Capturing the Multiverse: Sarika Dandona’s Solo Exhibition Opens at Bikaner House, Delhi

New Delhi, October 2026: LTC Gallery at Bikaner House, New Delhi, will present Capturing the Multiverse: Parallel States of Matter and Perception, a solo exhibition by award-winning abstract photo-visual artist Sarika Dandona, curated by critic-curator Georgina Maddox. Running from 27 October to 1 November 2026, the exhibition examines how everyday materials can reveal unexpected visual worlds through experimental photography.

Exploring Parallel Material Realities

The exhibition approaches the idea of the multiverse as a way of understanding perception rather than solely as a scientific theory of parallel universes. Dandona’s photographs explore the possibility that multiple visual realities can exist within the same material, moment and field of vision.

Working primarily with macro photography, the artist studies glass, ice, water, fire and weathered surfaces. Through light, reflection, movement and changes in material form, she reveals patterns that can resemble landscapes, biological structures and cosmic phenomena. The exhibition considers how familiar objects may appear radically different when observed closely.

From Glass Fractures to Cosmic Forms

In Dandona’s photographs, a crack in glass can resemble a river delta, a neural network or a geological fault line. Melting ice may evoke an aerial landscape or planetary atmosphere, while liquid forms suggest biological growth and movement. Fire becomes both energy and structure.

These visual associations form the basis of the exhibition’s exploration of interconnectedness. Although the materials differ physically, their patterns and structures can echo one another across different scales. The works invite visitors to reconsider the boundaries between the microscopic and the monumental, the natural and the imagined.

The exhibition’s central themes include:

• Material transformation: The changing forms of glass, ice, water, fire and other physical substances.
• Perception and scale: How close observation can make familiar materials appear unfamiliar.
• Interconnectedness: The recurrence of similar patterns and structures across different materials and environments.
• Photography as discovery: The use of real physical phenomena to reveal unexpected visual possibilities.

Photography Without Digital Fabrication

A key aspect of Dandona’s practice is her emphasis on capturing physical phenomena in-camera. According to the exhibition brief, the abstract images emerge from the interaction of light and materials rather than digitally fabricated or AI-generated imagery.

The process places observation at the centre of the work. The photographs may evoke distant planets, intricate landscapes or microscopic organisms, but their visual effects originate in the physical properties of the subjects being photographed.

Dandona describes her approach as a form of visual inquiry, shaped by curiosity about what lies beneath the visible surface of things. Her work asks viewers to look beyond immediate appearances and consider how material forms can produce different interpretations depending on perspective and context.

An Artistic Practice Shaped by Multiple Disciplines

Dandona’s background spans biotechnology, microbiology, journalism and healthcare entrepreneurship. Her scientific training encouraged close observation of structures beyond the naked eye, while journalism introduced an emphasis on inquiry and context. Her later professional experience further informed her interest in complex systems and continuous change.

She has developed her photographic practice over approximately fifteen years, concentrating on macro imagery and the transformation of ordinary substances. Her work has also appeared in exhibitions and collections documented on her Saatchi Art profile.

For Dandona, the multiverse is not limited to distant galaxies or theoretical possibilities. It also exists in the different ways everyday matter can be seen and understood. As she states in her artist’s statement, “Reality is rarely singular. The closer we look, the more layers emerge.”

Curatorial Perspective and Exhibition Presentation

The exhibition is curated by Georgina Maddox, an independent critic-curator whose work engages with contemporary Indian art and critical writing. Her professional background includes journalism, exhibition-making and writing on visual art.

The presentation of the photographs is also part of the exhibition’s approach. Dandona considers the scale, placement, materials and relationships between individual images important to how viewers experience the work. The photographs may also lend themselves to interdisciplinary installations involving architecture, material culture and immersive sensory environments.

Exhibition Details

The press release does not specify admission charges, daily visiting hours or a registration process. Visitors should consult the venue’s official listing for any access updates before planning a visit.

Looking Beyond the Visible

Through its focus on physical materials and changing visual forms, the exhibition offers a perspective on photography as a means of investigating the world rather than simply recording it. Its images connect artistic observation with questions about perception, impermanence and the relationships between different forms of matter.

For audiences interested in contemporary photography, science and visual culture, the exhibition provides an opportunity to reconsider familiar substances and the interpretations they invite. It also encourages a broader reflection on how sustained observation can reveal connections between seemingly unrelated parts of the natural world.