A new group exhibition titled Cartographies of the Inner World will open on 15 May at 47-A Gallery in Khotachiwadi, Mumbai. Presented by KYNKYNY Art Gallery, the exhibition marks the Bengaluru-based gallery’s debut in Mumbai and brings together seven contemporary women artists whose works explore memory, mythology, personal history and the natural world.
A Collective Exploration of Inner Landscapes
The exhibition features Dimpy Menon, Rakhee Shenoy, Veenita Chendvankar, Payal Rokade, Bakula Nayak, Priyanka Aelay and Nidhi Mariam Jacob. Together, their practices chart the emotional and symbolic terrains of everyday life, dreams and ecological connection.
The title suggests a mapping of personal and collective experiences, tracing how inner worlds intersect with the broader environment.
Surreal Narratives and Mythic Memory
Bakula Nayak
Rakhee Shenoy, Veenita Chendvankar and Payal Rokade present works that draw on surrealist imagery and layered storytelling. Their compositions combine myth, memory and contemporary concerns, offering alternative readings of history and lived experience.
Sculpture and Personal Histories
Dimpy Menon’s bronze sculptures focus on movement and grace, while Bakula Nayak uses mixed media on vintage documents to examine memory and the material traces of personal history.
Highlights of the Exhibition
Bronze sculptures by Dimpy Menon
Mixed-media works on archival paper by Bakula Nayak
Graphic and surreal paintings by Rakhee Shenoy, Veenita Chendvankar and Payal Rokade
Botanical and nature-based works by Nidhi Mariam Jacob and Priyanka Aelay
Nature as Myth and Memory
Priyanka Aelay
The paintings of Nidhi Mariam Jacob and Priyanka Aelay centre on botanical forms and organic systems. Their works draw viewers into imagined ecosystems where plants and landscapes become carriers of stories and symbols.
KYNKYNY’s Mumbai Debut
Founded in Bengaluru in 2004, KYNKYNY Art Gallery has developed a programme focused on contemporary Indian art, with exhibitions spanning painting, sculpture and mixed media. The gallery works with both established and emerging artists and has built a roster that includes several participants in this exhibition.
About 47-A in Khotachiwadi
Veenita Chendvankar
47-A is an exhibition space dedicated to art, craft and design, located in a 19th-century Portuguese-style house in the historic Khotachiwadi neighbourhood of Girgaum. The gallery is known for presenting research-based exhibitions that engage with material culture and contemporary practice.
Visitor Information
Payal Rokade
Cartographies of the Inner World will be on view from 15 May to 24 May at 47-A, Khotachiwadi, Mumbai. The exhibition is open daily from 11:00 am to 7:00 pm.
By bringing together seven distinct artistic voices, Cartographies of the Inner World offers a thoughtful look at how contemporary artists interpret memory, identity and the natural world. The exhibition creates space for reflection, inviting visitors to consider the connections between personal experience and broader cultural narratives. In doing so, it highlights the role of art as a means of introspection and shared understanding.
When you visit Krang Suri Waterfalls, it feels less like a tourist spot and more like a hidden swimming hole someone accidentally discovered and never left. Hidden near Amlarem in Meghalaya’s West Jainti Hills, the waterfall drops into a ridiculously clear turquoise pool surrounded by thick forest and pale limestone cliffs.
No matter what time you visit, you’ll be surprised to see how the water stays blue-green for most of the year instead of turning muddy like many other waterfalls in the Northeast. If you’re booking a Meghalaya trip package, you can combine visiting Krang Suri Falls with Dawki, Jowai, and Shnongpdeng and enjoy scenic drives. You’ll not realise how a couple of hours go by at this place when you are here swimming, taking photos from the hanging viewpoint bridge, or just drying off on sun-warmed rocks.
Location and How to Reach Krang Suri waterfall
Krang Suri Waterfalls is located near Amlarem, a quiet little town in Meghalaya’s West Jaintia Hills where roads curve through thick greenery and mobile signals randomly disappear. Many 7-day Meghalaya bike trips with Kaziranga itineraries include Krang Suri Waterfalls along with Dawki and Jowai since they connect pretty well by road.
By Road: The best way to reach Krang Suri Waterfalls is by road from Shillong. From Shillong, the drive takes about 3 to 4 hours through Jowai and the West Jaintia Hills. You can reach Krangshuri Waterfalls from Shillong, which is roughly a 3- to 4-hour drive depending on traffic, random tea breaks, and those winding hill roads that somehow never end.
Most travelers on a Meghalaya trip hire taxis from Shillong, while you can also go for self-drive SUVs because the roads feel better with a little flexibility. After reaching the entry point, you’ll need to walk down a staircase trail for about 10–20 minutes. Coming back up may be a different story, especially after a long swim.
By Air: Wondering how to reach Krang Suri Waterfall by air? Shillong Airport is the nearest airport, about 90 km away. Though you can also take a direct flight to Guwahati because flight connectivity is much better there. From the airport, you can hire cabs or self-drive cars for the journey of about 200 km to see Krang suri waterfalls in Meghalaya.
History and Local Legends:
Krang Suri Falls may feel like a recent travel discovery, but the forests around it have belonged to the Pnar community for centuries. You can still sense a bit of the region’s older character since several routes near Krang Suri began as simple walking paths used by local Pnar communities.
Best Time to Visit:
If you’re thinking about visiting Krang Suri Waterfalls, the months between October and May are usually the easiest time to go. The roads are better and the water stays surprisingly clear, and you can actually spend time around the falls without worrying about nonstop rain ruining the day.
During this time, short forest walk to the waterfall is much more enjoyable when the ground isn’t muddy every few minutes.
During the monsoon months, especially from June to September, the whole place changes. Krang Suri Falls becomes louder and more dramatic, which some people love, but the trails can get slippery fast. A few sections may feel a little tricky if you’re not used to walking on wet rocks.
One small thing that you need to take note of is that the waterfall can get crowded later in the day. Reaching early in the morning really helps to capture better photographs while enjoying the stillness of the place.
Entry Fee and Timings:
The entry charge for Krangshuri Waterfalls is usually pretty affordable, somewhere around ₹40–₹50. If you plan on getting into the water, then wearing a life jacket is compulsory. Depending on availability, the price can range from ₹30 to ₹100. You can visit the waterfall between 9 AM to 5 PM, but timings can shift during heavy rain or rough weather.
Activities at Krang Suri Falls:
Swimming: One of the best parts about Krang Suri Waterfalls is that you can actually swim there instead of just standing at a viewpoint taking photos. The pool stays cold year-round, and some rocks below the surface are slick enough to surprise you if you’re not careful. Honestly, after five minutes in the water, you stop noticing how cold it is.
Photography: If you enjoy photography, Krang Suri Falls gives you an unfair amount of good angles without even trying too hard. Early mornings usually give the best photos because the sunlight hits the pool softly and the water reflections stay clearer before crowds arrive. You can even bring drones to capture the waterfall cutting through the forest from higher viewpoints.
Nature Walks: Before reaching Krang Suri Waterfalls, you need to walk downhill through a shaded forest trail lined with bamboo fencing and moss-covered rocks. You’ll keep hearing birds somewhere in the trees even when you can’t spot them while passing through dense greenery. Don’t rush the walk down. Some of the best views appear between turns.
Travel Tips for Visitors:
Before heading to Krang Suri Waterfalls, make sure to wear footwear with proper grip because the stairs and wet rocks can get surprisingly slippery near the pool area.
If swimming is part of your trip to Krangshuri waterfall, then consider packing dry clothes and maybe a small towel unless you enjoy sitting in wet jeans for hours after.
During monsoon season, check road and weather conditions before leaving since heavy rainfall sometimes affects access routes in the Jaintia Hills.
Network connectivity around Krangshuri waterfall is patchy too, especially near the lower sections, so keep offline maps and some cash with you.
Help preserve the untouched beauty of Krang Suri Waterfalls by carrying back all plastic waste and leaving the surroundings exactly as you found them.
Nearby Attractions near Krang Suri Falls:
Dawki River
Dawki River: Where you will not believe whether you are floating in air or the boat is actually moving on the incredible transparent water near the India–Bangladesh border.
Shnongpdeng: If you enjoy riverside camping, bonfires, and adventure activities like cliff jumping.
Phe Phe Falls: A scenic waterfall popular among trekkers if you are looking for quieter trails in Meghalaya.
Shillong: The capital of Meghalaya and a town where you can explore local cafés, busy markets, and waterfalls and enjoy rainy evening drives.
Cherrapunji: Home to waterfalls, limestone caves, root bridges, and some of the wettest landscapes in India.
Conclusion
Krang Suri Waterfalls may not be the tallest waterfall in Meghalaya, but it’s the one that you may keep talking about after the trip ends.The place feels calmer. More personal somehow. You walk down through thick greenery, hear the waterfall before seeing it, and then suddenly the water turns this strange blue-green color that almost doesn’t look natural. You may be inclined to just come for photos, then suddenly you’ll find yourself spending half the afternoon swimming or just sitting there for hours without really noticing the time.
A major exhibition of contemporary Indian art will open at the in St. Petersburg, Russia, on 4 June 2026. Titled Sediments of Becoming: Fossilised Present, Summoned Pasts, the exhibition runs until 4 October 2026 and marks the first dedicated presentation of contemporary Indian art in the museum’s 260-year history.
A Historic Institutional Milestone
Artwork by Ravinder Reddy
Organised by in collaboration with the State Hermitage Museum, the exhibition introduces contemporary Indian artistic practices into one of the world’s most historically significant museum collections.
Founded by Catherine the Great in 1764, the Hermitage houses more than three million objects spanning ancient to modern cultures. The exhibition places new Indian artworks within this wider international and historical context, creating a dialogue between present-day artistic production and the museum’s extensive collections.
Curatorial Framework
Artwork by V. Ramesh
The exhibition is curated by Marina Schulz and Tunty Chauhan.
Their curatorial approach examines how contemporary artists engage with memory, history and material culture. Rather than presenting India through ethnographic or purely historical frameworks, the exhibition foregrounds artists as interpreters of their own social and cultural narratives.
Participating Artists
The exhibition brings together works by eleven artists from across India:
Afrah Shafiq
Anindita Bhattacharya
Debashish Mukherjee
Gargi Raina
Lakshmi Madhavan
Manjunath Kamath
Maya Krishna Rao
Pushpamala N.
Ravinder Reddy
Sumakshi Singh
V. Ramesh
Several of the works were newly commissioned after the artists took part in a residency at the Hermitage in 2025.
Dialogue with the Museum Collection
Artwork by Afrah Shafiq
A central aspect of the exhibition is the placement of contemporary artworks alongside historical objects, manuscripts, frescoes and decorative arts from the Hermitage and other Russian institutions.
This approach allows the artists to respond directly to museum collections, creating conversations across time and geography.
Exhibition Highlights
Artwork by Debashish Mukherjee
Newly commissioned works created after the 2025 Hermitage residency
Interdisciplinary practices spanning painting, sculpture, installation, performance and digital media
Dialogues with historical collections from Russia and beyond
A cultural exchange between Indian and Russian institutions
Threshold Art Gallery and Its Role
Artwork by Anindita Bhattacharya
Based in New Delhi, Threshold Art Gallery has worked for more than two decades with established and emerging artists from India and abroad. The gallery regularly organises exhibitions, talks and collaborative projects and has participated in major art fairs, including India Art Fair and Art Dubai.
Visitor Information
Event Name
Details
Title
Sediments of Becoming: Fossilised Present, Summoned Pasts
Artist
Group exhibition featuring 11 contemporary Indian artists
Venue
The State Hermitage Museum
City
St. Petersburg, Russia
Opening Date
4 June 2026
Exhibition Dates
4 June – 4 October 2026
Curators
Marina Schulz and Tunty Chauhan
Organiser
Threshold Art Gallery in collaboration with the State Hermitage Museum
The exhibition opens to the public on 4 June 2026 and continues through 4 October 2026 at the State Hermitage Museum in St. Petersburg.
Visitors are advised to check the museum’s official website for current ticket information and visiting hours.
Cultural Exchange Between India and Russia
Artwork by Lakshmi Madhavan
At a time when museums are rethinking how national and global histories are presented, Sediments of Becoming offers a platform for contemporary Indian artists to engage with one of the world’s leading cultural institutions. The exhibition highlights how artistic practice can create new understandings across borders and connect historical memory with present-day perspectives.
Takeaway
Artwork by Manjunath Kamath
Sediments of Becoming: Fossilised Present, Summoned Pasts offers a significant moment in the ongoing dialogue between contemporary art and historical memory. By bringing Indian artists into conversation with one of the world’s most important museum collections, the exhibition creates new perspectives on how cultures interpret their past and imagine their future. It invites audiences to consider the role of art as a space for reflection, exchange and shared understanding across national and historical boundaries.
A three-day festival dedicated to Indian craftsmanship will take place at Dr. Bhau Daji Lad Mumbai City Museum in collaboration with EkiBeki. Titled Kalaangan 2026, the event will be held from Friday, 22 May to Sunday, 24 May 2026 at the Museum Plaza in Mumbai, bringing together artisans, designers and performers from across India.
A Festival of Craft and Design
Kalaangan will present more than 40 traditional and contemporary styles of craftsmanship and design. Visitors can explore handcrafted textiles, accessories, jewellery and home décor created by artisans representing different regions of the country. The event aims to highlight both longstanding craft practices and their contemporary interpretations.
Alongside the craft market, the festival will feature immersive folk art performances and hands-on workshops led by participating artisans. These sessions will offer visitors an opportunity to learn about techniques, materials and cultural contexts behind the works on display.
About the Organisers
Dr. Bhau Daji Lad Museum is Mumbai’s oldest museum, originally opened in 1872. It is known for exhibitions and public programmes focused on the city’s history, art and design.
EkiBeki works with artisan communities and curates exhibitions and markets that connect traditional craftsmanship with contemporary audiences. The organisation regularly collaborates with museums and cultural venues across India.
Kalaangan 2026 will be open daily from 10 am to 7 pm, with last entry at 6:30 pm. The event is open to all visitors. Standard museum entry tickets will apply, and parking will be available subject to availability. Visitors can check the museum’s calendar and updates through the official website.
Takeaway
Kalaangan 2026 brings together makers, performers and audiences in a shared celebration of India’s diverse craft traditions. By connecting heritage practices with contemporary design, the festival offers visitors a closer look at the skill and cultural knowledge embedded in handmade work. The event also supports artisans by creating a public platform for exchange, appreciation and sustainable livelihoods.
Les Trésors will present The Art Experience at Design POV 2026, an immersive exhibition that explores the relationship between contemporary art and interior space. Created in collaboration with RSDE, the presentation will be on view from 15 to 17 May 2026 at the Jio World Convention Centre in Mumbai, at Booth G5. Visitors can find the showcase within the broader design platform, Design POV India.
Art Beyond Display
The presentation is conceived as a dialogue between artwork and environment. According to the organisers, each piece has been selected to be experienced not only visually but also through the atmosphere it creates. The installation places emphasis on how art can shape emotional responses within residential and architectural settings.
Collaboration with RSDE
RSDE joins Les Trésors to develop a setting where curated artworks are integrated into refined spatial compositions. The collaboration reflects a growing interest in how galleries, designers, and collectors are working together to position art as an essential component of interior design rather than a final decorative addition.
Les Trésors is an art platform that presents contemporary works to collectors and design-focused audiences. Its exhibitions often situate art within thoughtfully designed environments, highlighting the relationship between aesthetics, materiality, and living spaces.
About Design POV 2026
Design POV returns to Mumbai for its second edition from 15 to 17 May 2026. The event brings together architecture, interiors, art, fashion, and culture through immersive exhibits and curated collaborations. The 2026 edition continues to expand its role as a meeting point for designers, brands, artists, and collectors.
Highlights of The Art Experience
Curated contemporary artworks presented within a designed environment
Collaboration between Les Trésors and RSDE
Focus on the emotional relationship between art and space
Design POV 2026 takes place at the Jio World Convention Centre in Bandra Kurla Complex, Mumbai. The event runs from 11:00 am to 7:00 pm each day. Tickets are available through the official Design POV website and authorised booking platforms.
A Meeting Point for Collectors and Creators
The Art Experience is designed for collectors, architects, interior designers, and art enthusiasts interested in the role of visual art within contemporary spaces. By bringing together artworks and design elements, the presentation offers a setting where aesthetic appreciation and spatial thinking converge.
Conclusion
The Art Experience by Les Trésors and RSDE highlights the increasingly close relationship between art and design in contemporary culture. By placing artworks within immersive interiors, the exhibition invites viewers to consider how art shapes emotional and social environments. At Design POV 2026, the presentation offers a thoughtful perspective on the role of collecting and living with art.
The door to learning keeps swinging wider as more readers turn to open e-libraries for support. Z-Library stands out as a steady companion for anyone who loves to explore new ideas. Its simple structure lowers barriers and offers room for curiosity to breathe.
Readers often point to its steady growth as a sign of healthy progress. As an expanding digital collection Zlibrary grows larger each year which helps more people explore topics that once felt out of reach. This steady rise builds trust and shows how shared knowledge can move across borders without losing its spark.
How Z-Library Shapes New Learning Habits
Z-Library reshapes reading in subtle ways. It encourages slow thoughtful discovery that feels almost like wandering through a familiar bookstore only online. Readers pick titles based on instinct mood or need and the platform answers with breadth rather than pressure. Favorite works like “Pride and Prejudice” or “The Fellowship of the Ring” wait patiently for anyone ready to dive in. The flow feels natural and free from gatekeeping.
Its influence also shows in study routines. People who once relied on limited shelves now jump between fields with ease. A science title sparks interest in history. A novel opens a door to philosophy. This cross pollination builds stronger learning habits and helps readers see patterns that stretch across disciplines. The shift feels a bit like weaving a tapestry with threads found in unexpected places. It is a quiet but powerful change that supports lifelong learning.
Here is a closer look at key forces that guide this shift:
Broad reach
Z-Library gives readers access to many voices from many regions. That reach makes study feel more textured and rich. A student reading “Things Fall Apart” might discover a related work from a distant part of the world and gain fresh insight. Over time this wide net builds empathy and knowledge that extends far beyond one field. The open feel of the library invites steady growth and nourishes a sense of shared human experience.
Smooth Exploration
The simple structure of Z-Library keeps the focus where it belongs on reading. With no noise to distract readers it becomes easier to follow natural curiosity. Someone searching for a classic might stumble across a new title that adds depth to an idea or solves a problem that once felt confusing. This gentle guidance supports creative thinking and strengthens independent study. It has the warmth of a quiet reading room where ideas echo softly.
Room to Grow
Z-Library offers a sense of freedom that encourages deeper engagement. A reader who finishes “The Scarlet Letter” might move straight into modern criticism or shift toward another author entirely. That space to roam keeps motivation alive and fosters habits that last. As readers build their own paths the library stands ready with new corners to explore which helps keep learning fresh and steady.
After exploring these forces the rhythm of reading becomes easier to understand and the role of Z-Library feels even clearer. Learning grows stronger when tools stay simple and people have room to wander.
The Road Ahead for Open Learning
Future reading habits will likely lean even more on shared knowledge. Z-Library sits at the center of that shift acting as a crossroads where casual interest and deep study meet. Its steady growth reflects a world eager for stories facts and ideas that travel freely from one mind to another.
As learning keeps evolving the spirit of open access will guide the way like a lantern held high on a winding trail.
A new group exhibition titled An Ancient Ballad will open at Emami Art in Kolkata on 22 May 2026. Presented in Gallery 1 on the ground floor of the gallery space, the exhibition brings together artists from different generations to examine how images of nature, the human body and animal forms recur across modern and contemporary art practices. The exhibition will remain on view until 10 July 2026.
Exploring Recurring Motifs
Arunima Choudhury (b. 1950) Roaming in the Garden Eco print on cotton 24 x 25 in. 2022 Kolkata
The exhibition includes photography, painting, printmaking, textile, ceramics and sculpture. Through these varied media, An Ancient Ballad looks at how familiar visual forms return over time while taking on new meanings shaped by changing material, social and ecological contexts.
Rather than treating repetition as a fixed language, the exhibition proposes it as a site of transformation. Leaves, landscapes and bodies appear throughout the works, each carrying traces of the techniques, labour and histories involved in their making.
Intergenerational Dialogue
L. M. Sen (b. 1898)Fields on the Hills Silver Gelatin print 10.2 x 14.2 in. c.1940s – 50s
Historical works by L. M. Sen and K. C. Pyne are placed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro and Rahul Sarkar.
The exhibition creates connections between memory, mythology and lived experience, allowing viewers to trace continuities and changes in artistic practice across decades.
Full List of Participating Artists
Ajit Kumar Das
Alakananda Sengupta
Arunima Choudhury
Chandra Bhattacharjee
K. C. Pyne
L. M. Sen
Partha Dasgupta
Rahul Sarkar
Raja Boro
Sayandeep Kangsabanik
Subrata Biswas
Tapas Biswas
Material and Ecological Memory
Ajit Kumar Das (b.1957) মৎস্য কমলপত্র II (The Fish and the Lotus Leaves II) Hand-painted with natural dyes on cotton cloth. 12 3/4 x 12 3/4 in. 2026 North 24 Parganas, West Bengal
Textile and material-based works occupy a significant part of the exhibition. Arunima Choudhury’s eco-printed works, Ajit Kumar Das’s naturally dyed kalamkari cloths and Alakananda Sengupta’s ceramics focus on surface as a record of touch, labour and environmental memory.
Sculptural works by Tapas Biswas, Subrata Biswas and Partha Dasgupta explore the human figure through balance, weight and abstraction.
Highlights of the Exhibition
Kartick Chandra Pyne (b. 1931- d. 2017)Untitled Watercolour on rice paper 22 x 30 in. Undated
Early photographic studies by L. M. Sen
Figurative works by K. C. Pyne
Eco-printed and naturally dyed textiles
Ceramics and mixed-media sculptures
Printmaking focused on memory, identity and landscape
Works by 12 participating artists across generations
Curatorial Perspective
Chandra Bhattacharjee (b. 1961) Untitled Acrylic on canvas 72 X 48 in. 2024-2026. Kolkata.
Richa Agarwal, CEO of Emami Art, said the exhibition reflects the organisation’s commitment to presenting historically significant works alongside contemporary practices. Ushmita Sahu, Director and Head Curator, describes the exhibition as an exploration of image, memory and matter in ongoing dialogue.
Founded in 2017, Emami Art is a contemporary art gallery housed within the Kolkata Centre for Creativity, a multidisciplinary arts centre that hosts exhibitions, performances and educational programmes.
Visitor Information
Event
Details
Title
An Ancient Ballad
Artists
Group Exhibition featuring 12 artists across generations
Venue
Gallery 1, Ground Floor, Emami Art, Kolkata Centre for Creativity, 777 E M Bypass, Kolkata 700107
Opening Date
22 May 2026, 4:00 PM onwards
Exhibition Dates
22 May – 10 July 2026
Organiser
Emami Art
Timings
Daily, 11:00 AM – 7:00 PM
Entry
Open to the public
Website
https://www.emamiart.com
Further details are available on the gallery’s official website and social media channels, including Emami Art on Instagram.
Conclusion
An Ancient Ballad offers a considered view of how images and forms endure across time while continuing to evolve. By bringing together historical and contemporary works, the exhibition invites visitors to reflect on the relationship between memory, ecology and artistic practice. In doing so, it highlights the ways art can connect past and present through material, imagination and shared cultural histories.
Buying a scooter is easier when you have honest opinions from real riders – not just shiny brochure claims. That’s why Scooty Lelo has become India’s most trusted scooter discovery and review platform. By combining community input and verified sources, it helps buyers make smarter, more confident choices.
Manufacturers highlight features, but only daily users reveal what a scooter is actually like after months on the road. Authentic reviews help you:
Understand real mileage vs. company claims.
Spot maintenance patterns or recurring issues early.
Compare ride comfort, braking, and performance from real conditions.
Identify which models truly offer value for money.
When hundreds of verified users share their input, buying decisions become fact‑based rather than guesswork – and that’s where Scooty Lelo shines.
How Scooty Lelo Collects & Verifies Scooter Reviews
Unlike random social posts, Scooty Lelo works with strict verification and data checks. Every review is tied to a real purchase or validated online activity. The system filters:
Duplicate entries.
Brand‑sponsored content.
Unreliable ratings without context.
This ensures that when you read a review on Scooty Lelo, it’s genuine rider feedback based on experience – whether praising performance or pointing out faults.
Key Insights from Latest Scooty Lelo Reviews
Recent data from thousands of user reviews across major brands reveals clear patterns:
Feature Area
User Favorites
Common Requests
Mileage / Range
Honda Activa 6G & Ather 450X
Better city range for EVs
Ride Comfort
TVS Jupiter 125 & Suzuki Access 125
Softer seat and road grip
Build Quality
Vespa SXL 150 & Aprilia SXR 160
Lower panel noise over time
Performance & Pickup
Ola S1 Pro & Ather 450X
Faster charging options
These summaries help new buyers easily see which segments deliver balanced value based on thousands of real‑use kilometres.
Top‑Rated Scooters on Scooty Lelo
As per recent aggregated user ratings:
Ola S1 Pro Gen 3 – Rated ⭐ 4.6 / 5 for power, design, and range.
Ather 450X (Gen 3) – ⭐ 4.5 / 5 for refinement and premium build.
TVS iQube ST – ⭐ 4.4 / 5 for comfort and city use.
Honda Activa 125 – ⭐ 4.3 / 5 for reliability and low service cost.
Hero Destini 125 – ⭐ 4.2 / 5 for value and daily durability.
Explore detailed ratings and owner testimonials through scootylelo.com - where each brand earns its score directly from the community.
How To Use Reviews for Smarter Buying
Read both positives and negatives. A mix reveals balanced truths.
Filter by usage type. Scooty Lelo lets you see feedback from daily commuters, delivery riders, or leisure users.
Compare models side by side. Ratings can be viewed next to price and fuel type for clarity.
Look for recurring comments. If multiple owners report battery accuracy, it’s a strong signal.
Why Scooty Lelo Reviews Stand Out
Many sites aggregate data, but Scooty Lelo pairs its reviews with technical details and expert analysis, creating a complete decision support system.
With its clean interface and category‑wise filtering, you can quickly find exactly what you need - from the best mileage scooty to the latest electric launch.
Conclusion
Authentic feedback drives better buying, and no platform does it better than Scooty Lelo. Its real‑world reviews and ratings help buyers avoid costly mistakes and choose with confidence.
Before finalizing your next ride, check out verified user experiences on scootylelo.com - because honest reviews build happy rides.
Asit Patnaik The world within -I 33.5X36 Oil Acrylic on Canvas 2025
Shailja Art Gallery is presenting The Contemporary Lore: Sojourn of Styles and Generations Unfurled, a group exhibition that brings together 23 artists working across painting, sculpture, and mixed media. The exhibition will be held at Bikaner House from 9 May to 14 May 2026, before moving to the gallery’s Gurugram space from 17 May to 13 June 2026.
Curated by Kiran K. Mohan, the exhibition examines how artistic conversations can move beyond chronological or institutional categories. Instead of separating artists by career stage, the exhibition places established, mid-career, and emerging practitioners alongside one another to create dialogues based on shared material concerns and conceptual approaches.
According to the curatorial framework, the exhibition proposes that artistic lineages are not linear, and that contemporary art can be understood through resonances between practices rather than through hierarchy.
Artists Featured in the Exhibition
Bipin Kumar Unbounded Fantasy 3ftx3ft Acrylic on Canvas
The exhibition includes works by:
Anil Gaekwad
Ashok Bhowmick
Asit Patnaik
Bharti Prajapati
Bipin Kumar
Charudatt
Dilip Sharma
Haren Thakur
Harshwardhan Devtale
Hemraj
Jaikrishna Agarwal
Manoj Kumar Agarwal
Milan Das
Meenakshi Jha Banerjee
Mukesh Bijole
Nilisha Phad
Pandurang Thate
Prem Singh
Rakhi Kumar
Sanjay K. Srivastava
Sekhar Kar
Shaji Apukuttan
Yusuf
The works span multiple visual languages, ranging from figuration and abstraction to sculptural and experimental mixed-media practices.
Curatorial and Critical Context
Charudatt Pandey Silent Witness Oil & Acrylic on Canvas 30X36
The exhibition includes a critical essay by Johny ML, a Delhi-based art critic, curator, and writer known for his work on contemporary Indian art and cultural criticism. Johny ML has written extensively on Indian visual culture and has curated several exhibitions over the past two decades.
Kiran K. Mohan notes that the exhibition is intended to create a conversation between differing artistic vocabularies and approaches to medium, rather than focusing only on technical skill or market categorisation.
Shailja Art Gallery’s Expanding Platform
Harshwardhan Devtale Illuminated Silence Water Colour on paper
Founded by Shailja Jain, the Gurugram-based gallery has increasingly positioned itself as a space supporting both established and emerging artistic practices. The gallery and studio platform hosts exhibitions, workshops, literary events, and interdisciplinary cultural programmes.
Speaking about the exhibition, Shailja Jain said the project aims to create visibility for artists who are often overlooked due to geographical and institutional barriers within the Indian art ecosystem.
Exhibition Highlights
Mukesh Bijole Untitled 48X36
Visitors to the exhibition can expect:
Paintings, sculptures, and mixed-media installations
Dialogues between emerging and senior artists
Non-chronological exhibition design
Diverse approaches to abstraction, figuration, and material experimentation
A curatorial focus on conceptual resonance rather than hierarchy
The exhibition’s arrangement intentionally avoids conventional categorisation by generation or market positioning.
Venue and Visitor Information
Shaji Appukuttan A river has run its course Acylic on canvas 36X36
Event
Details
Title
The Contemporary Lore: Sojourn of Styles and Generations Unfurled
The first phase of the exhibition will open at Bikaner House in New Delhi from 9 May to 14 May 2026. The exhibition will remain open daily between 11 am and 7 pm.
Following the Delhi presentation, the exhibition will travel to the Gurugram venue of Shailja Art Gallery from 17 May to 13 June 2026.
For additional details, visitors can access the gallery’s official website through Shailja Art Gallery Official Website and updates through the gallery’s Instagram page.
Takeaway
Prem Singh Being in the present moment 60X36 2025 26 Acrylic on Canvas
The Contemporary Lore: Sojourn of Styles and Generations Unfurled positions itself as an exploration of how contemporary Indian artists engage with shared questions of materiality, identity, and artistic language. By bringing together practitioners across generations without hierarchical separation, the exhibition proposes a broader and more interconnected understanding of contemporary art practice in India. Through its dual presentation in New Delhi and Gurugram, the exhibition also reflects ongoing efforts to expand conversations around accessibility, visibility, and artistic exchange within the cultural landscape.
The 18th edition of the Habitat Film Festival (HFF) will take place at the India Habitat Centre, presenting a wide-ranging selection of Indian cinema. The festival brings together classics, contemporary independent films, and documentary works, alongside conversations with filmmakers and curated retrospectives.
A Platform for Diverse Cinematic Voices
The festival focuses on showcasing critically acclaimed Indian films from 2025–2026, highlighting both established and emerging filmmakers. Contemporary titles such as Moham, Baksho Bondi, Vanya, Maliput Melodies, and The Elysian Field reflect the diversity of storytelling across regions and languages.
Retrospectives and Tributes
A key highlight of this year’s edition is a retrospective dedicated to Ritwik Ghatak, known for his influential contribution to parallel cinema. The programme also includes screenings such as Umrao Jaan as a remembrance of Asha Bhosle, and Chupke Chupke in honour of Dharmendra and Asrani.
The festival features curated packages from prominent organisations including the Indian Documentary Producers’ Association and the Film Critics Guild. Additionally, award-winning documentaries from Public Service Broadcasting Trust will be screened, offering insights into everyday life and intimate narratives.
Program Highlights
Key elements of the festival include:
Retrospective screenings and tribute films
Contemporary independent feature films
Short film packages from industry bodies
Award-winning documentary screenings
Beyond Screenings: Conversations and Events
In addition to film screenings, the festival will host:
Filmmaker interactions and discussions
A dedicated workshop
A book discussion session
An exhibition connected to cinema and storytelling
These events aim to deepen audience engagement and provide context to the films presented.
The festival will be hosted at the India Habitat Centre in New Delhi, a prominent cultural venue known for hosting film, art, and literary events. Details regarding the schedule and registration are yet to be announced, with organisers encouraging audiences to stay tuned for updates.
Continuing a Legacy of Film Appreciation
Over the years, the Habitat Film Festival has established itself as a significant platform for Indian cinema, bringing together filmmakers, critics, and audiences. Its programming continues to reflect both historical depth and contemporary relevance in the evolving cinematic landscape.
Takeaway
The 18th Habitat Film Festival presents a thoughtful blend of past and present in Indian cinema. By combining retrospectives, independent films, and documentary storytelling, it offers audiences an opportunity to engage with diverse narratives and artistic voices. The festival continues to contribute to the cultural dialogue around cinema, fostering appreciation and critical engagement within the community.
