set your alarm clock 10 minutes early to do some stretches. Take the stairs instead of elevators. Go for that evening Zumba class you’ve been eyeing for a while. While these things are just tiny changes in your life, they bring a significant impact on your health. 

A rich-fiber breakfast

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As they say, breakfast makes all the difference to your day and health. Your day’s first meal is breakfast, and it needs to be filling as well as healthy to keep you going till lunchtime. Always select something rich in nutrients and especially fibers. 

Bakasana Yoga – Facts & Benefits You Need To Know

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Image by Yanalya – www.freepik.com

Yoga is a spiritual venture that employs the full dedication of your body, mind, and soul. Originating in Ancient India, it has now gained momentum all around the world. Many different forms have emerged since, and some extremely helpful poses have come to the forefront. The Bakasana Pose of Yoga is one of them!

The Bakasana pose of Yoga is also known as the Crane Pose or the Frog Stand. It is often the first arm balance pose that yoga students have to master. The key to incorporating effortless formation is finding the center of gravity of one’s body. Although it seems that the pose is all about arm strength, equal distribution of weight is essential.

Steps that lead to the Bakasana Pose

https://youtu.be/k3DsjAV4X8Q

To form the Bakasana pose properly, the practitioner needs to follow the steps:

  1. Begin in a squatting position or the Malasana. Stretch your arms forward and place your palms on the ground.
  2. Bend the arms as if you would during a Low Plank (Chaturanga).
  3. Bring the knees on your outer upper arms and lift on your body on the tips of your toes.
  4. Bring your elbows wide so that you can place your knees up high on your upper arms.
  5. Lean towards your fingers and point your toes. Create resistance with your fingertips.
  6. Hollow the body by pulling the ribs in and rounding the back.
  7. Squeeze the elbows and the knees in.
  8. Before coming into the pose, shift your body weight further forward onto your arms.
  9. Now, you will be able to feel the flow of strength across the upper arms.
  10. Lift the head forward.
  11. Hold the position until your feet get light. You should lift the feet one at a time. It’s very important to engage your toes.
  12. Pull the ribs further in and suck in the belly.
  13. Squeeze your knees and upper arms against each other.
  14. Once you bring your toes to touch, you can eventually straighten your arms.

The fear of falling over is one of the biggest obstacles that practitioners have to face during their first time. To overcome that fear, there’s a slightly different way to enter Bakasana in Yoga:

  1. Put a blanket or pillow at the front of your mat.
  2. Come into Malasana and place your head on your cushioning first. Since the head is on the ground already, there is no risk of falling over.
  3. Lift the buttocks and step your feet further in.
  4. Engage your feet and bring your knees onto your upper arms.
  5. Lift one leg after the other and maintain the balance in this position.
  6. The forearms should be vertical here. Otherwise, you will not be able to balance this pose.
  7. From here, shift your body weight backwards so that you can slowly lift your head.
  8. Engage the toes
  9. Now, follow the steps from 11 to 13, as mentioned above.

What happens to the body during Bakasana pose of Yoga

For practicing any pose for yoga, such as the Bakasana, it is important to know what it does to your body, what muscles and which joints are affected when one goes into a certain posture. It is also essential in understanding proper alignment of the body during yoga practice.
The Bakasana pose is regarded as an arm-support pose that enhances symmetry of the body and balance. Here, the different parts of the spine perform different actions. While the cervical spine is extended, the thoracic and lumbar spine are flexed.

Along with the flexion of the thoracic spine, there also occurs the abduction of the scapulae and the extension of the cervical spine simultaneously. This consequence during the formation of the Crow posture requires precision and strength in the spinal muscles. The knees initially widen to come into the pose. However, the final action of the legs is adduction in order to squeeze the knees into the upper arms or shoulders.

Common Mistakes during Bakasana

The elbows should be kept in line with the shoulders and wrists once the Bakasana is formed. This is in order to keep the elbows from splaying and avoid injury. You can prevent this by planting your fingertips strongly on the ground and making sure your elbows are over your wrists. Ensure that the legs do not rest completely on the arms, and instead, the knees should be kept as high as possible. You should use the core muscles to hold the legs up and not just rely on your hips.
An imperative to make sure that you don’t lose balance and tip forwards is to ensure that your head is lifted upwards. Regular practice in a steady manner is important to master the pose.

Benefits of the Bakasana Pose

Benefits-of-the Bakasana-Pose
Image by Yanalya – www.freepik.com

Bakasana is a yoga pose that strengthens the shoulders, the upper arms, the forearms and the wrists. In addition to that, it also tones the core muscles.
Bakasana is a great yoga pose to mobilize and stretch the upper back and the groins. It also increases the flexibility and elasticity of the spine and helps you improve your balance and full-body coordination.

  1. Stretches the buttocks (gluteals), front of thighs (quadriceps), and the palm side of the wrist (wrist flexors).
  2. Strengthens the core, upper back, chest, front of the hips (hip flexors), back of thighs (hamstrings), arms, shoulders, forearms, and back of wrists (wrist extensors).

In terms of spiritual benefits, Bakasana leads to:

  • Relief from depression and stress
  • Ensured focus and concentration
  • Increase in confidence, introspection and self-awareness
  • A calm, collected mind ready for meditation
  • Stimulation of various chakras, like the solar plexus, third eye, crown, etc.

Cautions of the Bakasana

You can avoid or modify if you have wrist arthritis, wrist pain, or carpal tunnel.
Try to avoid or modify if you have any back pain or injuries, including surgeries, osteoporosis, disc bulging or herniation, or arthritis.
Avoid if you have a hip replacement or facing hip pain while in the pose.
Caution for shoulder pain or injury
Avoid if you are pregnant, particularly in the 2nd and 3rd trimester.

Ways to Adapt and Modify

  • If Bakasana seems too difficult to master for a beginner, there are several options to facilitate access to this asana:
  • When you feel your abdominal muscles become tired, rest your shins on your upper arms by bending the elbows deeper and out to the side so that you can rest your body weight on the arms.
  • If you start with your hips a little higher, it becomes easier to use gravity to move forward into your arms.
  • You can put a pillow or a blanket in front of you if the fear of falling over is restraining. These methods are necessary only until you get used to the technique.
    If you have difficulties lifting both feet, start with raising one foot only and keep the big toe of the other foot on the floor. This tip will help you build strength and understand the right technique.
  • The shape of this asana can be first practised on the back in the Happy Baby pose (Ananda Balasana). This pose is a great way to warm up your back and hips and help them release.

Arm-balancing is challenging at first but will become accessible when one has figured out what to pay attention to in alignment. Hence, understanding the core principles of correct yoga alignment is the key to mastering challenging asanas. With consistent practice and patience, one will gain the physical and mental strength that is required to lift the feet off the ground. Engaging in dedicated practice ensures that one will gain the experience required to overcome the difficulty of Bakasana or the Crow pose.

Best Art Fairs In India – Hubs of Creativity and Cultural Diversity

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India’s artistic aspect has a lot to show in terms of diversity and originality. The cultural background of the country is so rich that the artist keeps evolving, nurturing, and celebrating their expression through art. Every person involved helps in shaping the identity of the society through their art and craft. Art Fairs in India are some of the most beautiful and creative experiences for anyone interested in art and culture. They house many talented individuals and give a platform for creativity to shine.

Today, we explore some of the most vibrant and prestigious fairs and festivals that enrich India’s artistic sensibility as well as give a voice to thousands of artists.

Indian Art Fair

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Image –Wikimedia

The Indian Art Fair is considered as a leading art fair in all of South Asia and focuses on contemporary and modern art styles. It was opened in 2008 to showcase diverse artistic genius, and now, the festival has risen to a level of international reputation. Regional and foreign artists alike use this tourism-oriented festival as a platform for their work. Curators, collectors of art, and enthusiastic learners from all over the world flock to be a part of the Indian Art Fair.

Where: New Delhi
When: January – February
Famous for: Contemporary art

Ajanta-Ellora International Festival

Indian-Art-Fair-Indian-Ajanta-Ellora-International-Festival
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The Ajanta-Ellora Cultural and Art Festival is organized at Soneri Mahal and celebrates the history that is imbibed in the enriching city of Aurangabad. Folk dance performances, Indian classical music, handicraft and other exhibits put on sale, and various culinary delights comprise the alluring festival which earlier used to be held at the UNESCO world heritage site of the ancient caves of Ellora and Ajanta. The festival provides a platform for Indian artists and performers and ensures their promotion.

Where: Aurangabad
When: January
Famous for: Performing Arts

International Film Festival of India

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The renowned International Film Festival of India was first organized in Goa in the year 1952. Since then, it has provided a common platform to film-makers and actors to showcase their skills as well as interact with like-minded people from the same field. The IFFI showcases works of cinematic genius from all over the world and also gives a great exposure to young, talented artists- many of whom are regional. The contributions of notable personalities from the world of cinema are also acknowledged in this festival. It is a great learning ground for those keen to pursue their career in cinema and its art and craft.

Where: Goa
When: November
Famous for: Films and Performing Arts

Delhi International Arts Festival

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Since December 2007, the Delhi International Arts Festival is held annually in various venues of the capital and lasts from ten to twenty days. It is the first event which was organized by the collaboration of the government, non-governmental agencies, corporate and civil societies. The festival draws in artists, writers, art students, art enthusiasts, and experts from around the world. Presenting the rich heritage of Indian arts and culture, the festival holds exhibitions, literature events, workshops, folk music performances, visual arts, classical dance and music performances of both Indian and western origin and the extraordinary Sufi festivals.

Where: Delhi
When: December
Famous for: Performing Arts

Bengaluru International Arts Festival

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The Bengaluru International Arts Festival was organized because of the initiative of Artists’ Introspective Movement (AIM). The program not only promotes local artists but also donates a generous amount from their fund to Arogyadhara, a welfare fund for artists. The festival is a cornucopia hosting an array of various forms of art representing different cultures. Comedy skits, folk and classical music, brilliant contemporary dance performances by Indian and foreign troupes, wonderful theatrical and other performance arts.

Where: Bengaluru
When: October
Famous for: Performing Arts

Kala Ghoda Arts Festival

Indian-Art-Fair-Kala-Ghoda-Arts-Festival
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To preserve and promote the culture of South Mumbai, the Kala Ghoda Association organized the Kala Ghoda Arts Festival for the first time in 1999. The nine days long event is held in the historical Kala Ghoda District of southern Mumbai. The festival puts to display an amalgamation of Indian art forms, including theatre and concerts, street plays, contemporary art installations, literature fests and exhibitions upholding the heritage of Mumbai architecture. It takes the notion of art fairs in India to new levels.

Where: Mumbai
When: February
Famous for: Fine & Performing Arts

Taj Mahotsav

Indian-Art-Fair-Taj-Mahotsav
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The Taj Mahotsav is a vibrant annual festival that goes on for ten days. It showcases the diverse colors and values that the Indian art is resplendent with. Since its inception in 1992, the Taj Mahotsav attracts innumerable tourists and art enthusiasts every year. The festival displays its wonderful hoard of art and craft, and offers a variety of dance performances. Visitors can eat delicious regional dishes as well! The pottery art of Khurja, the figurines from Tamil Nadu, and the Kantha stitch embroidery from West Bengal are a few of the gorgeous examples of craftwork that are showcased. The Taj Mahotsav is sought after by over three-hundred artisans to display their works.

Where: Taj Mahal, Agra
When: February
Famous for: Fine & Performing Arts

Surajkund Crafts Mela

Indian-Art-Fair-Surajkund-Crafts-Mela
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The Surajkund Crafts Mela first began in 1987. Today, it is organized by the collaboration of the Haryana Government and the Surajkund Mela Authority. The festival is held on a grand scale with over one thousand working huts showcasing local and international crafts. One state of India is chosen every year to present its original works and exhibits, which represent the state’s own culture. These include regional dance and acrobatic performances, handicrafts and artefacts, theatre workshops, clothing and cuisine. Thus, with each year, a new aspect of diverse India is witnessed, and visitors are enthralled by the refreshing energy of variety.

Where: Surajkund, Faridabad
When: February
Famous for: Fine & Performing Arts

Goa Carnival

Goa Carnival
Image – Joegoauk69 Via Flickr

A celebration of joy that continues for three days, the Goa Carnival is a brilliant example that embodies the spirit of celebration unique to India. Beginning two days after Easter, it puts on display the energy and enthusiasm that paint the state’s culture. The carnival boasts of grand masquerades, flamboyant costumes, lilting musical parades, exquisite street plays, and dance performances rich with characteristics of the region.

Where: Panjim, Goa
When: February
Famous for: Fine & Performing Arts

Jaipur Literature Festival

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At the Jaipur Literature Festival, wonderful writers and thinkers come together to exchange ideas, and engage in meaningful conversations. This annual festival is a haven for readers, students, literature enthusiasts, intellectuals, and philosophers. Significant authors launch their books during this event. They hold book readings and discussions to enrich the knowledge of the listeners through philosophy and art. Graceful performances of Indian classical music and folk dances adorn the atmosphere of this enriching festival. Undoubtedly, it is one of the largest art fairs in India.

Where: Jaipur, Rajasthan
When: February
Famous for: Literature & Performing Arts

Rajasthan International Folk Festival

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Against the gorgeous, golden sand dunes of the Thar Desert, the Rajasthan International Folk Festival delivers an unprecedented presentation of folk music and art. It showcases the rich heritage of India’s rustic musical flavors and exciting art forms to an international audience as well. Several enhancing workshops are organized during the morning hours to provide detailed knowledge to the visitors and guests. There are also exhibitions of Indian musical instruments.

Where: Jodhpur, Rajasthan
When: October
Famous for: Folk Performing Arts

Cartist Automobile Art Festival and Yatra

Indian-Art-Fair-Cartist-Automobile-Art-Festival-and-Yatra
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The CARTIST organization of Jaipur brings into fusion automobile and art. It promotes young artists and the concept of exhibiting art in the well-exposed and mobile canvas of vehicles. It is a festival that celebrates the charms and innovation of the modern, young artist. Cars, trucks and other automobiles are brought to life with quirky colors, graphics, Indian motifs and psychedelic patterns. CARTIST Yatras are also organized, which are a mobile exhibition of vehicles painted with enticing brush strokes. The Yatras span across the country and stop at all major metropolitan centers.

Where: Jaipur, Rajasthan
When: Nov
Famous for: Automobile Art & Performing Arts

Serendipity Arts Festival, Goa

Indian-Art-Fair-Serendipity-Arts-Festival,-Goa
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The Serendipity Arts Festival showcases a magnificent congregation of rising artists who are exceptionally skilled in their portrayal of life through their art. It spreads its grand canvas across Panaji, Goa and includes visual arts, crafts, theatre, music, dance, photography, and culinary arts. All these brilliant works commingle to please in terms of aesthetic and intellect.

Where: Panaji, Goa
When: Nov
Famous for: Visual & Performing Arts

A visit to any of the art fairs in India, elevates their learning and merriment. It is not a wonder that countless people look forward to these events every year. The art fairs in India are organized for the artists, by the artists. They are the hubs of creativity, where people from across the globe, come together for one holistic goal.

Northeastern Tribes of India – Little Known Things About Their Culture

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Garo girls in Traditional Attire – Wikimedia

The Northeastern states of India are home to a multitude of tribes, and each has its unique culture. Despite being an integral part of the country, people of this region face ethnic and racial discrimination when they venture out of their homeland. The cultures and livelihoods of the Northeastern Tribes of India are unique and beautiful. Here are some of the most interesting and little known things about these tribes.

Matriliny of Khasi and Garo tribes

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Khasi Tribe –Wikimedia

The Khasi and Garo tribes are ethnic to Meghalaya and constitute the majority of its population. They have practiced Matriliny for centuries, and the practice is continuing in its original glory. Although it is not a novel concept and had existed in small pockets in different parts of India, these two tribes continue to be its largest practitioners. But what does Matriliny mean? It refers to the practice where the property is handed to the youngest daughter, instead of being passed over to the sons of the family.

Northeastern-Tribes-of-India
Garo Treble Couple – Wikimedia

Other aspects of this practice include the groom living with his bride’s family, the family name of their children being that of the mothers and dominance of women in social and economic spheres. Yet this system has been criticized by the men of the community as they are denied equal rights. Protests against unfair property laws yielded no conclusions about their relevance. The practice might have lost its novelty in the state, but it remains a beautiful and distinguishing feature of the community.

Devanagari Script of the Bodo Language

Boro language textbooks in Devanagari – Wikimedia

The Bodo tribe is one of the largest ethnic groups in the seven sisters, and they speak the Bodo language, one of the officially recognized languages of our country. Yet, this mother tongue of more than a million Indians, has a unique feature- it is written the same way as Hindi. This is strange because the homeland of the Bodo tribe is distributed across four districts of Assam which are quite far away from the Hindi speaking heartlands of northern India. For a period of time after the original Deodhai script of their speech slowly became extinct, the language was mostly spoken without a proper script.

When the need for written material arose, there was a question as to which one the tribe would choose. They were reluctant to use the Assamese script because of past cases of discrimination, and the Bodo Sahitya Samaj took the lead to promote the Latin or English script. But this saw resistance from the other side. Accepting the advice of the Union Government, the Bodo tribe began writing in Devanagari, and today it is a distinguishable part of their culture.

Idu Mishmi – The Tribe of Rukmini

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Image – Idu Mishmi Kesha Yandou via Facebook

An integral part of Indian culture is its mythologies which have seen various local interpretations across millennia. The Idu Mishmi tribe inhabiting in Arunachal Pradesh believe that they are the descendants of Krishna’s consort, Rukmini. Although the tribe does not practice Hinduism, Hindu Mythology of Mahabharata has vastly influenced their culture.

Rukmini and her life are deeply rooted in their cultural identity. Rukmini was a princess whose brother, Rukmi wanted her to marry Krishna’s cousin Shishupala. An enmity existed between Rukmi and Krishna as the latter had killed Rukmi’s friend Kansa. Thus when he discovered that Rukmini and Krishna wished to marry, the prince forbade the marriage. On the fateful day, when Rukmini eloped with her lover, the people of the Idu Mishmi tribe tried to stop them. As a punishment, the Lord commanded them to cut their hair. To this day, the tribe members are also locally called “chulikata” literally meaning “those who had cut their hair”. They still sing love songs depicting the marriage of Rukmini during the season of love, spring.

The Villages of Singing Names

The-Villages-of-Singing-Names
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A mother’s love is beyond measures. When she sees her child for the first time, tears of happiness well up in her eyes. And out of love and joy, she might hum a tune. In the Kongthong and the neighboring villages of Meghalaya, which are occupied by the Khasis, this little song becomes the name of the baby. She composed two tunes, one is a full song, and the other is a shorter version of it. Kongthong is also known as the whistling village as their song names sound like melodious whistles. The children have another name for official purposes, yet their family members do not address them with this commonly. They only do so when they are angry with them. After all, the name symbolizes love. So, when anger is present, love need not be! And every one of these lullabies is unique.

Even when a person dies, their song is not passed onto their newborn village-members. They also have a unique marriage tradition revolving around the tune where the unmarried men sing their names on a full moon night, and the best singer is chosen as the groom. This practice of singing names has several advantages. The most important one is when the community members are out in the nearby forests, and are in danger. The villagers may not hear their names, but the song would echo through the woods.

The Unique Cultures of Northeastern Tribes of India

Regrettably, most of these cultures are still unknown to the rest of the country. The local bodies have tried to increase tourism and made efforts to protect these cultures. But most efforts have been in vain- partially due to lack of infrastructure and connectivity. Cultures, if not indulged in and appreciated, are lost with time. So next time you are planning a trip, explore the Seven Sisters, and enjoy the vibrant culture of the states.